2,290 research outputs found

    Louvre Museum - Paintings

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    The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour CarrĂ©e. In 1594, Henri IV decided to unite the palace of the Louvre with the palace of the Tuileries built by Catherine de Medicis. The Cour CarrĂ©e was built by the architects Lemercier and then Le Vau, under the reign of Louis XIII and Louis XIV. The Department of Paintings currently has about 7,500 paintings (of which 3,400 are exposed), covering a period that goes from the Middle Ages to 1848 (date of the beginning of the Second Republic). By including the deposits, the collection is, with 12,660 works, the largest collection of ancient paintings in the world. With rare exceptions, the works after 1848 were transferred to the MusĂ©e d'Orsay when it was created in 1986. CONTENTS: Louvre Museum - Variety of exhibited works - The Royal Palace - The collections - - Eastern antiquities - - Arts of Islam - - Egyptian Antiquities - - Greek, Etruscan and Roman Antiquities - - Paintings - - - French school - - - Northern Schools (Flanders, Netherlands, Germany) - - - Italian School - - - Other schools Painting - Definitions - Painting genres - - The landscape - - Still life Paintings - FRANCOIS BOUCHER - - Vulcan presenting arms to Venus for Aeneas - RAPHAEL - - Portrait of Baldassare Castiglione - RUBENS - - Helena Fourment with children - LOUIS DAVID - - Madame RĂ©camier - REMBRANDT - - Portrait of Heindrickje Stoffels - VELAZQUEZ - - Portrait of the Infanta Margarita - SIMONE MEMMI - - Jesus Christ walking on Calvary - JAN STEEN - - The Bad Company - HANS HOLBEIN - - Erasmus - CORREGGIO - - Mystic Marriage of Saint Catherine - LANCRET - - Conversation - JAN VAN DER MEER (VERMEER) - - The Lacemaker - VAN DYCK - - Charles I at the Hunt - FRANÇOIS CLOUET - - Elisabeth of Austria (1554-1592), Wife of Charles IX and Queen of France (1570 - 1574) - DELACROIX - - The Barque of Dante - EL GRECO - - Saint Louis, King of France, and a page - REMBRANDT - - Pilgrims at Emmaus (The Supper at Emmaus) - GERARD DAVID - - Marriage at Cana - RAPHAEL - - Portrait of Dona Isabel de Requesens, Vice-Queen of Naples - RUBENS - - La Kermesse (The Village FĂȘte, or Noce de village) - FRANS HALS - - The Gypsy Girl - DECAMPS - - The Sonneurs - HOLBEIN THE YOUNGER - - Anne of Cleves - P. PRUD’HON - - Psyche transported to Heaven - PHILIPPE DE CHAMPAIGNE - - Portrait of Richelieu - LANCRET - - The Autumn - L. DAVID - - Madame Seriziat - COROT - - Recollection of Mortefontaine - LEONARDO DA VINCI - - La belle ferronniĂšre - CORREGGIO - - Venus and Cupid with a Satyr - WATTEAU - - Pilgrimage to Cythera (The Embarkation for Cythera) - NICOLAS POUSSIN - - The Inspiration of the Poet - PRUD’HON - - The Empress Josephine (1763-1814) - FRAGONARD - - The Bathers - H. RIGAUD - - Louis XIV (1638–1715) - TERBURG - - The Concert - LEOPOLD ROBERT - - The Pilgrimage to the Madonna of the Arch - LARGILLIERE - - Family Portrait - MANTEGNA - - Parnassus - MEMLING - - The Virgin and Child between St James and St Dominic - FRAGONARD - - The Music Lesson - JEAN VAN EYCK - - The Virgin of chancellor Rolin - PAOLO VERONESE - - Susannah and the Elders - FRANÇOIS BOUCHER - - Diana leaving her bath - GÉRICAULT - - The Raft of the Medusa - MURILLO - - Assumption of the Virgin - CLAUDE GELLEE (LORRAIN) - - Ulysses returning Chryseis to her father (Marine, setting sun) - INGRES - - Madame Riviere - E. MURILLO - - The Young Beggar - GREUZE - - The Broken Pitcher - PIETER DE HOOCH - - Card players in an opulent interior - POUSSIN - - Et in Arcadia ego - QUENTIN MATSYS - - The moneylender and his wife - ANDREA SOLARIO - - Madonna with the Green Cushion - TITIEN - - Woman with a Mirror - DAVID TENIERS (the Younger) - - The Works of Mercy - LEONARDO DA VINCI - - Mona Lisa (La Gioconda) - Armand Dayo

    Envision, Fall 2012

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    https://digitalcommons.andrews.edu/envision/1002/thumbnail.jp

    Becoming Rasuwa Relief: Practices of Multiple Engagement in Post-Earthquake Nepal

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    In this article, we reflect on the multiple nature of our engagements in the wake of the 7.8m earthquake that struck Nepal on April 25th 2015. Specifically, we trace the events, experiences, decisions, positions, and processes that constituted our work with a post-earthquake volunteer initiative we helped to form, called Rasuwa Relief. Using the concept of multiplicity (cf. Mol 2002), we consider the uncertain process by which Rasuwa Relief began to cohere, as a collective of diverse efforts, interventions, projects, and commitments, and how Rasuwa Relief was continually and multiply enacted through practices of engagement. As a collaborative effort that coordinated and consolidated many of our post-earthquake interventions over a period of two years, Rasuwa Relief was always in a state of becoming. This process of becoming, we suggest, indexed and informed the multiple ways that we participated and intervened in the aftermath of the earthquake—as accidental humanitarians or ‘relief workers’, as early-career scholars, and as people attempting to balance diverse personal, academic, and ethical commitments within and beyond Nepal. Based on a reflexive analysis of these multiple engagements, we also present an embedded critique of ‘humanitarian reason’ (Fassin 2012), inclusive of our own decisions and actions, alongside a selfcritical analysis of the affective factors that shaped our own ‘need to help’ (Malkki 2015)

    Fragments of Memories

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    Quilt making, in its simplest form, is the taking of fragments from various sources and putting them together to form a new symbol that gives new meaning to those fragments, collectively. This thesis discusses my incorporation of the language of quilt making in my work, transforming its' ideals to reflect on issues and experiences that occur within families and communities, and to make quilt making cross the line from craft to fine art

    Effect of Post-Dehulling Treatments on Anti-Nutritional and Functional Properties of Cowpea (Vigna Unguiculata) Flour

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    Recently, cowpea (Vigna unguiculata) has been cited for imparting specific positive health potentiating responses when properly positioned in the diet. However, inherent anti-nutritional factors in cowpea have long been recognized as concerns and require appropriate processing conditions to ameliorate adverse effects. The study focuses on effect of post-dehulling treatments on anti-nutritional and functional properties of cowpea flour. Three genotypes of cowpea (IT99K-573-2-1, IT96D-610, and IT07K-292-10) were dehulled. Dehulled cowpeas were boiled, roasted or autoclaved and prepared into flour. Raw (dehulled) cowpea genotype served as control. Anti-nutritional and functional properties of the products were determined using standard procedures. Antinutrient concentration of cowpeas differed significantly (p≀0.05) among genotypes. Tannin, phytate and oxalate concentration ranged from 31.15 to 121.80g/kg, 22.31 to 48.04 g/kg and 0.01 to 0.026g/kg respectively. Coloured beans (IT96D-610), had significantly lower anti-nutritional content than those of white beans (IT99K-573-2-1 and IT07K-292-10). All heat treatments significantly reduced the levels of  investigated anti-nutrients compared to their respective control. Water absorption capacity and oil absorption capacity were found in the range of  2.12–3.07 mL/g and 1.37-1.73 mL/g, respectively. Swelling power, starch solubility, loose bulk density and packed bulk density varied between 10.79 to 18.42g/g, 0.16 to 1.52g/g, 0.64 to 0.73g/mL and 0.84 to 0.94 g/mL respectively. Colour parameters (L*, a*, b*, hab, C*) showed significant  variations among the genotypes. The combined varietal and processing variation induced significant modification in the inherent anti-nutrients and functional properties of dehulled cowpea as attested by the highly significant (p≀0.05) correlations observed. Processing of cowpea seeds in these forms presents an opportunity for extending their use beyond the dehulled seeds in food system. Keywords: Cowpea, dehulling, treatment, nutrients, functionalit

    Contemporary gothic

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    Gothic architecture saw for the first time saw tall open spaces with an abundance of light all supported by what seemed to be an impossibly light structure. A new architectural language can be created by connecting these principles, that the Gothic architects held in high esteem, with modern architectural practices. One of America’s most famous collegiate Gothic campuses, the University of Chicago, is organized around an elegant series of quads with many more modern buildings surrounding it. This offers a perfect opportunity to place a more contemporary interpretation of Gothic architecture within a context including collegiate Gothic architecture and buildings designed by many of the last century’s most famous architects. The University of Chicago currently lacks a school of architecture, but a perfect site sits at the threshold of the old quad and the more contemporary architecture. In this context, Gothic inspiration can be guided by contemporary design exploration to create a school of architecture that will bridge the gap between the old collegiate Gothic campus and the new architecture of the last century.College of Architecture and PlanningThesis (B. Arch.

    Optimal color strategy for complex data visualization

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    Color Analysis and Image Processing Applied in Agriculture

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    Color and appearance are perhaps the first attributes that attract us to a fruit or vegetable. Since the appearance of the product generally determines whether a product is accepted or rejected, measuring the color characteristics becomes an important task. To carry out the analysis of this key attribute for agriculture, it is recommended to use an artificial vision system to capture the images of the samples and then to process them by applying colorimetric routines to extract color parameters in an efficient and nondestructive manner, which makes it a suitable tool for a wide range of applications. The purpose of this chapter is to give an overview on recent development of image processing applied to color analysis from horticultural products, more specifically the practical usage of color image analysis in agriculture. As an example, quantitative values of color are extracted from Habanero Chili Peppers using image processing; the images from the samples were obtained using a desktop configuration of machine vision system. The material presented should be useful for students starting on the field, as well as for researchers looking for state-of-the-art studies and practical applications

    The Rock Art of the Blood of the Ancestors Grotto (11SA557): A Natural History of the Imaging Methodology

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    In the study of rock art in general, and pictographs in particular, how we collect and manipulate the images displayed on a canvas of nature determines both what is seen and what can be reposed for the future. The identification of an undocumented rock art site, primarily pictographic, in the Hill Section of southern Illinois afforded an opportunity to take a fresh look at the methodologies employed in data recovery and analysis. We herein detail a natural history of our investigations of 11SA557. Our methods involved the generation of five different types of image data, an eight-element protocol for the processes of image collection, and a ten-step protocol for the manipulation of the image data with Adobe Photoshop© (see Note1). Some of the special issues associated with the long term archiving of digital images are also addressed. Our approach was ultimately driven by concerns over the fragile and dynamic properties of pictographs and the application of technologies and techniques that would result in minimal invasiveness, heighten interobserver reliability, replicable results, and the intergenerational availability of one’s findings
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