3,605 research outputs found

    Pushing the Limits of 3D Color Printing: Error Diffusion with Translucent Materials

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    Accurate color reproduction is important in many applications of 3D printing, from design prototypes to 3D color copies or portraits. Although full color is available via other technologies, multi-jet printers have greater potential for graphical 3D printing, in terms of reproducing complex appearance properties. However, to date these printers cannot produce full color, and doing so poses substantial technical challenges, from the shear amount of data to the translucency of the available color materials. In this paper, we propose an error diffusion halftoning approach to achieve full color with multi-jet printers, which operates on multiple isosurfaces or layers within the object. We propose a novel traversal algorithm for voxel surfaces, which allows the transfer of existing error diffusion algorithms from 2D printing. The resulting prints faithfully reproduce colors, color gradients and fine-scale details.Comment: 15 pages, 14 figures; includes supplemental figure

    Digital Color Imaging

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    This paper surveys current technology and research in the area of digital color imaging. In order to establish the background and lay down terminology, fundamental concepts of color perception and measurement are first presented us-ing vector-space notation and terminology. Present-day color recording and reproduction systems are reviewed along with the common mathematical models used for representing these devices. Algorithms for processing color images for display and communication are surveyed, and a forecast of research trends is attempted. An extensive bibliography is provided

    Minimization of Halftone Noise in FLAT Regions for Improved Print Quality

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    The work in this thesis proposes a novel algorithm for enhancing the quality of flat regions in printed color image documents. The algorithm is designed to identify the flat regions based on certain criteria and filter these regions to minimize the noise prior and post Halftoning so as to make the hard copy look visibly pleasing. Noise prior to halftone process is removed using a spatial Gaussian filter together with a Hamming window, concluded from results after implementing various filtering techniques. A clustered dithering is applied in each channel of the image as Halftoning process. Furthermore, to minimize the post halftone noise, the halftone structure of the image is manipulated according to the neighboring sub-cells in their respective channels. This is done to reduce the brightness variation (a cause for noise) between the neighboring subcells. Experimental results show that the proposed algorithm efficiently minimizes noise in flat regions of mirumal gradient change in color images

    Synthetic aperture radar/LANDSAT MSS image registration

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    Algorithms and procedures necessary to merge aircraft synthetic aperture radar (SAR) and LANDSAT multispectral scanner (MSS) imagery were determined. The design of a SAR/LANDSAT data merging system was developed. Aircraft SAR images were registered to the corresponding LANDSAT MSS scenes and were the subject of experimental investigations. Results indicate that the registration of SAR imagery with LANDSAT MSS imagery is feasible from a technical viewpoint, and useful from an information-content viewpoint

    Printing Beyond Color: Spectral and Specular Reproduction

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    For accurate printing (reproduction), two important appearance attributes to consider are color and gloss. These attributes are related to two topics focused on in this dissertation: spectral reproduction and specular (gloss) printing. In the conventional printing workflow known as the metameric printing workflow, which we use mostly nowadays, high-quality prints -- in terms of colorimetric accuracy -- can be achieved only under a predefined illuminant (i.e. an illuminant that the printing pipeline is adjusted to; e.g. daylight). While this printing workflow is useful and sufficient for many everyday purposes, in some special cases, such as artwork (e.g. painting) reproduction, security printing, accurate industrial color communication and so on, in which accurate reproduction of an original image under a variety of illumination conditions (e.g. daylight, tungsten light, museum light, etc.) is required, metameric reproduction may produce satisfactory results only with luck. Therefore, in these cases, another printing workflow, known as spectral printing pipeline must be used, with the ideal aim of illuminant-invariant match between the original image and the reproduction. In this workflow, the reproduction of spectral raw data (i.e. reflectances in the visible wavelength range), rather than reproduction of colorimetric values (colors) alone (under a predefined illuminant) is taken into account. Due to the limitations of printing systems extant, the reproduction of all reflectances is not possible even with multi-channel (multi-colorant) printers. Therefore, practical strategies are required in order to map non-reproducible reflectances into reproducible spectra and to choose appropriate combinations of printer colorants for the reproduction of the mapped reflectances. For this purpose, an approach called Spatio-Spectral Gamut Mapping and Separation, SSGMS, was proposed, which results in almost artifact-free spectral reproduction under a set of various illuminants. The quality control stage is usually the last stage in any printing pipeline. Nowadays, the quality of the printout is usually controlled only in terms of colorimetric accuracy and common printing artifacts. However, some gloss-related artifacts, such as gloss-differential (inconsistent gloss appearance across an image, caused mostly by variations in deposited ink area coverage on different spots), are ignored, because no strategy to avoid them exists. In order to avoid such gloss-related artifacts and to control the glossiness of the printout locally, three printing strategies were proposed. In general, for perceptually accurate reproduction of color and gloss appearance attributes, understanding the relationship between measured values and perceived magnitudes of these attributes is essential. There has been much research into reproduction of colors within perceptually meaningful color spaces, but little research from the gloss perspective has been carried out. Most of these studies are based on simulated display-based images (mostly with neutral colors) and do not take real objects into account. In this dissertation, three psychophysical experiments were conducted in order to investigate the relationship between measured gloss values (objective quantities) and perceived gloss magnitudes (subjective quantities) using real colored samples printed by the aforementioned proposed printing strategies. These experiments revealed that the relationship mentioned can be explained by a Power function according to Stevens' Power Law, considering almost the entire gloss range. Another psychophysical experiment was also conducted in order to investigate the interrelation between perceived surface gloss and texture, using 2.5D samples printed in two different texture types and with various gloss levels and texture elevations. According to the results of this experiment, different macroscopic texture types and levels (in terms of texture elevation) were found to influence the perceived surface gloss level slightly. No noticeable influence of surface gloss on the perceived texture level was observed, indicating texture constancy regardless of the gloss level printed. The SSGMS approach proposed for the spectral reproduction, the three printing strategies presented for gloss printing, and the results of the psychophysical experiments conducted on gloss printing and appearance can be used to improve the overall print quality in terms of color and gloss reproduction

    The LLAB model for quantifying colour appearance

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    A reliable colour appearance model is desired by industry to achieve high colour fidelity between images produced using a range of different imaging devices. The aim of this study was to derive a reliable colour appearance model capable of predicting the change of perceived attributes of colour appearance under a wide range of media/viewing conditions. The research was divided into three parts: characterising imaging devices, conducting a psychophysical experiment, and developing a colour appearance model. Various imaging devices were characterised including a graphic art scanner, a Cromalin proofing system, an IRIS ink jet printer, and a Barco Calibrator. For the former three devices, each colour is described by four primaries: cyan (C), magenta (M), yellow (Y), and black (K). Three set of characterisation samples (120 and 31 black printer, and cube data sets) were produced and measured for deriving and testing the printing characterisation models. Four black printer algorithms (BPA), were derived. Each included both forward and reverse processes. A 2nd BPA printing model taking into account additivity failure, grey component replacement (GCR) algorithm gave the most accurate prediction to the characterisation data set than the other BPA models. The PLCC (Piecewise Linear interpolation assuming Constant Chromaticity coordinates) monitor model was also implemented to characterise the Barco monitor. The psychophysical experiment was conducted to compare Cromalin hardcopy images viewed in a viewing cabinet and softcopy images presented on a monitor under a wide range of illuminants (white points) including: D93, D65, D50 and A. Two scaling methods: category judgement and paired comparison, were employed by viewing a pair of images. Three classes of colour models were evaluated: uniform colour spaces, colour appearance models and chromatic adaptation transforms. Six images were selected and processed via each colour model. The results indicated that the BFD chromatic transform gave the most accurate predictions of the visual results. Finally, a colour appearance model, LLAB, was developed. It is a combination of the BFD chromatic transform and a modified version of CIELAB uniform colour space to fit the LUTCRI Colour Appearance Data previously accumulated. The form of the LLAB model is much simpler and its performance is more precise to fit experimental data than those of the other models

    Image Processing for Machine Vision Applications

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    L'abstract è presente nell'allegato / the abstract is in the attachmen

    Modeling and Halftoning for Multichannel Printers: A Spectral Approach

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    Printing has been has been the major communication medium for many centuries. In the last twenty years, multichannel printing has brought new opportunities and challenges. Beside of extended colour gamut of the multichannel printer, the opportunity was presented to use a multichannel printer for ‘spectral printing’. The aim of spectral printing is typically the same as for colour printing; that is, to match input signal with printing specific ink combinations. In order to control printers so that the combination or mixture of inks results in specific colour or spectra requires a spectral reflectance printer model that estimates reflectance spectra from nominal dot coverage. The printer models have one of the key roles in accurate communication of colour to the printed media. Accordingly, this has been one of the most active research areas in printing. The research direction was toward improvement of the model accuracy, model simplicity and toward minimal resources used by the model in terms of computational power and usage of material. The contribution of the work included in the thesis is also directed toward improvement of the printer models but for the multichannel printing. The thesis is focused primarily on improving existing spectral printer models and developing a new model. In addition, the aim was to develop and implement a multichannel halftoning method which should provide with high image quality. Therefore, the research goals of the thesis were: maximal accuracy of printer models, optimal resource usage and maximal image quality of halftoning and whole spectral reproduction system. Maximal colour accuracy of a model but with the least resources used is achieved by optimizing printer model calibration process. First, estimation of the physical and optical dot gain is performed with newly proposed method and model. Second, a custom training target is estimated using the proposed new method. These two proposed methods and one proposed model were at the same time the means of optimal resource usage, both in computational time and material. The third goal was satisfied with newly proposed halftoning method for multichannel printing. This method also satisfies the goal of optimal computational time but with maintaining high image quality. When applied in spectral reproduction workflow, this halftoning reduces noise induced in an inversion of the printer model. Finally, a case study was conducted on the practical use of multichannel printers and spectral reproduction workflow. In addition to a gamut comparison in colour space, it is shown that otherwise limited reach of spectral printing could potentially be used to simulate spectra and colour of textile fabrics
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