1,579 research outputs found
Exploration of audiovisual heritage using audio indexing technology
This paper discusses audio indexing tools that have been implemented for the disclosure of Dutch audiovisual cultural heritage collections. It explains the role of language models and their adaptation to historical settings and the adaptation of acoustic models for homogeneous audio collections. In addition to the benefits of cross-media linking, the requirements for successful tuning and improvement of available tools for indexing the heterogeneous A/V collections from the cultural heritage domain are reviewed. And finally the paper argues that research is needed to cope with the varying information needs for different types of users
Planning and managing the cost of compromise for AV retention and access
Long-term retention and access to audiovisual (AV) assets as part of a preservation strategy inevitably involve some form of compromise in order to achieve acceptable levels of cost, throughput, quality, and many other parameters. Examples include quality control and throughput in media transfer chains; data safety and accessibility in digital storage systems; and service levels for ingest and access for archive functions delivered as services. We present new software tools and frameworks developed in the PrestoPRIME project that allow these compromises to be quantitatively assessed, planned, and managed for file-based AV assets. Our focus is how to give an archive an assurance that when they design and operate a preservation strategy as a set of services, it will function as expected and will cope with the inevitable and often unpredictable variations that happen in operation. This includes being able to do cost projections, sensitivity analysis, simulation of âdisaster scenarios,â and to govern preservation services using service-level agreements and policies
Audiovisual preservation strategies, data models and value-chains
This is a report on preservation strategies, models and value-chains for digital file-based audiovisual content. The report includes: (a)current and emerging value-chains and business-models for audiovisual preservation;(b) a comparison of preservation strategies for audiovisual content including their strengths and weaknesses, and(c) a review of current preservation metadata models, and requirements for extension to support audiovisual files
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STELLAR (Semantic Technologies Enhancing the Lifecycle of Learning Resources): Jisc Final Report
[Project Summary]
As one of the earliest distance learning providers The Open University (OU) has a rich heritage of archived learning materials. An ever increasing amount of that is in digital form and is being deposited with the University Archive. This growth has been driven by digitisation activity from projects such as AVA (Access to Video Assets) and the Fedora-based Open University Digital Library âa place to discover digital and digitised archival content from the OU Library, from videos and images to digitised documentsâ. Other digital content is being captured from web archiving activities, such as work to preserve Moodle Virtual Learning Environment course websites. An evidence based understanding is required to inform digital preservation policies, curation strategy and investment in digital library development.
Following the Pre-enhancement, Enhancement and Post-enhancement methodology set out by Jisc, STELLAR adopted the model of a balanced scorecard to ascertain the value ascribed to the non-current learning materials. Four aspects were considered: Personal and professional perspectives of value; Value to the Higher Educational and academic communities; Value to internal processes and cultures; Financial perspectives of value. The outcomes of the survey indicated that stakeholders place a high value on the materials, and that they perceived them to have value in all areas evaluated.
Three OU courses were chosen from the digital library for the transformation stage. These materials were enhanced and transformed into RDF, a process that required more extensive metadata expertise and effort than was expected. Following enhancement the RDF was accessed through a tool called DiscOU, created by a member of the project team from the OUâs Knowledge Media Institute. DiscOU uses both linked data and a semantic meaning engine to analyse the meaning of the text in a search query. This is matched against the meaning of the content derived from an index of the full-text of the digital library content.
In the final stage stakeholders were asked through a survey and series of workshops to use the DiscOU proof-of-concept tool to assess their perception of the value of this transformation. This has revealed that overall, academics and other stakeholders in the university do believe that the value of the selected materials was positively impacted by the application of semantic technologies
Broadband for culture, a culture for broadband?
The augmentation of cultural participation in Flanders is one of the major cornerstones of the current cultural policy. Digital technologies offer a wide range of opportunities to achieve this goal, as the internet is often seen as a way to augment the number of visitors for arts centres. However, the availability of digital information technologies and the willingness to adopt these new ways of processing cultural material, is a prerequisite for this (r)evolution. This article is based on data collected in three surveys, one for each of the cultural actors; cultural organisations such as museums, arts centres etc, individual artists and art lovers in Flanders. Despite that most artists and cultural organizations are sufficiently equipped with up-to-date technological infrastructure, most websites lack true interactivity with a strong one-to-one relationship between audience, artists and cultural institutions. We therefore conclude that, although there are plenty of broadband connections and other digital tools available to the Flemish art scene, artists and cultural organisations lack a mind-set (or culture) to truly embrace and benefit from the potential of the current digital technologies
CHORUS Deliverable 2.1: State of the Art on Multimedia Search Engines
Based on the information provided by European projects and national initiatives related to multimedia search as well as domains experts that participated in the CHORUS Think-thanks and workshops, this document reports on the state of the art related to multimedia content search from, a technical, and socio-economic perspective.
The technical perspective includes an up to date view on content based indexing and retrieval technologies, multimedia search in the context of mobile devices and peer-to-peer networks, and an overview of current evaluation and benchmark inititiatives to measure the performance of multimedia search engines.
From a socio-economic perspective we inventorize the impact and legal consequences of these technical advances and point out future directions of research
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Linked Open Data for Cultural Heritage
This paper surveys the landscape of linked open data projects in cultural heritage, examining the work of groups from around the world. Traditionally, linked open data has been ranked using the five star method proposed by Tim Berners-Lee. We found this ranking to be lacking when evaluating how cultural heritage groups not merely develop linked open datasets, but find ways to use linked data to augment user experience. Building on the five-star method, we developed a six-stage life cycle describing both dataset development and dataset usage. We use this framework to describe and evaluate fifteen linked open data projects in the realm of cultural heritage
Lirolem: A virtual studio/Institutional Repository for the University of Lincoln
Gives an account of the Lirolem project at the University of Lincoln which was to build a repository capable of handling multimedia material as well as providing a repository for the University's research output
Transformative Effects of NDIIPP, the Case of the Henry A. Murray Archive
This article comprises reflections on the changes to the Henry A.
Murray Research Archive, catalyzed by involvement with the National
Digital Information Infrastructure and Preservation Program
(NDIIPP) partnership, and the accompanying introduction of next
generation digital library software.
Founded in 1976 at Radcliffe, the Henry A. Murray Research
Archive is the endowed, permanent repository for quantitative and
qualitative research data at the Institute for Quantitative Social Science,
in Harvard University. The Murray preserves in perpetuity all
types of data of interest to the research community, including numerical,
video, audio, interview notes, and other types. The center
is unique among data archives in the United States in the extent
of its holdings in quantitative, qualitative, and mixed quantitativequalitative
research.
The Murray took part in an NDIIPP-funded collaboration
with four other archival partners, Data-PASS, for the purpose of
the identification and acquisition of data at risk, and the joint development
of best practices with respect to shared stewardship,
preservation, and exchange of these data. During this time, the
Dataverse Network (DVN) software was introduced, facilitating
the creation of virtual archives. The combination of institutional
collaboration and new technology lead the Murray to re-engineer
its entire acquisition process; completely rewrite its ingest,
dissemination, and other licensing agreements; and adopt a new
model for ingest, discovery, access, and presentation of its collections.
Through the Data-PASS project, the Murray has acquired a
number of important data collections. The resulting changes
within the Murray have been dramatic, including increasing its
overall rate of acquisitions by fourfold; and disseminating acquisitions
far more rapidly. Furthermore, the new licensing and
processing procedures allow a previously undreamed of level of
interoperability and collaboration with partner archives, facilitating
integrated discovery and presentation services, and joint
stewardship of collections.published or submitted for publicatio
Survey of research libraries on aggregation of digital content
This document reports the results of a survey of Europeâs research libraries concerning their
opportunities for and attitudes to digital content aggregation, specifically by aggregation services
capable of feeding Europeana. The survey was carried out as Task 3.4 of the EuropeanaTravel project. The
survey was prepared with input from Europeana, LIBER and the EuropeanaTravel management team.
The intentions were to provide a snapshot of aggregation attitudes and activity across Europe, to
inform the strategies of both LIBER and Europeana, and to help to inform the long-term development
path for the LIBER aggregator which is being developed as part of EuropeanaTravel
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