Pitch accent alignment in Romance: primary and secondary associations with metrical structure

International audienceThe article describes the contrastive possibilities of alignment of high accents in three Romance varieties, namely, Central Catalan, Neapolitan Italian, and Pisa Italian. The Romance languages analyzed in this article provide crucial evidence that small differences in alignment in rising accents should be encoded phonologically. To account for such facts within the AM model, the article develops the notion of 'phonological anchoring' as an extension of the concept of secondary association originally proposed by Pierrehumbert & Beckman (1988), and later adopted by Grice (1995), Grice, Ladd & Arvaniti (2000) and others to explain the behavior of edge tones. The Romance data represent evidence that not only peripheral edge tones seek secondary associations. We claim that the phonological representation of pitch accents should include two independent mechanisms to encode alignment properties with metrical structure: (1) encoding of the primary phonological association (or affiliation) between the tone and its tone-bearing unit; and (2), for some specific cases, encoding of the secondary phonological anchoring of tones to prosodic edges (moras, syllables and prosodic words). The Romance data described in the article provide crucial evidence of mora-edge, syllable-edge, and word-edge H tonal associations

Fine phonetic detail and intonational meaning

International audienceThe development of theories about form-function relations in intonation should be informed by a better understanding of the dependencies that hold among different phonetic parameters. Fine phonetic detail encodes both linguistically structured meaning and paralinguistic meaning. <BR /

Tonal placement in Tashlhiyt: How an intonation system accommodates to adverse phonological environments

In most languages, words contain vowels, elements of high intensity with rich harmonic structure, enabling the &nbsp;perceptual retrieval of pitch. By contrast, in Tashlhiyt, a Berber language, words can be composed entirely of voiceless segments. When an utterance consists of such words, the phonetic opportunity for the execution of intonational pitch movements is exceptionally limited. This book explores in a series of production and perception experiments how these typologically rare phonotactic patterns interact with intonational aspects of linguistic structure. It turns out that Tashlhiyt allows for a tremendously flexible placement of tonal events. Observed intonational structures can be conceived of as different solutions to a functional dilemma: The requirement to realise meaningful pitch movements in certain positions and the extent to which segments lend themselves to a clear manifestation of these pitch movements

Tonal placement in Tashlhiyt: How an intonation system accommodates to adverse phonological environments

In most languages, words contain vowels, elements of high intensity with rich harmonic structure, enabling the &nbsp;perceptual retrieval of pitch. By contrast, in Tashlhiyt, a Berber language, words can be composed entirely of voiceless segments. When an utterance consists of such words, the phonetic opportunity for the execution of intonational pitch movements is exceptionally limited. This book explores in a series of production and perception experiments how these typologically rare phonotactic patterns interact with intonational aspects of linguistic structure. It turns out that Tashlhiyt allows for a tremendously flexible placement of tonal events. Observed intonational structures can be conceived of as different solutions to a functional dilemma: The requirement to realise meaningful pitch movements in certain positions and the extent to which segments lend themselves to a clear manifestation of these pitch movements

Tonal placement in Tashlhiyt: How an intonation system accommodates to adverse phonological environments

In most languages, words contain vowels, elements of high intensity with rich harmonic structure, enabling the &nbsp;perceptual retrieval of pitch. By contrast, in Tashlhiyt, a Berber language, words can be composed entirely of voiceless segments. When an utterance consists of such words, the phonetic opportunity for the execution of intonational pitch movements is exceptionally limited. This book explores in a series of production and perception experiments how these typologically rare phonotactic patterns interact with intonational aspects of linguistic structure. It turns out that Tashlhiyt allows for a tremendously flexible placement of tonal events. Observed intonational structures can be conceived of as different solutions to a functional dilemma: The requirement to realise meaningful pitch movements in certain positions and the extent to which segments lend themselves to a clear manifestation of these pitch movements

Effects of time pressure on the phonetic realization of the Dutch accent-lending pitch rise and fall

Wetensch. publicatieFaculteit der Lettere