Semantic radical consistency and character transparency effects in Chinese: an ERP study

BACKGROUND: This event-related potential (ERP) study aims to investigate the representation and temporal dynamics of Chinese orthography-to-semantics mappings by simultaneously manipulating character transparency and semantic radical consistency. Character components, referred to as radicals, make up the building blocks used dur...postprin

The anatomy of anatomia: dissection and the organization of knowledge in british literature, 1500-1800

This dissertation develops a conceptual history of human anatomy, both as a discipline and as an epistemological model. Building on recent scholarship in the history of science, I argue that the basic organization of anatomical inquiry inspired a number of literary productions during the seventeenth and eighteenth centuries. This project counters important critical trends of the last five decades, which have focused on the ambiguous characterization of an anatomical genre without providing sufficient medical context. I argue that intellectual history reveals a persistent epistemological analogy between the body and textual arrangements of human knowledge. By examining this analogical structure, it is possible to theorize about the components and requirements of anatomical inquiry. Chapter One examines the religious and contexts of anatomy in ancient Greece and medieval Persia and Arabia. In looking at the cosmological doctrines of both societies, I attempt to answer questions about the absence of human dissection in ancient cultures. In the process I identify an alternative mode of inquiry, which I call cosmo-anatomy. Chapter Two discusses the influence of Andreas Vesalius’ famous De humani corporis fabrica on the organization of anatomical texts in seventeenth-century England. I contend that Vesalius’ innovative text sets the stage for both medical and literary anatomical arrangements, including such works as Robert Burton’s The Anatomy of Melancholy. Chapter Three discusses the poetic backlash against Copernican physics in John Donne’s Anatomy of the World. I contend that Donne adapts his ‘anatomy’ to reveal the fundamental influence of traditional cosmologies on the semiotics of metaphysical poetry. Chapter Four explores the narratological structure of Laurence Sterne’s Tristram Shandy. I investigate the role of memory reconstruction in shaping Tristram’s autobiography, highlighting, in the process, the influence of Enlightenment theories of the brain on the digressive condition of Sterne’s narrative. Chapter Five considers the importance of the anatomical analogy on philosophical encyclopedias of the eighteenth century. I look as well at Leibniz’s plan for the universal library, arguing that the structure of anatomy influences Enlightenment attempts to organize vast amounts of information in a meaningful manner

Proceedings of the International Conference Sensory Motor Concepts in Language & Cognition

This volume contains selected papers of the 2008 annual conference of the German Association for Social Science Research on Japan (Vereinigung für sozialwissenschaftliche Japanforschung e.V. – VSJF). The academic meeting has addressed the issue of demographic change in Japan in comparison to the social developments of ageing in Germany and other member states of the European Union. The conference was organized by the Institute for Modern Japanese Studies at Heinrich-Heine-University of Duesseldorf and took place at the Mutter Haus in Kaiserswerth (an ancient part of Duesseldorf). Speakers from Germany, England, Japan and the Netherlands presented their papers in four sessions on the topics “Demographic Trends and Social Analysis”, “Family and Welfare Policies”, “Ageing Society and the Organization of Households” and “Demographic Change and the Economy”. Central to all transnational and national studies on demographic change is the question of how societies can be reconstructed and be made adaptive to these changes in order to survive as solidarity communities. The authors of this volume attend to this question by discussing on recent trends of social and economic restructuring and giving insight into new research developments such as in the area of households and housing, family care work, medical insurance, robot technology or the employment sector

3D-in-2D Displays for ATC.

This paper reports on the efforts and accomplishments of the 3D-in-2D Displays for ATC project at the end of Year 1. We describe the invention of 10 novel 3D/2D visualisations that were mostly implemented in the Augmented Reality ARToolkit. These prototype implementations of visualisation and interaction elements can be viewed on the accompanying video. We have identified six candidate design concepts which we will further research and develop. These designs correspond with the early feasibility studies stage of maturity as defined by the NASA Technology Readiness Level framework. We developed the Combination Display Framework from a review of the literature, and used it for analysing display designs in terms of display technique used and how they are combined. The insights we gained from this framework then guided our inventions and the human-centered innovation process we use to iteratively invent. Our designs are based on an understanding of user work practices. We also developed a simple ATC simulator that we used for rapid experimentation and evaluation of design ideas. We expect that if this project continues, the effort in Year 2 and 3 will be focus on maturing the concepts and employment in a operational laboratory settings

Creating Through Mind and Emotions

The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts

Creativity, Exploration and Control in Musical Parameter Spaces.

PhDThis thesis investigates the use of multidimensional control of synthesis parameters in electronic music, and the impact of controller mapping techniques on creativity. The theoretical contribution of this work, the EARS model, provides a rigorous application of creative cognition research to this topic. EARS provides a cognitive model of creative interaction with technology, retrodicting numerous prior findings in musical interaction research. The model proposes four interaction modes, and characterises them in terms of parameter-space traversal mechanisms. Recommendations for properties of controller-synthesiser mappings that support each of the modes are given. This thesis proposes a generalisation of Fitts' law that enables throughput-based evaluation of multi-dimensional control devices. Three experiments were run that studied musicians performing sound design tasks with various interfaces. Mappings suited to three of the four EARS modes were quantitatively evaluated. Experiment one investigated the notion of a `divergent interface'. A mapping geometry that caters to early-stage exploratory creativity was developed, and evaluated via a publicly available tablet application. Dimension reduction of a 10D synthesiser parameter space to 2D surface was achieved using Hilbert space-filling curves. Interaction data indicated that this divergent mapping was used for early-stage creativity, and that the traditional sliders were used for late-stage one tuning. Experiment two established a `minimal experimental paradigm' for sound design interface evaluation. This experiment showed that multidimensional controllers were faster than 1D sliders for locating a target sound in two and three timbre dimensions. iv The final study tested a novel embodied interaction technique: ViBEAMP. This system utilised a hand tracker and a 3D visualisation to train users to control 6 synthesis parameters simultaneously. Throughput was recorded as triple that of six sliders, and working memory load was signiffcantly reduced. This experiment revealed that musical, time-targeted interactions obey a different speed-accuracy trade-of law from accuracy-targeted interactions.Electronic Engineering and Computer Science at Queen Mar