A PatchMatch-based Dense-field Algorithm for Video Copy-Move Detection and Localization

We propose a new algorithm for the reliable detection and localization of video copy-move forgeries. Discovering well crafted video copy-moves may be very difficult, especially when some uniform background is copied to occlude foreground objects. To reliably detect both additive and occlusive copy-moves we use a dense-field approach, with invariant features that guarantee robustness to several post-processing operations. To limit complexity, a suitable video-oriented version of PatchMatch is used, with a multiresolution search strategy, and a focus on volumes of interest. Performance assessment relies on a new dataset, designed ad hoc, with realistic copy-moves and a wide variety of challenging situations. Experimental results show the proposed method to detect and localize video copy-moves with good accuracy even in adverse conditions

Autoencoder with recurrent neural networks for video forgery detection

Video forgery detection is becoming an important issue in recent years, because modern editing software provide powerful and easy-to-use tools to manipulate videos. In this paper we propose to perform detection by means of deep learning, with an architecture based on autoencoders and recurrent neural networks. A training phase on a few pristine frames allows the autoencoder to learn an intrinsic model of the source. Then, forged material is singled out as anomalous, as it does not fit the learned model, and is encoded with a large reconstruction error. Recursive networks, implemented with the long short-term memory model, are used to exploit temporal dependencies. Preliminary results on forged videos show the potential of this approach.Comment: Presented at IS&T Electronic Imaging: Media Watermarking, Security, and Forensics, January 201

Video Anti Forensics - A Review

In the recent years the availability of the digital multimedia devices (such as cameras, mobile-phones, digital recorders, etc.) has increased rapidly. Digital photos have been widely used as historical records and as evidences of real happenings in applications from journalist reporting, police investigation, law enforcement, insurance, medical and dental examination, military, and museum to consumer photography. Forensic investigation endeavors to use science to uncover the transferred evidence and discern its meaning. The examination requires that the evidence be reliable and accurate to ensure a correct outcome. However, criminals may use anti-forensic methods to work against the process or interfere with the evidence itself. In this paper different techniques of anti-forensic are explained. Each of these proposed techniques accounts for distinct actions that compromise the availability or usefulness of evidence to the forensic process. DOI: 10.17762/ijritcc2321-8169.16047

A review of digital video tampering: from simple editing to full synthesis.

Video tampering methods have witnessed considerable progress in recent years. This is partly due to the rapid development of advanced deep learning methods, and also due to the large volume of video footage that is now in the public domain. Historically, convincing video tampering has been too labour intensive to achieve on a large scale. However, recent developments in deep learning-based methods have made it possible not only to produce convincing forged video but also to fully synthesize video content. Such advancements provide new means to improve visual content itself, but at the same time, they raise new challenges for state-of-the-art tampering detection methods. Video tampering detection has been an active field of research for some time, with periodic reviews of the subject. However, little attention has been paid to video tampering techniques themselves. This paper provides an objective and in-depth examination of current techniques related to digital video manipulation. We thoroughly examine their development, and show how current evaluation techniques provide opportunities for the advancement of video tampering detection. A critical and extensive review of photo-realistic video synthesis is provided with emphasis on deep learning-based methods. Existing tampered video datasets are also qualitatively reviewed and critically discussed. Finally, conclusions are drawn upon an exhaustive and thorough review of tampering methods with discussions of future research directions aimed at improving detection methods

The problems and challenges of managing crowd sourced audio-visual evidence

A number of recent incidents, such as the Stanley Cup Riots, the uprisings in the Middle East and the London riots have demonstrated the value of crowd sourced audio-visual evidence wherein citizens submit audio-visual footage captured on mobile phones and other devices to aid governmental institutions, responder agencies and law enforcement authorities to confirm the authenticity of incidents and, in the case of criminal activity, to identify perpetrators. The use of such evidence can present a significant logistical challenge to investigators, particularly because of the potential size of data gathered through such mechanisms and the added problems of time-lining disparate sources of evidence and, subsequently, investigating the incident(s). In this paper we explore this problem and, in particular, outline the pressure points for an investigator. We identify and explore a number of particular problems related to the secure receipt of the evidence, imaging, tagging and then time-lining the evidence, and the problem of identifying duplicate and near duplicate items of audio-visual evidence

Video Inter-frame Forgery Detection Approach for Surveillance and Mobile Recorded Videos

We are living in an age where use of multimedia technologies like digital recorders and mobile phones is increasing rapidly. On the other hand, digital content manipulating softwares are also increasing making it easy for an individual to doctor the recorded content with trivial consumption of time and wealth. Digital multimedia forensics is gaining utmost importance to restrict unethical use of such easily available tampering techniques. These days, it is common for people to record videos using their smart phones. We have also witnessed a sudden growth in the use of surveillance cameras, which we see inhabiting almost every public location. Videos recorded using these devices usually contains crucial evidence of some event occurence and thereby most susceptible to inter-frame forgery which can be easily performed by insertion/removal/replication of frame(s). The proposed forensic technique enabled detection of inter-frame forgery in H.264 and MPEG-2 encoded videos especially mobile recorded and surveillance videos. This novel method introduced objectivity for automatic detection and localization of tampering by utilizing prediction residual gradient and optical flow gradient. Experimental results showed that this technique can detect tampering with 90% true positive rate, regardless of the video codec and recording device utilized and number of frames tampered

Digital Multimedia Forensics and Anti-Forensics

As the use of digital multimedia content such as images and video has increased, so has the means and the incentive to create digital forgeries. Presently, powerful editing software allows forgers to create perceptually convincing digital forgeries. Accordingly, there is a great need for techniques capable of authenticating digital multimedia content. In response to this, researchers have begun developing digital forensic techniques capable of identifying digital forgeries. These forensic techniques operate by detecting imperceptible traces left by editing operations in digital multimedia content. In this dissertation, we propose several new digital forensic techniques to detect evidence of editing in digital multimedia content. We begin by identifying the fingerprints left by pixel value mappings and show how these can be used to detect the use of contrast enhancement in images. We use these fingerprints to perform a number of additional forensic tasks such as identifying cut-and-paste forgeries, detecting the addition of noise to previously JPEG compressed images, and estimating the contrast enhancement mapping used to alter an image. Additionally, we consider the problem of multimedia security from the forger's point of view. We demonstrate that an intelligent forger can design anti-forensic operations to hide editing fingerprints and fool forensic techniques. We propose an anti-forensic technique to remove compression fingerprints from digital images and show that this technique can be used to fool several state-of-the-art forensic algorithms. We examine the problem of detecting frame deletion in digital video and develop both a technique to detect frame deletion and an anti-forensic technique to hide frame deletion fingerprints. We show that this anti-forensic operation leaves behind fingerprints of its own and propose a technique to detect the use of frame deletion anti-forensics. The ability of a forensic investigator to detect both editing and the use of anti-forensics results in a dynamic interplay between the forger and forensic investigator. We use develop a game theoretic framework to analyze this interplay and identify the set of actions that each party will rationally choose. Additionally, we show that anti-forensics can be used protect against reverse engineering. To demonstrate this, we propose an anti-forensic module that can be integrated into digital cameras to protect color interpolation methods