Perceptual Video Hashing for Content Identification and Authentication

Perceptual hashing has been broadly used in the literature to identify similar contents for video copy detection. It has also been adopted to detect malicious manipulations for video authentication. However, targeting both applications with a single system using the same hash would be highly desirable as this saves the storage space and reduces the computational complexity. This paper proposes a perceptual video hashing system for content identification and authentication. The objective is to design a hash extraction technique that can withstand signal processing operations on one hand and detect malicious attacks on the other hand. The proposed system relies on a new signal calibration technique for extracting the hash using the discrete cosine transform (DCT) and the discrete sine transform (DST). This consists of determining the number of samples, called the normalizing shift, that is required for shifting a digital signal so that the shifted version matches a certain pattern according to DCT/DST coefficients. The rationale for the calibration idea is that the normalizing shift resists signal processing operations while it exhibits sensitivity to local tampering (i.e., replacing a small portion of the signal with a different one). While the same hash serves both applications, two different similarity measures have been proposed for video identification and authentication, respectively. Through intensive experiments with various types of video distortions and manipulations, the proposed system has been shown to outperform related state-of-the art video hashing techniques in terms of identification and authentication with the advantageous ability to locate tampered regions

Study and Implementation of Watermarking Algorithms

Water Making is the process of embedding data called a watermark into a multimedia object such that watermark can be detected or extracted later to make an assertion about the object. The object may be an audio, image or video. A copy of a digital image is identical to the original. This has in many instances, led to the use of digital content with malicious intent. One way to protect multimedia data against illegal recording and retransmission is to embed a signal, called digital signature or copyright label or watermark that authenticates the owner of the data. Data hiding, schemes to embed secondary data in digital media, have made considerable progress in recent years and attracted attention from both academia and industry. Techniques have been proposed for a variety of applications, including ownership protection, authentication and access control. Imperceptibility, robustness against moderate processing such as compression, and the ability to hide many bits are the basic but rat..

MediaSync: Handbook on Multimedia Synchronization

This book provides an approachable overview of the most recent advances in the fascinating field of media synchronization (mediasync), gathering contributions from the most representative and influential experts. Understanding the challenges of this field in the current multi-sensory, multi-device, and multi-protocol world is not an easy task. The book revisits the foundations of mediasync, including theoretical frameworks and models, highlights ongoing research efforts, like hybrid broadband broadcast (HBB) delivery and users' perception modeling (i.e., Quality of Experience or QoE), and paves the way for the future (e.g., towards the deployment of multi-sensory and ultra-realistic experiences). Although many advances around mediasync have been devised and deployed, this area of research is getting renewed attention to overcome remaining challenges in the next-generation (heterogeneous and ubiquitous) media ecosystem. Given the significant advances in this research area, its current relevance and the multiple disciplines it involves, the availability of a reference book on mediasync becomes necessary. This book fills the gap in this context. In particular, it addresses key aspects and reviews the most relevant contributions within the mediasync research space, from different perspectives. Mediasync: Handbook on Multimedia Synchronization is the perfect companion for scholars and practitioners that want to acquire strong knowledge about this research area, and also approach the challenges behind ensuring the best mediated experiences, by providing the adequate synchronization between the media elements that constitute these experiences

Content Fragile Watermarking for H.264/AVC Video Authentication

Discrete Cosine transform (DCT) to generate the authentication data that are treated as a fragile watermark. This watermark is embedded in the motion vectors (MVs) The advances in multimedia technologies and digital processing tools have brought with them new challenges for the source and content authentication. To ensure the integrity of the H.264/AVC video stream, we introduce an approach based on a content fragile video watermarking method using an independent authentication of each Group of Pictures (GOPs) within the video. This technique uses robust visual features extracted from the video pertaining to the set of selected macroblocs (MBs) which hold the best partition mode in a tree-structured motion compensation process. An additional security degree is offered by the proposed method through using a more secured keyed function HMAC-SHA-256 and randomly choosing candidates from already selected MBs. In here, the watermark detection and verification processes are blind, whereas the tampered frames detection is not since it needs the original frames within the tampered GOPs. The proposed scheme achieves an accurate authentication technique with a high fragility and fidelity whilst maintaining the original bitrate and the perceptual quality. Furthermore, its ability to detect the tampered frames in case of spatial, temporal and colour manipulations, is confirmed

Data hiding in multimedia - theory and applications

Multimedia data hiding or steganography is a means of communication using subliminal channels. The resource for the subliminal communication scheme is the distortion of the original content that can be tolerated. This thesis addresses two main issues of steganographic communication schemes: 1. How does one maximize the distortion introduced without affecting fidelity of the content? 2. How does one efficiently utilize the resource (the distortion introduced) for communicating as many bits of information as possible? In other words, what is a good signaling strategy for the subliminal communication scheme? Close to optimal solutions for both issues are analyzed. Many techniques for the issue for maximizing the resource, viz, the distortion introduced imperceptibly in images and video frames, are proposed. Different signaling strategies for steganographic communication are explored, and a novel signaling technique employing a floating signal constellation is proposed. Algorithms for optimal choices of the parameters of the signaling technique are presented. Other application specific issues like the type of robustness needed are taken into consideration along with the established theoretical background to design optimal data hiding schemes. In particular, two very important applications of data hiding are addressed - data hiding for multimedia content delivery, and data hiding for watermarking (for proving ownership). A robust watermarking protocol for unambiguous resolution of ownership is proposed

Automatic stereoscopic video object-based watermarking using qualified significant wavelet trees

In this paper a fully automatic scheme for embedding visually recognizable watermark patterns to video objects is proposed. The architecture consists of 3 main modules. During the first module unsupervised video object extraction is performed, by analyzing stereoscopic pairs of frames. In the second module each video object is decomposed into three levels with ten subbands, using the Shape Adaptive Discrete Wavelet Transform (SA-DWT) and three pairs of subbands are formed (HL3 , HL2), (LH3, LH2) and (HH3, HH2). Next Qualified Significant Wavelet Trees (QSWTs) are estimated for the specific pair of subbands with the highest energy content. QSWTs are derived from the Embedded Zerotree Wavelet (EZW) algorithm and they are high-energy paths of wavelet coefficients. Finally during the third module, visually recognizable watermark patterns are redundantly embedded to the coefficients of the highest energy QSWTs and the inverse SA-DWT is applied to provide the watermarked video object. Performance of the proposed video object watermarking system is tested under various signal distortions such as JPEG lossy compression, sharpening, blurring and adding different types of noise. Furthermore the case of transmission losses for the watermarked video objects is also investigated. Experimental results on real life video objects indicate the efficiency and robustness of the proposed schemeFacultad de Informátic