273 research outputs found
Information and symmetry: Adumbrating the abstract core of complex systems
Information and symmetry are essential theoretical concepts that underlie the scientific explanation of a variety of complex systems. In spite of clear-cut developments around both concepts, their intersection is really problematic, either in fields related to mathematics, physics, and chemistry, or even more in those pertaining to biology, neurosciences, and social sciences. The present Special Issue explores recent developments, both theoretical and applied, in most of these disciplines
M-branes and N=2 Strings
The string field theory of N=(2,1) heterotic strings describes a set of
self-dual Yang-Mills fields coupled to self-dual gravity in 2+2 dimensions. We
show that the exact classical action for this field theory is a certain
complexification of the Green-Schwarz/Dirac-Born-Infeld string action, closely
related to the four dimensional Wess-Zumino action describing self-dual gauge
fields. This action describes the world-volume of a 2+2d ``M-brane'', which
gives rise upon different null reductions to critical strings and membranes. We
discuss a number of further properties of N=2 heterotic strings, such as the
geometry of null reduction, general features of a covariant formulation, and
possible relations to BPS and GKM algebras.Comment: 49 pages, harvmac; 1 figure (uses epsf.tex). References adde
Math Ontological Basis of Quasi Fine-Tuning in Ghc Cosmologies
The subject of fine tuning in physics is a long contentious issue especially now as it has hitched a ride on the Multiverse bandwagon. The maths of quadratic forms are predominately featured and relate the physics parameters G h c, which in turn are weighted during the Planck Era(s) determined by relative Planck time clocking. This simplifies the search to these three values as being the important apparent fine-tuned parameters (quasi fine tuning) for determining the gravitational build structures restricted to SM-4D type Universes. Two gravitational coupling constants (dimensionless) are prescribed within the Ghc complex. Both describe the relative rigidity of gravitational physics in the low energy build of our Universe (General Relativity toward endpoint neutron star, black hole formation). A Master vacuum field symmetry relation (Yang-Mills) is presented using both gravitational coupling constants in their respective degenerate domains (electron to neutron) which shows a relative rigid coherent field of parameters from the Codata set showing the interdependency of these values with each other, particularly G,h,c and particle masses. If this is correct then quasi fine-tuning is a symmetry operation. A consensus example aligns the mass-energy value of the charged pi-meson to 139.58066 MeV (in the near flat space) or in the curved metric to 140.05050 MeV. The interdependency of values demands that the gravitational constant’s empirical value to be 6.67354236 x 10-11 m3kg-1s-2 using Codata 2014 values. The Yang-Mills relation has a perfect symmetry (hidden) due to the inclusion of the very weak gravitational charge (Zxx). This is then the weak gravity unification incorporated into the Standard Model. If the Yang-Mills symmetry relation is true then a double copy pion field permeates the observable Universe
This Week's Finds in Mathematical Physics (1-50)
These are the first 50 issues of This Week's Finds of Mathematical Physics,
from January 19, 1993 to March 12, 1995. These issues focus on quantum gravity,
topological quantum field theory, knot theory, and applications of
-categories to these subjects. However, there are also digressions into Lie
algebras, elliptic curves, linear logic and other subjects. They were typeset
in 2020 by Tim Hosgood. If you see typos or other problems please report them.
(I already know the cover page looks weird).Comment: 242 page
ASTRAL PROJECTION: THEORIES OF METAPHOR, PHILOSOPHIES OF SCIENCE, AND THE ART O F SCIENTIFIC VISUALIZATION
This thesis provides an intellectual context for my work in computational
scientific visualization for large-scale public outreach in venues such as digitaldome
planetarium shows and high-definition public television documentaries. In
my associated practicum, a DVD that provides video excerpts, 1 focus especially on
work I have created with my Advanced Visualization Laboratory team at the
National Center for Supercomputing Applications (Champaign, Illinois) from
2002-2007.
1 make three main contributions to knowledge within the field of computational
scientific visualization. Firstly, I share the unique process 1 have pioneered for
collaboratively producing and exhibiting this data-driven art when aimed at popular
science education. The message of the art complements its means of production:
Renaissance Team collaborations enact a cooperative paradigm of evolutionary
sympathetic adaptation and co-creation.
Secondly, 1 open up a positive, new space within computational scientific
visualization's practice for artistic expression—especially in providing a theory of
digi-epistemology that accounts for how this is possible given the limitations
imposed by the demands of mapping numerical data and the computational models
derived from them onto visual forms. I am concerned not only with liberating
artists to enrich audience's aesthetic experiences of scientific visualization, to
contribute their own vision, but also with conceiving of audiences as co-creators of
the aesthetic significance of the work, to re-envision and re-circulate what they
encounter there. Even more commonly than in the age of traditional media, on-line
social computing and digital tools have empowered the public to capture and
repurpose visual metaphors, circulating them within new contexts and telling new
stories with them.
Thirdly, I demonstrate the creative power of visaphors (see footnote, p. 1) to
provide novel embodied experiences through my practicum as well as my thesis
discussion. Specifically, I describe how the visaphors my Renaissance Teams and I
create enrich the Environmentalist Story of Science, essentially promoting a
counter-narrative to the Enlightenment Story of Science through articulating how
humanity participates in an evolving universal consciousness through our embodied
interaction and cooperative interdependence within nested, self-producing
(autopoetic) systems, from the micro- to the macroscopic. This contemporary
account of the natural world, its inter-related systems, and their dynamics may be
understood as expressing a creative and generative energy—a kind of
consciousness-that transcends the human yet also encompasses it
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