Adaptive Methods for Robust Document Image Understanding

A vast amount of digital document material is continuously being produced as part of major digitization efforts around the world. In this context, generic and efficient automatic solutions for document image understanding represent a stringent necessity. We propose a generic framework for document image understanding systems, usable for practically any document types available in digital form. Following the introduced workflow, we shift our attention to each of the following processing stages in turn: quality assurance, image enhancement, color reduction and binarization, skew and orientation detection, page segmentation and logical layout analysis. We review the state of the art in each area, identify current defficiencies, point out promising directions and give specific guidelines for future investigation. We address some of the identified issues by means of novel algorithmic solutions putting special focus on generality, computational efficiency and the exploitation of all available sources of information. More specifically, we introduce the following original methods: a fully automatic detection of color reference targets in digitized material, accurate foreground extraction from color historical documents, font enhancement for hot metal typesetted prints, a theoretically optimal solution for the document binarization problem from both computational complexity- and threshold selection point of view, a layout-independent skew and orientation detection, a robust and versatile page segmentation method, a semi-automatic front page detection algorithm and a complete framework for article segmentation in periodical publications. The proposed methods are experimentally evaluated on large datasets consisting of real-life heterogeneous document scans. The obtained results show that a document understanding system combining these modules is able to robustly process a wide variety of documents with good overall accuracy

A novel scanned mask imaging system for high resolution solid state laser ablation

A technology gap has emerged between the sub-micron semiconductor manufacturing technologies used in the manufacture of integrated circuits and the semi-additive processes used to manufacture advanced chip packages which are currently limited to feature sizes greater than 10 µm. Embedding conductors in laser ablated circuit features is one of the proposed solutions to address this technology gap in the advanced chip packaging industry. Excimer laser systems are currently the only available production tools capable of the high throughput laser ablation of circuit features down to 2 µm. In this thesis I have developed an ablative, solid state laser, mask imaging system for the high volume 3D structuring of organic dielectrics. This system enables the ablation of circuit features down to 2 µm which are of comparable quality to excimer laser ablation. The system architecture has a throughput exceeding that of an excimer laser production system. I have developed an illumination system, which I have tested at both a feasibility stage and at a prototype stage, with custom designed optical components. The illumination system consists of a galvanometer scan head which is used to raster scan a solid state laser beam across a binary mask, the image of which is then projected onto the substrate. The system I present enables the use of multimode, UV, solid state lasers in well-developed and high resolution mask imaging optical systems. Through the use of a less expensive laser technology, the system I have developed has a cost of ownership estimated to be less than 50% of that of an excimer production system, thus reducing the cost of high resolution, high throughput laser ablation

History of Computer Art

Die Entwicklung von Computer und Software von den fünfziger Jahren bis heute wird vorgestellt. Als Leitkriterien der Geschichte der Computerkunst werden ein Interface-Modell und drei Arten, Rechenprozesse einzusetzen (generativ, modular, hyptertextuell), vorgeschlagen. Die "Geschichte der Computerkunst"/"History of Computer Art" erörtert Beispiele aus frühen Entwicklungsphasen von Kunstformen wie Kybernetische Skulpturen, Computergraphik und -animation (einschließlich Musikvideos und Demos), Videokunst und Computerspielen, reaktive Installationen, Virtuelle Realität, Evolutionäre Kunst und Netzkunst. Die Funktionen der ausgewählten Werke werden detaillierter vorgestellt als dies in vergleichbaren Geschichten üblich ist. Die deutsche Version wurde bis Dezember 2012 kapitelweise in IASLonline Lektionen/Lessons in Net Art publiziert. Das letzte Kapitel der englischen Version wurde Juni 2014 veröffentlicht. Im September 2015 wurde ein erstes Update eingestellt

History of Computer Art, Second Edition

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The "History of Computer Art" features examples of early developments in media like cybernetic sculptures, computer graphics and animation (including music videos and demos), video and computer games, reactive installations, virtual reality, evolutionary art and net art. The functions of relevant art works are explained more detailed than usual in such histories. The second edition for the Book on Demand (Lulu Press, 2020) includes an update of chapter II.1.1 (first edition 2014)

Microscopy Conference 2017 (MC 2017) - Proceedings

Das Dokument enthält die Kurzfassungen der Beiträge aller Teilnehmer an der Mikroskopiekonferenz "MC 2017", die vom 21. bis 25.08.2017, in Lausanne stattfand

Microscopy Conference 2017 (MC 2017) - Proceedings

Das Dokument enthält die Kurzfassungen der Beiträge aller Teilnehmer an der Mikroskopiekonferenz "MC 2017", die vom 21. bis 25.08.2017, in Lausanne stattfand

Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016)

In 1957, South African born Ernst de Jong returned to Pretoria, South Africa, after studying painting and information design at the University of Oklahoma in the USA. De Jong and his American wife, Gwen Drennan, immediately set about opening a graphic design studio that profited from de Jong’s transformative experiences in Oklahoma and established itself as a pioneer of identity design in South Africa. The modernising rhetoric of Ernst de Jong Studios (EDJS), and indeed de Jong himself, came to signify the utopian aspirations of a putatively bright, new and modern Republic. As the political and cultural contexts of the country changed, so did the nature and fortunes of EDJS; de Jong closed his design practice in 1994 and then gradually faded from view. This study is a discursive space, an interrogation of and often personal reflection on the circumstances of de Jong’s life and creative practice, as well as the inventive task of ‘prying open’ the artefacts, events and relationships that informed this practice. I aim to make visible an influential life, but also to question how it was constructed, and then re-presented — both by the participants and myself — for the purposes of this study. Concomitantly, I flesh open the drive, in a post-colonial community, to appropriate modernism in its project of individualisation. Oral history, and in particular ‘life history’, provides the starting point and underlying framework for my narrative that explores design briefs executed for the journal Lantern, the Rand Afrikaans University and the Afrikaanse Taalmonument. Although the three case studies cannot provide a comprehensive account of the vast output of EDJS, they serve to throw light on mainstream graphic design experiences in publication design, university branding and heritage design in the years 1957 to 1975 in South Africa.Visual ArtsPhDUnrestricte