30,984 research outputs found

    Exploiting multi-word units in statistical parsing and generation

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    Syntactic parsing is an important prerequisite for many natural language processing (NLP) applications. The task refers to the process of generating the tree of syntactic nodes with associated phrase category labels corresponding to a sentence. Our objective is to improve upon statistical models for syntactic parsing by leveraging multi-word units (MWUs) such as named entities and other classes of multi-word expressions. Multi-word units are phrases that are lexically, syntactically and/or semantically idiosyncratic in that they are to at least some degree non-compositional. If such units are identified prior to, or as part of, the parsing process their boundaries can be exploited as islands of certainty within the very large (and often highly ambiguous) search space. Luckily, certain types of MWUs can be readily identified in an automatic fashion (using a variety of techniques) to a near-human level of accuracy. We carry out a number of experiments which integrate knowledge about different classes of MWUs in several commonly deployed parsing architectures. In a supplementary set of experiments, we attempt to exploit these units in the converse operation to statistical parsing---statistical generation (in our case, surface realisation from Lexical-Functional Grammar f-structures). We show that, by exploiting knowledge about MWUs, certain classes of parsing and generation decisions are more accurately resolved. This translates to improvements in overall parsing and generation results which, although modest, are demonstrably significant

    Treebank-Based Deep Grammar Acquisition for French Probabilistic Parsing Resources

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    Motivated by the expense in time and other resources to produce hand-crafted grammars, there has been increased interest in wide-coverage grammars automatically obtained from treebanks. In particular, recent years have seen a move towards acquiring deep (LFG, HPSG and CCG) resources that can represent information absent from simple CFG-type structured treebanks and which are considered to produce more language-neutral linguistic representations, such as syntactic dependency trees. As is often the case in early pioneering work in natural language processing, English has been the focus of attention in the first efforts towards acquiring treebank-based deep-grammar resources, followed by treatments of, for example, German, Japanese, Chinese and Spanish. However, to date no comparable large-scale automatically acquired deep-grammar resources have been obtained for French. The goal of the research presented in this thesis is to develop, implement, and evaluate treebank-based deep-grammar acquisition techniques for French. Along the way towards achieving this goal, this thesis presents the derivation of a new treebank for French from the Paris 7 Treebank, the Modified French Treebank, a cleaner, more coherent treebank with several transformed structures and new linguistic analyses. Statistical parsers trained on this data outperform those trained on the original Paris 7 Treebank, which has five times the amount of data. The Modified French Treebank is the data source used for the development of treebank-based automatic deep-grammar acquisition for LFG parsing resources for French, based on an f-structure annotation algorithm for this treebank. LFG CFG-based parsing architectures are then extended and tested, achieving a competitive best f-score of 86.73% for all features. The CFG-based parsing architectures are then complemented with an alternative dependency-based statistical parsing approach, obviating the CFG-based parsing step, and instead directly parsing strings into f-structures

    Harmonic analysis of music using combinatory categorial grammar

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    FP7 grant 249520 (GRAMPLUS)Various patterns of the organization of Western tonal music exhibit hierarchical structure, among them the harmonic progressions underlying melodies and the metre underlying rhythmic patterns. Recognizing these structures is an important part of unconscious human cognitive processing of music. Since the prosody and syntax of natural languages are commonly analysed with similar hierarchical structures, it is reasonable to expect that the techniques used to identify these structures automatically in natural language might also be applied to the automatic interpretation of music. In natural language processing (NLP), analysing the syntactic structure of a sentence is prerequisite to semantic interpretation. The analysis is made difficult by the high degree of ambiguity in even moderately long sentences. In music, a similar sort of structural analysis, with a similar degree of ambiguity, is fundamental to tasks such as key identification and score transcription. These and other tasks depend on harmonic and rhythmic analyses. There is a long history of applying linguistic analysis techniques to musical analysis. In recent years, statistical modelling, in particular in the form of probabilistic models, has become ubiquitous in NLP for large-scale practical analysis of language. The focus of the present work is the application of statistical parsing to automatic harmonic analysis of music. This thesis demonstrates that statistical parsing techniques, adapted from NLP with little modification, can be successfully applied to recovering the harmonic structure underlying music. It shows first how a type of formal grammar based on one used for linguistic syntactic processing, Combinatory Categorial Grammar (CCG), can be used to analyse the hierarchical structure of chord sequences. I introduce a formal language similar to first-order predicate logical to express the hierarchical tonal harmonic relationships between chords. The syntactic grammar formalism then serves as a mechanism to map an unstructured chord sequence onto its structured analysis. In NLP, the high degree of ambiguity of the analysis means that a parser must consider a huge number of possible structures. Chart parsing provides an efficient mechanism to explore them. Statistical models allow the parser to use information about structures seen before in a training corpus to eliminate improbable interpretations early on in the process and to rank the final analyses by plausibility. To apply the same techniques to harmonic analysis of chord sequences, a corpus of tonal jazz chord sequences annotated by hand with harmonic analyses is constructed. Two statistical parsing techniques are adapted to the present task and evaluated on their success at recovering the annotated structures. The experiments show that parsing using a statistical model of syntactic derivations is more successful than a Markovian baseline model at recovering harmonic structure. In addition, the practical technique of statistical supertagging serves to speed up parsing without any loss in accuracy. This approach to recovering harmonic structure can be extended to the analysis of performance data symbolically represented as notes. Experiments using some simple proof-of-concept extensions of the above parsing models demonstrate one probabilistic approach to this. The results reported provide a baseline for future work on the task of harmonic analysis of performances

    A Robust Parser-Interpreter for Jazz Chord Sequences

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    Hierarchical structure similar to that associated with prosody and syntax in language can be identified in the rhythmic and harmonic progressions that underlie Western tonal music. Analysing such musical struc-ture resembles natural language parsing: it requires the derivation of an underlying interpretation from an un-structured sequence of highly ambiguous elements— in the case of music, the notes. The task here is not merely to decide whether the sequence is grammati-cal, but rather to decide which among a large number of analyses it has. An analysis of this sort is a part of the cognitive processing performed by listeners familiar with a musical idiom, whether musically trained or not. Our focus is on the analysis of the structure of ex-pectations and resolutions created by harmonic progres-sions. Building on previous work, we define a theory of tonal harmonic progression, which plays a role analo-gous to semantics in language. Our parser uses a formal grammar of jazz chord sequences, of a kind widely used for natural language processing (NLP), to map music, in the form of chord sequences used by performers, onto a representation of the structured relationships between chords. It uses statistical modelling techniques used for wide-coverage parsing in NLP to make practical pars-ing feasible in the face of considerable ambiguity in the grammar. Using machine learning over a small corpus of jazz chord sequences annotated with harmonic anal-yses, we show that grammar-based musical interpreta-tion using simple statistical parsing models is more ac-curate than a baseline HMM. The experiment demon-strates that statistical techniques adapted from NLP can be profitably applied to the analysis of harmonic struc-ture
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