Data hiding in images based on fractal modulation and diversity combining

The current work provides a new data-embedding infrastructure based on fractal modulation. The embedding problem is tackled from a communications point of view. The data to be embedded becomes the signal to be transmitted through a watermark channel. The channel could be the image itself or some manipulation of the image. The image self noise and noise due to attacks are the two sources of noise in this paradigm. At the receiver, the image self noise has to be suppressed, while noise due to the attacks may sometimes be predicted and inverted. The concepts of fractal modulation and deterministic self-similar signals are extended to 2-dimensional images. These novel techniques are used to build a deterministic bi-homogenous watermark signal that embodies the binary data to be embedded. The binary data to be embedded, is repeated and scaled with different amplitudes at each level and is used as the wavelet decomposition pyramid. The binary data is appended with special marking data, which is used during demodulation, to identify and correct unreliable or distorted blocks of wavelet coefficients. This specially constructed pyramid is inverted using the inverse discrete wavelet transform to obtain the self-similar watermark signal. In the data embedding stage, the well-established linear additive technique is used to add the watermark signal to the cover image, to generate the watermarked (stego) image. Data extraction from a potential stego image is done using diversity combining. Neither the original image nor the original binary sequence (or watermark signal) is required during the extraction. A prediction of the original image is obtained using a cross-shaped window and is used to suppress the image self noise in the potential stego image. The resulting signal is then decomposed using the discrete wavelet transform. The number of levels and the wavelet used are the same as those used in the watermark signal generation stage. A thresholding process similar to wavelet de-noising is used to identify whether a particular coefficient is reliable or not. A decision is made as to whether a block is reliable or not based on the marking data present in each block and sometimes corrections are applied to the blocks. Finally the selected blocks are combined based on the diversity combining strategy to extract the embedded binary data

A review and open issues of diverse text watermarking techniques in spatial domain

Nowadays, information hiding is becoming a helpful technique and fetches more attention due to the fast growth of using the internet; it is applied for sending secret information by using different techniques. Watermarking is one of major important technique in information hiding. Watermarking is of hiding secret data into a carrier media to provide the privacy and integrity of information so that no one can recognize and detect it's accepted the sender and receiver. In watermarking, many various carrier formats can be used such as an image, video, audio, and text. The text is most popular used as a carrier files due to its frequency on the internet. There are many techniques variables for the text watermarking; each one has its own robust and susceptible points. In this study, we conducted a review of text watermarking in the spatial domain to explore the term text watermarking by reviewing, collecting, synthesizing and analyze the challenges of different studies which related to this area published from 2013 to 2018. The aims of this paper are to provide an overview of text watermarking and comparison between approved studies as discussed according to the Arabic text characters, payload capacity, Imperceptibility, authentication, and embedding technique to open important research issues in the future work to obtain a robust method

Research on digital image watermark encryption based on hyperchaos

The digital watermarking technique embeds meaningful information into one or more watermark images hidden in one image, in which it is known as a secret carrier. It is difficult for a hacker to extract or remove any hidden watermark from an image, and especially to crack so called digital watermark. The combination of digital watermarking technique and traditional image encryption technique is able to greatly improve anti-hacking capability, which suggests it is a good method for keeping the integrity of the original image. The research works contained in this thesis include: (1)A literature review the hyperchaotic watermarking technique is relatively more advantageous, and becomes the main subject in this programme. (2)The theoretical foundation of watermarking technologies, including the human visual system (HVS), the colour space transform, discrete wavelet transform (DWT), the main watermark embedding algorithms, and the mainstream methods for improving watermark robustness and for evaluating watermark embedding performance. (3) The devised hyperchaotic scrambling technique it has been applied to colour image watermark that helps to improve the image encryption and anti-cracking capabilities. The experiments in this research prove the robustness and some other advantages of the invented technique. This thesis focuses on combining the chaotic scrambling and wavelet watermark embedding to achieve a hyperchaotic digital watermark to encrypt digital products, with the human visual system (HVS) and other factors taken into account. This research is of significant importance and has industrial application value

A review and open issues of multifarious image steganography techniques in spatial domain

Nowadays, information hiding is becoming a helpful technique and fetch more attention due fast growth of using internet, it is applied for sending secret information by using different techniques. Steganography is one of major important technique in information hiding. Steganography is science of concealing the secure information within a carrier object to provide the secure communication though the internet, so that no one can recognize and detect it’s except the sender & receiver. In steganography, many various carrier formats can be used such as an image, video, protocol, audio. The digital image is most popular used as a carrier file due its frequency on internet. There are many techniques variable for image steganography, each has own strong and weak points. In this study, we conducted a review of image steganography in spatial domain to explore the term image steganography by reviewing, collecting, synthesizing and analyze the challenges of different studies which related to this area published from 2014 to 2017. The aims of this review is provides an overview of image steganography and comparison between approved studies are discussed according to the pixel selection, payload capacity and embedding algorithm to open important research issues in the future works and obtain a robust method

Digital Image Processing

Newspapers and the popular scientific press today publish many examples of highly impressive images. These images range, for example, from those showing regions of star birth in the distant Universe to the extent of the stratospheric ozone depletion over Antarctica in springtime, and to those regions of the human brain affected by Alzheimer’s disease. Processed digitally to generate spectacular images, often in false colour, they all make an immediate and deep impact on the viewer’s imagination and understanding. Professor Jonathan Blackledge’s erudite but very useful new treatise Digital Image Processing: Mathematical and Computational Methods explains both the underlying theory and the techniques used to produce such images in considerable detail. It also provides many valuable example problems - and their solutions - so that the reader can test his/her grasp of the physical, mathematical and numerical aspects of the particular topics and methods discussed. As such, this magnum opus complements the author’s earlier work Digital Signal Processing. Both books are a wonderful resource for students who wish to make their careers in this fascinating and rapidly developing field which has an ever increasing number of areas of application. The strengths of this large book lie in: • excellent explanatory introduction to the subject; • thorough treatment of the theoretical foundations, dealing with both electromagnetic and acoustic wave scattering and allied techniques; • comprehensive discussion of all the basic principles, the mathematical transforms (e.g. the Fourier and Radon transforms), their interrelationships and, in particular, Born scattering theory and its application to imaging systems modelling; discussion in detail - including the assumptions and limitations - of optical imaging, seismic imaging, medical imaging (using ultrasound), X-ray computer aided tomography, tomography when the wavelength of the probing radiation is of the same order as the dimensions of the scatterer, Synthetic Aperture Radar (airborne or spaceborne), digital watermarking and holography; detail devoted to the methods of implementation of the analytical schemes in various case studies and also as numerical packages (especially in C/C++); • coverage of deconvolution, de-blurring (or sharpening) an image, maximum entropy techniques, Bayesian estimators, techniques for enhancing the dynamic range of an image, methods of filtering images and techniques for noise reduction; • discussion of thresholding, techniques for detecting edges in an image and for contrast stretching, stochastic scattering (random walk models) and models for characterizing an image statistically; • investigation of fractal images, fractal dimension segmentation, image texture, the coding and storing of large quantities of data, and image compression such as JPEG; • valuable summary of the important results obtained in each Chapter given at its end; • suggestions for further reading at the end of each Chapter. I warmly commend this text to all readers, and trust that they will find it to be invaluable. Professor Michael J Rycroft Visiting Professor at the International Space University, Strasbourg, France, and at Cranfield University, England

Applications de la représentation parcimonieuse perceptuelle par graphe de décharges (Spikegramme) pour la protection du droit d’auteur des signaux sonores

Chaque année, le piratage mondial de la musique coûte plusieurs milliards de dollars en pertes économiques, pertes d’emplois et pertes de gains des travailleurs ainsi que la perte de millions de dollars en recettes fiscales. La plupart du piratage de la musique est dû à la croissance rapide et à la facilité des technologies actuelles pour la copie, le partage, la manipulation et la distribution de données musicales [Domingo, 2015], [Siwek, 2007]. Le tatouage des signaux sonores a été proposé pour protéger les droit des auteurs et pour permettre la localisation des instants où le signal sonore a été falsifié. Dans cette thèse, nous proposons d’utiliser la représentation parcimonieuse bio-inspirée par graphe de décharges (spikegramme), pour concevoir une nouvelle méthode permettant la localisation de la falsification dans les signaux sonores. Aussi, une nouvelle méthode de protection du droit d’auteur. Finalement, une nouvelle attaque perceptuelle, en utilisant le spikegramme, pour attaquer des systèmes de tatouage sonore. Nous proposons tout d’abord une technique de localisation des falsifications (‘tampering’) des signaux sonores. Pour cela nous combinons une méthode à spectre étendu modifié (‘modified spread spectrum’, MSS) avec une représentation parcimonieuse. Nous utilisons une technique de poursuite perceptive adaptée (perceptual marching pursuit, PMP [Hossein Najaf-Zadeh, 2008]) pour générer une représentation parcimonieuse (spikegramme) du signal sonore d’entrée qui est invariante au décalage temporel [E. C. Smith, 2006] et qui prend en compte les phénomènes de masquage tels qu’ils sont observés en audition. Un code d’authentification est inséré à l’intérieur des coefficients de la représentation en spikegramme. Puis ceux-ci sont combinés aux seuils de masquage. Le signal tatoué est resynthétisé à partir des coefficients modifiés, et le signal ainsi obtenu est transmis au décodeur. Au décodeur, pour identifier un segment falsifié du signal sonore, les codes d’authentification de tous les segments intacts sont analysés. Si les codes ne peuvent être détectés correctement, on sait qu’alors le segment aura été falsifié. Nous proposons de tatouer selon le principe à spectre étendu (appelé MSS) afin d’obtenir une grande capacité en nombre de bits de tatouage introduits. Dans les situations où il y a désynchronisation entre le codeur et le décodeur, notre méthode permet quand même de détecter des pièces falsifiées. Par rapport à l’état de l’art, notre approche a le taux d’erreur le plus bas pour ce qui est de détecter les pièces falsifiées. Nous avons utilisé le test de l’opinion moyenne (‘MOS’) pour mesurer la qualité des systèmes tatoués. Nous évaluons la méthode de tatouage semi-fragile par le taux d’erreur (nombre de bits erronés divisé par tous les bits soumis) suite à plusieurs attaques. Les résultats confirment la supériorité de notre approche pour la localisation des pièces falsifiées dans les signaux sonores tout en préservant la qualité des signaux. Ensuite nous proposons une nouvelle technique pour la protection des signaux sonores. Cette technique est basée sur la représentation par spikegrammes des signaux sonores et utilise deux dictionnaires (TDA pour Two-Dictionary Approach). Le spikegramme est utilisé pour coder le signal hôte en utilisant un dictionnaire de filtres gammatones. Pour le tatouage, nous utilisons deux dictionnaires différents qui sont sélectionnés en fonction du bit d’entrée à tatouer et du contenu du signal. Notre approche trouve les gammatones appropriés (appelés noyaux de tatouage) sur la base de la valeur du bit à tatouer, et incorpore les bits de tatouage dans la phase des gammatones du tatouage. De plus, il est montré que la TDA est libre d’erreur dans le cas d’aucune situation d’attaque. Il est démontré que la décorrélation des noyaux de tatouage permet la conception d’une méthode de tatouage sonore très robuste. Les expériences ont montré la meilleure robustesse pour la méthode proposée lorsque le signal tatoué est corrompu par une compression MP3 à 32 kbits par seconde avec une charge utile de 56.5 bps par rapport à plusieurs techniques récentes. De plus nous avons étudié la robustesse du tatouage lorsque les nouveaux codec USAC (Unified Audion and Speech Coding) à 24kbps sont utilisés. La charge utile est alors comprise entre 5 et 15 bps. Finalement, nous utilisons les spikegrammes pour proposer trois nouvelles méthodes d’attaques. Nous les comparons aux méthodes récentes d’attaques telles que 32 kbps MP3 et 24 kbps USAC. Ces attaques comprennent l’attaque par PMP, l’attaque par bruit inaudible et l’attaque de remplacement parcimonieuse. Dans le cas de l’attaque par PMP, le signal de tatouage est représenté et resynthétisé avec un spikegramme. Dans le cas de l’attaque par bruit inaudible, celui-ci est généré et ajouté aux coefficients du spikegramme. Dans le cas de l’attaque de remplacement parcimonieuse, dans chaque segment du signal, les caractéristiques spectro-temporelles du signal (les décharges temporelles ;‘time spikes’) se trouvent en utilisant le spikegramme et les spikes temporelles et similaires sont remplacés par une autre. Pour comparer l’efficacité des attaques proposées, nous les comparons au décodeur du tatouage à spectre étendu. Il est démontré que l’attaque par remplacement parcimonieux réduit la corrélation normalisée du décodeur de spectre étendu avec un plus grand facteur par rapport à la situation où le décodeur de spectre étendu est attaqué par la transformation MP3 (32 kbps) et 24 kbps USAC.Abstract : Every year global music piracy is making billion dollars of economic, job, workers’ earnings losses and also million dollars loss in tax revenues. Most of the music piracy is because of rapid growth and easiness of current technologies for copying, sharing, manipulating and distributing musical data [Domingo, 2015], [Siwek, 2007]. Audio watermarking has been proposed as one approach for copyright protection and tamper localization of audio signals to prevent music piracy. In this thesis, we use the spikegram- which is a bio-inspired sparse representation- to propose a novel approach to design an audio tamper localization method as well as an audio copyright protection method and also a new perceptual attack against any audio watermarking system. First, we propose a tampering localization method for audio signal, based on a Modified Spread Spectrum (MSS) approach. Perceptual Matching Pursuit (PMP) is used to compute the spikegram (which is a sparse and time-shift invariant representation of audio signals) as well as 2-D masking thresholds. Then, an authentication code (which includes an Identity Number, ID) is inserted inside the sparse coefficients. For high quality watermarking, the watermark data are multiplied with masking thresholds. The time domain watermarked signal is re-synthesized from the modified coefficients and the signal is sent to the decoder. To localize a tampered segment of the audio signal, at the decoder, the ID’s associated to intact segments are detected correctly, while the ID associated to a tampered segment is mis-detected or not detected. To achieve high capacity, we propose a modified version of the improved spread spectrum watermarking called MSS (Modified Spread Spectrum). We performed a mean opinion test to measure the quality of the proposed watermarking system. Also, the bit error rates for the presented tamper localization method are computed under several attacks. In comparison to conventional methods, the proposed tamper localization method has the smallest number of mis-detected tampered frames, when only one frame is tampered. In addition, the mean opinion test experiments confirms that the proposed method preserves the high quality of input audio signals. Moreover, we introduce a new audio watermarking technique based on a kernel-based representation of audio signals. A perceptive sparse representation (spikegram) is combined with a dictionary of gammatone kernels to construct a robust representation of sounds. Compared to traditional phase embedding methods where the phase of signal’s Fourier coefficients are modified, in this method, the watermark bit stream is inserted by modifying the phase of gammatone kernels. Moreover, the watermark is automatically embedded only into kernels with high amplitudes where all masked (non-meaningful) gammatones have been already removed. Two embedding methods are proposed, one based on the watermark embedding into the sign of gammatones (one dictionary method) and another one based on watermark embedding into both sign and phase of gammatone kernels (two-dictionary method). The robustness of the proposed method is shown against 32 kbps MP3 with an embedding rate of 56.5 bps while the state of the art payload for 32 kbps MP3 robust iii iv watermarking is lower than 50.3 bps. Also, we showed that the proposed method is robust against unified speech and audio codec (24 kbps USAC, Linear predictive and Fourier domain modes) with an average payload of 5 − 15 bps. Moreover, it is shown that the proposed method is robust against a variety of signal processing transforms while preserving quality. Finally, three perceptual attacks are proposed in the perceptual sparse domain using spikegram. These attacks are called PMP, inaudible noise adding and the sparse replacement attacks. In PMP attack, the host signals are represented and re-synthesized with spikegram. In inaudible noise attack, the inaudible noise is generated and added to the spikegram coefficients. In sparse replacement attack, each specific frame of the spikegram representation - when possible - is replaced with a combination of similar frames located in other parts of the spikegram. It is shown than the PMP and inaudible noise attacks have roughly the same efficiency as the 32 kbps MP3 attack, while the replacement attack reduces the normalized correlation of the spread spectrum decoder with a greater factor than when attacking with 32 kbps MP3 or 24 kbps unified speech and audio coding (USAC)

Variations and Application Conditions Of the Data Type »Image« - The Foundation of Computational Visualistics

Few years ago, the department of computer science of the University Magdeburg invented a completely new diploma programme called 'computational visualistics', a curriculum dealing with all aspects of computational pictures. Only isolated aspects had been studied so far in computer science, particularly in the independent domains of computer graphics, image processing, information visualization, and computer vision. So is there indeed a coherent domain of research behind such a curriculum? The answer to that question depends crucially on a data structure that acts as a mediator between general visualistics and computer science: the data structure "image". The present text investigates that data structure, its components, and its application conditions, and thus elaborates the very foundations of computational visualistics as a unique and homogenous field of research. Before concentrating on that data structure, the theory of pictures in general and the definition of pictures as perceptoid signs in particular are closely examined. This includes an act-theoretic consideration about resemblance as the crucial link between image and object, the communicative function of context building as the central concept for comparing pictures and language, and several modes of reflection underlying the relation between image and image user. In the main chapter, the data structure "image" is extendedly analyzed under the perspectives of syntax, semantics, and pragmatics. While syntactic aspects mostly concern image processing, semantic questions form the core of computer graphics and computer vision. Pragmatic considerations are particularly involved with interactive pictures but also extend to the field of information visualization and even to computer art. Four case studies provide practical applications of various aspects of the analysis