HDR Image Watermarking

In this Chapter we survey available solutions for HDR image watermarking. First, we briefly discuss watermarking in general terms, with particular emphasis on its requirements that primarily include security, robustness, imperceptibility, capacity and the availability of the original image during recovery. However, with respect to traditional image watermarking, HDR images possess a unique set of features such as an extended range of luminance values to work with and tone-mapping operators against whom it is essential to be robust. These clearly affect the HDR watermarking algorithms proposed in the literature, which we extensively review next, including a thorough analysis of the reported experimental results. As a working example, we also describe the HDR watermarking system that we recently proposed and that focuses on combining imperceptibility, security and robustness to TM operators at the expense of capacity. We conclude the chapter with a critical analysis of the current state and future directions of the watermarking applications in the HDR domain

Digital audio watermarking for broadcast monitoring and content identification

Copyright legislation was prompted exactly 300 years ago by a desire to protect authors against exploitation of their work by others. With regard to modern content owners, Digital Rights Management (DRM) issues have become very important since the advent of the Internet. Piracy, or illegal copying, costs content owners billions of dollars every year. DRM is just one tool that can assist content owners in exercising their rights. Two categories of DRM technologies have evolved in digital signal processing recently, namely digital fingerprinting and digital watermarking. One area of Copyright that is consistently overlooked in DRM developments is 'Public Performance'. The research described in this thesis analysed the administration of public performance rights within the music industry in general, with specific focus on the collective rights and broadcasting sectors in Ireland. Limitations in the administration of artists' rights were identified. The impact of these limitations on the careers of developing artists was evaluated. A digital audio watermarking scheme is proposed that would meet the requirements of both the broadcast and collective rights sectors. The goal of the scheme is to embed a standard identifier within an audio signal via modification of its spectral properties in such a way that it would be robust and perceptually transparent. Modification of the audio signal spectrum was attempted in a variety of ways. A method based on a super-resolution frequency identification technique was found to be most effective. The watermarking scheme was evaluated for robustness and found to be extremely effective in recovering embedded watermarks in music signals using a semi-blind decoding process. The final digital audio watermarking algorithm proposed facilitates the development of other applications in the domain of broadcast monitoring for the purposes of equitable royalty distribution along with additional applications and extension to other domains

Simplification Resilient LDPC-Coded Sparse-QIM Watermarking for 3D-Meshes

We propose a blind watermarking scheme for 3-D meshes which combines sparse quantization index modulation (QIM) with deletion correction codes. The QIM operates on the vertices in rough concave regions of the surface thus ensuring impeccability, while the deletion correction code recovers the data hidden in the vertices which is removed by mesh optimization and/or simplification. The proposed scheme offers two orders of magnitude better performance in terms of recovered watermark bit error rate compared to the existing schemes of similar payloads and fidelity constraints.Comment: Submitted, revised and Copyright transfered to IEEE Transactions on Multimedia, October 9th 201