Efficient HEVC-based video adaptation using transcoding

In a video transmission system, it is important to take into account the great diversity of the network/end-user constraints. On the one hand, video content is typically streamed over a network that is characterized by different bandwidth capacities. In many cases, the bandwidth is insufficient to transfer the video at its original quality. On the other hand, a single video is often played by multiple devices like PCs, laptops, and cell phones. Obviously, a single video would not satisfy their different constraints. These diversities of the network and devices capacity lead to the need for video adaptation techniques, e.g., a reduction of the bit rate or spatial resolution. Video transcoding, which modifies a property of the video without the change of the coding format, has been well-known as an efficient adaptation solution. However, this approach comes along with a high computational complexity, resulting in huge energy consumption in the network and possibly network latency. This presentation provides several optimization strategies for the transcoding process of HEVC (the latest High Efficiency Video Coding standard) video streams. First, the computational complexity of a bit rate transcoder (transrater) is reduced. We proposed several techniques to speed-up the encoder of a transrater, notably a machine-learning-based approach and a novel coding-mode evaluation strategy have been proposed. Moreover, the motion estimation process of the encoder has been optimized with the use of decision theory and the proposed fast search patterns. Second, the issues and challenges of a spatial transcoder have been solved by using machine-learning algorithms. Thanks to their great performance, the proposed techniques are expected to significantly help HEVC gain popularity in a wide range of modern multimedia applications

Fast encoding for personalized views extracted from beyond high definition content

Broadcast providers are looking for new opportunities to increase user experience and user interaction on their content. Their main goal is to attract and preserve viewer attention to create a big and stable audience. This could be achieved with a second screen application that lets the users select their own viewpoint in an extremely high resolution video to direct their own first screen. By allowing the users to create their own personalized video stream, they become involved with the content creation itself. However, encoding a personalized view for each user is computationally complex. This paper describes a machine learning approach to speed up the encoding of each personal view. Simulation results of zoom, pan and tilt scenarios show bit rate increases between 2% and 9% for complexity reductions between 69% and 79% compared to full encoding

Receiver-Driven Video Adaptation

In the span of a single generation, video technology has made an incredible impact on daily life. Modern use cases for video are wildly diverse, including teleconferencing, live streaming, virtual reality, home entertainment, social networking, surveillance, body cameras, cloud gaming, and autonomous driving. As these applications continue to grow more sophisticated and heterogeneous, a single representation of video data can no longer satisfy all receivers. Instead, the initial encoding must be adapted to each receiver's unique needs. Existing adaptation strategies are fundamentally flawed, however, because they discard the video's initial representation and force the content to be re-encoded from scratch. This process is computationally expensive, does not scale well with the number of videos produced, and throws away important information embedded in the initial encoding. Therefore, a compelling need exists for the development of new strategies that can adapt video content without fully re-encoding it. To better support the unique needs of smart receivers, diverse displays, and advanced applications, general-use video systems should produce and offer receivers a more flexible compressed representation that supports top-down adaptation strategies from an original, compressed-domain ground truth. This dissertation proposes an alternate model for video adaptation that addresses these challenges. The key idea is to treat the initial compressed representation of a video as the ground truth, and allow receivers to drive adaptation by dynamically selecting which subsets of the captured data to receive. In support of this model, three strategies for top-down, receiver-driven adaptation are proposed. First, a novel, content-agnostic entropy coding technique is implemented in which symbols are selectively dropped from an input abstract symbol stream based on their estimated probability distributions to hit a target bit rate. Receivers are able to guide the symbol dropping process by supplying the encoder with an appropriate rate controller algorithm that fits their application needs and available bandwidths. Next, a domain-specific adaptation strategy is implemented for H.265/HEVC coded video in which the prediction data from the original source is reused directly in the adapted stream, but the residual data is recomputed as directed by the receiver. By tracking the changes made to the residual, the encoder can compensate for decoder drift to achieve near-optimal rate-distortion performance. Finally, a fully receiver-driven strategy is proposed in which the syntax elements of a pre-coded video are cataloged and exposed directly to clients through an HTTP API. Instead of requesting the entire stream at once, clients identify the exact syntax elements they wish to receive using a carefully designed query language. Although an implementation of this concept is not provided, an initial analysis shows that such a system could save bandwidth and computation when used by certain targeted applications.Doctor of Philosoph

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field