Special Libraries, March 1968

Volume 59, Issue 3https://scholarworks.sjsu.edu/sla_sl_1968/1002/thumbnail.jp

The Economics of Ideas and the Ideas of Economists

On college campuses across the country and on millions of home computers, too, young adults download from each other digital files containing recorded music and films for their entertainment. The owners of that copyrighted material pursue the downloaders with legal action as well as the software services that facilitate it. Napster’s existence as a free file-sharing internet site was shut down in 2001, and the Supreme Court has recently ruled that a successor file-sharing service, Grokster, engaged in copyright infringement by providing an easy way for individuals to exchange files. The amount of filesharing activity is not trivial; Paul Romer (2002) estimates that Napster users were downloading at the rate of 1.5 billion downloads per month before Napster was shut down and that the consumer surplus generated by downloading roughly equaled the revenues of the recording industry.Intellectual Property, property rights, creativity

Aesthetic objects, aesthetic judgments and the crafting of organizational style in creative industries

In this article, we conceptually engage with style as central to creative industries. We specifically argue that style is crafted into being via an interplay between aesthetic judgments and “aesthetic objects.” We define aesthetic objects as temporary, material settlements fueled by a continual sense of dissatisfaction, eventually resolved through relational engagements. These remain under aesthetic inquiry throughout the process of crafting, until brought to particular close. We elaborate our theorizing with a non-traditional exemplar of the Bride Dress in the preparation of a 2009 Jean-Paul Gaultier’s fashion show. Our subsequent contribution is a richer conceptual understanding of style, with a material, aesthetic engagement at its center. In addition, in foregrounding under-explored features (i.e., aesthetic judgments, crafting of physical materials), and introducing new concepts (i.e., aesthetic objects), we outline promising openings for and significant connections with scholarship on creative or fluid industries, style, and organizational identity

Consumer product invention: some developmental, economic & consumer aspects

This study of the British Bicycle and Domestic Radio Receiver industries produced a model of invention/product design having the following features: Invention depended mainly on the combined effect of three factors, each with changing significance over a three-stage life cycle. Technology Factor: Induced a cumulative sequence of inventions to improve product performance, of various origins (ideas, problems, techno-transfers or science). This factor most important in the first Incubation stage, of equal importance in second Early Growth stage and of incremental importance in final Mature stage. Economic Factor: Induced invention to suit market, mainly for cheaper, lower performance products but also for superlative models. This factor inoperative at Incubation stage, very important at Early Growth stage and important at Mature stage. Consumer Factor: Induced invention to make products more appealing to consumer; for simpler/automatic operation, greater reliability, accessories and new uses. This factor inoperative at Incubation stage, important at Early Growth stage and supremely important at Mature stage. Product life-cycle pattern a sequence of new models subsequently improved until an basic satisfactory design achieved, later incrementally improved. Empirical invention often systematic and as important as scientific invention; science often used to define design problem. Peak invention in Early Growth stage to explore all technical possibilities, design trade-offs and for market share. Invention and Demand: No direct and proportional relationship. Initial demand due to novelty appeal of function, subsequent rapid increased demand due to better technical product performance, lower product prices and increased income-related purchasing power. After market saturation demand declined despite better, sometimes radical, designs; as consumers sought other new products

Payment in Credit: Copyright Law and Subcultural Creativity

Copyright lawyers talk and write a lot about the uncertainties of fair use and the deterrent effects of a clearance culture on publishers, teachers, filmmakers, and the like, but know less about the choices people make about copyright on a daily basis, especially when they are not working. Here, Tushnet examines one subcultural group that engages in a variety of practices, from pure copying and distribution of others\u27 works to creation of new stories, art, and audiovisual works: the media-fan community. Among other things, she discusses some differences between fair use and fan practices, focused around attribution as an alternative to veto rights over uses of copyrighted works

Predicting Technical Value Of Technologies Through Their Knowledge Structure

This thesis tests the hypothesis that the characteristics displayed by the knowledge structure of a high technical value invention is different from that of a low technical value invention. The knowledge structure crystalizes at the inception of the invention making it ideal for evaluating new inventions. More specifically, this research investigates two characteristics of the knowledge structure: knowledge accumulation and knowledge appropriation. Knowledge accumulation is defined as the collective body of knowledge gathered in a sector over time that has contributed to the creation of the invention. A higher degree of accumulated knowledge is more likely to be associated with high technical value inventions. Knowledge appropriation describes absorption of knowledge in the creation of the invention. From knowledge structure perspective knowledge absorption is observed by the emergence of edges that connect knowledge elements together. The robustness of this emergent knowledge structure is thus an indicator of the amount of knowledge appropriated by the invention. This research introduces a new metric for the measurement of knowledge accumulation and presents structural robustness as an indicator of knowledge appropriation. Knowledge accumulation and knowledge appropriation are hypothesized to be positively correlated with the technical value of the invention. This research tests the hypotheses by examining the citation networks of patents in four sectors: thin film photovoltaics, inductive vibration energy harvesting, piezoelectric energy harvesting, and carbon nanotubes. In total 152 base inventions and over 4000 patents are investigated. This research shows that knowledge accumulation is a significant predictor of the technical value of an invention and that high value inventions show a higher level of knowledge appropriation

Measuring Geopolitical Power in India: A Review of the National Security Index (NSI)

This review examines how India perceives its own rise to power by undertaking a detailed analysis of the Indian National Security Index (NSI) for the period from 2003 to 2008. Like other power formulas, the NSI includes various indicators of power, though it is uniquely Indian in that it initially emphasized human development and later included ecology based on a holistic human-security paradigm. The analysis demonstrates that this holistic approach has now been abandoned in favor of a more conventional one, and that the technical formulas and theoretical concepts of the NSI exhibit various inconsistencies and problems. In particular, one can recognize the absolute need for a unified standard for handling variables in the construction of composite indexes in general.India, geopolitics, statistics, power formula, power index, human security