Sound Event Detection Using Spatial Features and Convolutional Recurrent Neural Network

This paper proposes to use low-level spatial features extracted from multichannel audio for sound event detection. We extend the convolutional recurrent neural network to handle more than one type of these multichannel features by learning from each of them separately in the initial stages. We show that instead of concatenating the features of each channel into a single feature vector the network learns sound events in multichannel audio better when they are presented as separate layers of a volume. Using the proposed spatial features over monaural features on the same network gives an absolute F-score improvement of 6.1% on the publicly available TUT-SED 2016 dataset and 2.7% on the TUT-SED 2009 dataset that is fifteen times larger.Comment: Accepted for IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2017

Convolutional Gated Recurrent Neural Network Incorporating Spatial Features for Audio Tagging

Environmental audio tagging is a newly proposed task to predict the presence or absence of a specific audio event in a chunk. Deep neural network (DNN) based methods have been successfully adopted for predicting the audio tags in the domestic audio scene. In this paper, we propose to use a convolutional neural network (CNN) to extract robust features from mel-filter banks (MFBs), spectrograms or even raw waveforms for audio tagging. Gated recurrent unit (GRU) based recurrent neural networks (RNNs) are then cascaded to model the long-term temporal structure of the audio signal. To complement the input information, an auxiliary CNN is designed to learn on the spatial features of stereo recordings. We evaluate our proposed methods on Task 4 (audio tagging) of the Detection and Classification of Acoustic Scenes and Events 2016 (DCASE 2016) challenge. Compared with our recent DNN-based method, the proposed structure can reduce the equal error rate (EER) from 0.13 to 0.11 on the development set. The spatial features can further reduce the EER to 0.10. The performance of the end-to-end learning on raw waveforms is also comparable. Finally, on the evaluation set, we get the state-of-the-art performance with 0.12 EER while the performance of the best existing system is 0.15 EER.Comment: Accepted to IJCNN2017, Anchorage, Alaska, US

Deep Learning for Audio Signal Processing

Given the recent surge in developments of deep learning, this article provides a review of the state-of-the-art deep learning techniques for audio signal processing. Speech, music, and environmental sound processing are considered side-by-side, in order to point out similarities and differences between the domains, highlighting general methods, problems, key references, and potential for cross-fertilization between areas. The dominant feature representations (in particular, log-mel spectra and raw waveform) and deep learning models are reviewed, including convolutional neural networks, variants of the long short-term memory architecture, as well as more audio-specific neural network models. Subsequently, prominent deep learning application areas are covered, i.e. audio recognition (automatic speech recognition, music information retrieval, environmental sound detection, localization and tracking) and synthesis and transformation (source separation, audio enhancement, generative models for speech, sound, and music synthesis). Finally, key issues and future questions regarding deep learning applied to audio signal processing are identified.Comment: 15 pages, 2 pdf figure

Large-scale weakly supervised audio classification using gated convolutional neural network

In this paper, we present a gated convolutional neural network and a temporal attention-based localization method for audio classification, which won the 1st place in the large-scale weakly supervised sound event detection task of Detection and Classification of Acoustic Scenes and Events (DCASE) 2017 challenge. The audio clips in this task, which are extracted from YouTube videos, are manually labeled with one or a few audio tags but without timestamps of the audio events, which is called as weakly labeled data. Two sub-tasks are defined in this challenge including audio tagging and sound event detection using this weakly labeled data. A convolutional recurrent neural network (CRNN) with learnable gated linear units (GLUs) non-linearity applied on the log Mel spectrogram is proposed. In addition, a temporal attention method is proposed along the frames to predicate the locations of each audio event in a chunk from the weakly labeled data. We ranked the 1st and the 2nd as a team in these two sub-tasks of DCASE 2017 challenge with F value 55.6\% and Equal error 0.73, respectively.Comment: submitted to ICASSP2018, summary on the 1st place system in DCASE2017 task4 challeng

Sample Mixed-Based Data Augmentation for Domestic Audio Tagging

Audio tagging has attracted increasing attention since last decade and has various potential applications in many fields. The objective of audio tagging is to predict the labels of an audio clip. Recently deep learning methods have been applied to audio tagging and have achieved state-of-the-art performance, which provides a poor generalization ability on new data. However due to the limited size of audio tagging data such as DCASE data, the trained models tend to result in overfitting of the network. Previous data augmentation methods such as pitch shifting, time stretching and adding background noise do not show much improvement in audio tagging. In this paper, we explore the sample mixed data augmentation for the domestic audio tagging task, including mixup, SamplePairing and extrapolation. We apply a convolutional recurrent neural network (CRNN) with attention module with log-scaled mel spectrum as a baseline system. In our experiments, we achieve an state-of-the-art of equal error rate (EER) of 0.10 on DCASE 2016 task4 dataset with mixup approach, outperforming the baseline system without data augmentation.Comment: submitted to the workshop of Detection and Classification of Acoustic Scenes and Events 2018 (DCASE 2018), 19-20 November 2018, Surrey, U