Speech rhythm: a metaphor?

Is speech rhythmic? In the absence of evidence for a traditional view that languages strive to coordinate either syllables or stress-feet with regular time intervals, we consider the alternative that languages exhibit contrastive rhythm subsisting merely in the alternation of stronger and weaker elements. This is initially plausible, particularly for languages with a steep ‘prominence gradient’, i.e. a large disparity between stronger and weaker elements; but we point out that alternation is poorly achieved even by a ‘stress-timed’ language such as English, and, historically, languages have conspicuously failed to adopt simple phonological remedies that would ensure alternation. Languages seem more concerned to allow ‘syntagmatic contrast’ between successive units and to use durational effects to support linguistic functions than to facilitate rhythm. Furthermore, some languages (e.g. Tamil, Korean) lack the lexical prominence which would most straightforwardly underpin prominence alternation. We conclude that speech is not incontestibly rhythmic, and may even be antirhythmic. However, its linguistic structure and patterning allow the metaphorical extension of rhythm in varying degrees and in different ways depending on the language, and that it is this analogical process which allows speech to be matched to external rhythms

Second language acquisition of intonation: Peak alignment in American English

The objective of the present study was to investigate (1) whether, and to what degree, late bilinguals of different L1 backgrounds are comparable to native speakers in the phonetic implementation of tonal targets in their L2, (2) whether they exhibit general patterns of acquisition irrespective of the typological closeness of their L1 to their L2, and (3) whether learners’ choice of accent contours and the alignment of the high tone (H∗) proceeds in parallel with proficiency in the L2. More specifically, we examined the acquisition of the nuclear contour composition and the H∗ alignment of the American English (L)H∗L- (i.e. pitch accent and boundary tone combination) in initial-stressed and final-stressed words by Japanese and Spanish late bilingual speakers at varying proficiency levels in American English. Our results show that the L1 Spanish speakers were more comparable than the L1 Japanese speakers to the native English speakers in the phonological aspect of intonation (choice of pitch accent contour). In terms of peak alignment, we found that the late bilinguals generally tended to realise significantly later alignment than the native speakers, although the precise manifestation of this varied according to the L1 background of speakers and the stress pattern of words.This research was supported by a PhD scholarship awarded to the first author from the Cambridge Commonwealth Trust and St John's College, University of Cambridge, and by a PhD research support grant from the Japan Foundation. These sources of support are gratefully acknowledged

A Note on Phonological Phrasing in South Kyungsang

http://roa.rutgers.edu/files/1131-0111/1131-KENSTOWICZ-0-0.PDFThe contrasting tonal profiles of swul (H[approximately equal to]L), mwul (HH), and ton (LH) are used as probes of phonological phrasing. It is shown that monosyllables combine with the following phonological word to form a single Minor Phrase when they appear at the beginning of a Major Phrase in a variety of syntactic constructions

Tone and intonation: introductory notes and practical recommendations

International audienceThe present article aims to propose a simple introduction to the topics of (i) lexical tone, (ii) intonation, and (iii) tone-intonation interactions, with practical recommendations for students. It builds on the authors' observations on various languages, tonal and non-tonal; much of the evidence reviewed concerns tonal languages of Asia. With a view to providing beginners with an adequate methodological apparatus for studying tone and intonation, the present notes emphasize two salient dimensions of linguistic diversity. The first is the nature of the lexical tones: we review the classical distinction between (i) contour tones that can be analyzed into sequences of level tones, and (ii) contour tones that are non-decomposable (phonetically complex). A second dimension of diversity is the presence or absence of intonational tones: tones of intonational origin that are formally identical with lexical (and morphological) tones

Prosodic detail in Neapolitan Italian

Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody

Prosodic detail in Neapolitan Italian

Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody

Study on the phonetic pitch movement of the accentual phrase in Korean read speech

International audienceThe minor prosodic unit in Korean language, generally called Accentual Phrase, is usually defined by its syntactic or phonological cue. This article tries to analyze the correlation between the phonetic pitch movement and the accentual phrase boundary by means of pattern extraction and probabilistic prediction

Prosodic detail in Neapolitan Italian

Recent findings on phonetic detail have been taken as supporting exemplar-based approaches to prosody. Through four experiments on both production and perception of both melodic and temporal detail in Neapolitan Italian, we show that prosodic detail is not incompatible with abstractionist approaches either. Specifically, we suggest that the exploration of prosodic detail leads to a refined understanding of the relationships between the richly specified and continuous varying phonetic information on one side, and coarse phonologically structured contrasts on the other, thus offering insights on how pragmatic information is conveyed by prosody

Tonal placement in Tashlhiyt: How an intonation system accommodates to adverse phonological environments

In most languages, words contain vowels, elements of high intensity with rich harmonic structure, enabling the  perceptual retrieval of pitch. By contrast, in Tashlhiyt, a Berber language, words can be composed entirely of voiceless segments. When an utterance consists of such words, the phonetic opportunity for the execution of intonational pitch movements is exceptionally limited. This book explores in a series of production and perception experiments how these typologically rare phonotactic patterns interact with intonational aspects of linguistic structure. It turns out that Tashlhiyt allows for a tremendously flexible placement of tonal events. Observed intonational structures can be conceived of as different solutions to a functional dilemma: The requirement to realise meaningful pitch movements in certain positions and the extent to which segments lend themselves to a clear manifestation of these pitch movements