10,849 research outputs found
Neurocognitive Informatics Manifesto.
Informatics studies all aspects of the structure of natural and artificial information systems. Theoretical and abstract approaches to information have made great advances, but human information processing is still unmatched in many areas, including information management, representation and understanding. Neurocognitive informatics is a new, emerging field that should help to improve the matching of artificial and natural systems, and inspire better computational algorithms to solve problems that are still beyond the reach of machines. In this position paper examples of neurocognitive inspirations and promising directions in this area are given
Multimodal Visual Concept Learning with Weakly Supervised Techniques
Despite the availability of a huge amount of video data accompanied by
descriptive texts, it is not always easy to exploit the information contained
in natural language in order to automatically recognize video concepts. Towards
this goal, in this paper we use textual cues as means of supervision,
introducing two weakly supervised techniques that extend the Multiple Instance
Learning (MIL) framework: the Fuzzy Sets Multiple Instance Learning (FSMIL) and
the Probabilistic Labels Multiple Instance Learning (PLMIL). The former encodes
the spatio-temporal imprecision of the linguistic descriptions with Fuzzy Sets,
while the latter models different interpretations of each description's
semantics with Probabilistic Labels, both formulated through a convex
optimization algorithm. In addition, we provide a novel technique to extract
weak labels in the presence of complex semantics, that consists of semantic
similarity computations. We evaluate our methods on two distinct problems,
namely face and action recognition, in the challenging and realistic setting of
movies accompanied by their screenplays, contained in the COGNIMUSE database.
We show that, on both tasks, our method considerably outperforms a
state-of-the-art weakly supervised approach, as well as other baselines.Comment: CVPR 201
Spectators’ aesthetic experiences of sound and movement in dance performance
In this paper we present a study of spectators’ aesthetic experiences of sound and movement in live dance performance. A multidisciplinary team comprising a choreographer, neuroscientists and qualitative researchers investigated the effects of different sound scores on dance spectators. What would be the impact of auditory stimulation on kinesthetic experience and/or aesthetic appreciation of the dance? What would be the effect of removing music altogether, so that spectators watched dance while hearing only the performers’ breathing and footfalls? We investigated audience experience through qualitative research, using post-performance focus groups, while a separately conducted functional brain imaging (fMRI) study measured the synchrony in brain activity across spectators when they watched dance with sound or breathing only. When audiences watched dance accompanied by music the fMRI data revealed evidence of greater intersubject synchronisation in a brain region consistent with complex auditory processing. The audience research found that some spectators derived pleasure from finding convergences between two complex stimuli (dance and music). The removal of music and the resulting audibility of the performers’ breathing had a significant impact on spectators’ aesthetic experience. The fMRI analysis showed increased synchronisation among observers, suggesting greater influence of the body when interpreting the dance stimuli. The audience research found evidence of similar corporeally focused experience. The paper discusses possible connections between the findings of our different approaches, and considers the implications of this study for interdisciplinary research collaborations between arts and sciences
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