7,257 research outputs found

    How does migration impact on mental health and emotional wellbeing of migrants? A case study of 25 Filipino migrants in the United Kingdom

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    This thesis presents findings from a qualitative case study to explore the experiences and perceptions of 25 Filipino migrants in the United Kingdom (UK) on how migration has impacted their mental health and emotional well-being. Through semi-structured interviews and participant observation, this study determined the factors Filipino migrants associated with their mental health and emotional well-being, and what coping strategies they have used to deal with the impacts of migration. Although migration is a well-researched phenomenon, little is known about how Filipino migrants conceptualise mental health, nor is there a great deal of qualitative research on how their mental health is impacted by the experience of migration. The main thesis of this study was the significance of culture in the migrants’ understanding of mental health and in making sense of their migration experiences.Guided by Bhugra’s framework (2004), this study found sociological and economic factors that were associated with mental health including loss of social support, loss of identity, discrimination and racism, and financial obligation to the family. This study showed that for economic migrants, the voluntary nature of their migration and their motivation to migrate factored in coping with the impact of migration. Culturally appropriate coping strategies that correspond to Filipino values and norms include faith, religion, social support, or togetherness, and fulfilling the obligation of providing economic support to the family. This study offers another way of understanding the role of the family of the migrants and challenges some concepts of the migrant behaviour model where sending remittances is seen as an intertemporal contractual arrangement. Instead, the study highlights the deeply rooted sense of obligation by the migrants to fulfil their provider role.Finally, this study showed how qualitative research using a case study design could investigate a sensitive topic such as mental health and provide a voice to research participants. Using participant observation proved effective in understanding the dynamics of relationships within social groups and how culture manifests in social interactions.<br/

    How social media brand community development impacts consumer engagement and value formation; perspectives from the cosmetics industry

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    Social media and social media brand communities (SMBCs) are powerful tools for long-term consumer-brand relationship building. As a result, SMBCs are becoming significant marketing channels. Despite the wide use and adoption of SMBCs, further research is called for, as both practitioners and academics lack an understanding of the processes taking place within SMBCs. This study aims to contribute to knowledge of: (1) consumer engagement, (2) value formation in SMBCs, and (3) establishing the relationship between consumer engagement and value formation within the SMBC environment. This thesis adopts netnography, a method commonly employed to explore online communities in the social media environment. Three cosmetics brands were selected for this study. The selection was driven by geographical location, posting frequency and user activity. Data were retrospectively collected from Facebook SMBCs between 1st December 2019 and 31st January 2020. The data analysis employed thematic analysis techniques and was further guided by netnographic procedural steps, encompassing 25 distinct data operations. In total, 87 conversation threads were examined, which included 6,401 consumer comments. The findings present a typology of brand posts consisting of five overarching themes: presentation of offerings, belongingness building, engagement building, value-led, and educational. The research also identified a consumer comment typology consisting of four overarching themes brand-centred communication, cognitive-centred communication, conversation-centred communication, and personal experience-centred communication. Additionally, the thesis explores value formation processes within SMBCs, and the value types formed through consumer-to-consumer value formation interaction, brand-to-consumer value formation interaction, consumer-to-brand value formation interaction, as well as individual value formation processes, i.e., customer independent value formation and brand independent value facilitation. Through the findings, thesis broadens knowledge of the implication of SMBC development on consumer engagement. Additionally, this study extends the scope of value formation beyond service marketing, providing valuable insights into how value is created and perceived in the context of SMBCs. This research is also of significance for practice as it offers guidance and insight into how different brand posts can facilitate SMBC development, and, in turn, consumer engagement and value formation. The research provides a link between SMBC development and consumer engagement, highlighting the importance of SMBCs in the successful facilitation of consumer engagement. In particular, it provides evidence that the development of an SMBC has a significant impact on consumer engagement. The typology of brand posts that this study generates highlights the link between the types of posts published by the brand and SMBC development. In addition, the typology of consumer posts also suggests that there is a link between the types of comments published by consumers and the degree of SMBC development. As a result, the findings indicate significant growth in the variety of topics discussed within more developed SMBCs alongside a shift within the topics discussed. The study also investigates value formation within SMBCs, thereby enhancing the understanding of how SMBCs can facilitate value formation. By doing so, this research successfully extends the value formation lens predominantly applied in service marketing. In particular, the findings highlight the role of different actors in enabling the formation of different value types. Furthermore, the research emphasises the value of SMBCs as knowledge repositories as important virtual spaces for both brands and consumers. The findings facilitate understanding of the importance of SMBCs in value formation processes, contributing to advancing knowledge of the role of SMBCs in the development of consumer engagement and value formation. The thesis presents a contextualised conceptual framework of value formation within SMBCs, that captures different interactions taking place in the SMBC environment but also draws attention to the different value types generated through interaction between different actors. Finally, the thesis offers a conceptual framework of SMBCs, consumer engagement and value formation, which captures the correlation between the three researched concepts

    Milton's Hellenism

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    This thesis investigates the Hellenism of the English poet John Milton from his student writings at Cambridge through to Paradise Lost. It explores Milton’s engagement with classical, Hellenistic, Byzantine, and Early Modern Greek texts and it considers Milton’s reading of Greek scholarship and interactions with Greek scholars and Hellenic scholarship. Chapter 1, ‘Milton’s Cambridge Greek’, consists of two sections: ‘Protestant Hellenism at Milton’s Cambridge: A Case Study of James Duport’s Greek Paraphrase of the Book of Job, Threnothriambos (1637)’ and ‘Greek and the “Lady of Christ’s College”: Latin–Greek Code-Switching in Milton ‘Prolusion VI’’. Chapter 2, ‘Milton Among the Hellenists in England and Italy’ considers the role that Greek played in Milton’s correspondence and poetic exchanges with Charles Diodati and Lucas Holstenius; it also considers the nature of Milton’s own Hellenic research at libraries in Rome and Florence during his travels in Italy from 1638–39. Chapter 3 considers the political and polemical roles that Greek texts played for Milton from the mid-1640s to 1660 and consists of three sections: ‘Marshall’s Ignorant Hand: Milton’s Greek Epigram and the 1645 Poems Frontispiece and the First Edition of Langbaine’s Longinus (1636)’; ‘O Soul of Sir John Cheek: Milton and the Legacy of Sixteenth-Century Greek Humanism’; and ‘John Milton, Leonard Philaras, and Early Modern Advocacy for Greece’s Liberation from the Ottoman Empire’. The final, fourth chapter explores the influence of Greek texts—ranging from the Homeric epics and the fragmentary Epic Cycle through to Byzantine and Early Modern Greek texts—upon Milton’s design of Books 1 and 2 of Paradise Lost

    A new global media order? : debates and policies on media and mass communication at UNESCO, 1960 to 1980

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    Defence date: 24 June 2019Examining Board: Professor Federico Romero, European University Institute (Supervisor); Professor Corinna Unger, European University Institute (Second Reader); Professor Iris Schröder, Universität Erfurt (External Advisor); Professor Sandrine Kott, Université de GenèveThe 1970s, a UNESCO report claimed, would be the “communication decade”. UNESCO had started research on new means of mass communication for development purposes in the 1960s. In the 1970s, the issue evolved into a debate on the so-called “New World Information and Communication Order” (NWICO) and the democratisation of global media. It led UNESCO itself into a major crisis in the 1980s. My project traces a dual trajectory that shaped this global debate on transnational media. The first follows communications from being seen as a tool and goal of national development in the 1960s, to communications seen as catalyst for recalibrated international political, cultural and economic relations. The second relates to the recurrent attempts, and eventual failure, of various actors to engage UNESCO as a platform to promote a new global order. I take UNESCO as an observation post to study national ambitions intersecting with internationalist claims to universality, changing understandings of the role of media in development and international affairs, and competing visions of world order. Looking at the modes of this debate, the project also sheds light on the evolving practices of internationalism. Located in the field of a new international history, this study relates to the recent rediscovery of the “new order”-discourses of the 1970s as well as to the increasingly diversified literature on internationalism. With its focus on international communications and attempts at regulating them, it also contributes to an international media history in the late twentieth century. The emphasis on the role of international organisations as well as on voices from the Global South will make contributions to our understanding of the historic macro-processes of decolonisation, globalisation and the Cold War

    Anthropological Interpretation of the Meaning of Ritual Objects in the Contemporary Urban Wedding in Bulgaria

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    This paper discusses the changing symbolic potential of items in the Bulgarian contemporary urban wedding. Based on my fieldwork material regarding the wedding cake and other items, I investigate cultural change in modern Bulgarian society not only as a result of the one-way process of transference, adaptation and incorporation of mass produced commodities into Bulgarian culture but also as a process of cultural change and variation. In that sense, I investigate the alternation between global and local perspectives of the forms of material culture in which certain levels of meaning, inherent to objects, play a crucial role, as for example the social communication factor, kinship ties, cross-generational continuity, local ritual and symbolic systems, local food culture, and even the personal fate and private life of an object’s owner. In this article I focus mainly on the wedding cake as a specific ritual item, functioning in the contemporary urban Bulgarian wedding, transmitted during the last decades from West European culture into the Bulgarian wedding tradition, and analyse the specific dialogue between ‘global’ items and local culture. Furthermore, taking as my example the wedding cake and other ritual objects (the wedding chicken, the wedding bread, and the sponsor’s stick) I question the concept of the globalisation, homogenisation and unification of forms of material culture in contemporary society

    Social Class in Romantic Relationships: Understanding Cross-Class Romantic Relationships of University Students and Recent Graduates

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    Social class status and class background significantly affect and influence romantic relationships. In this qualitative study, I explore the cross-class romantic relationships of university students and recent graduates and how differences in class background affect and contribute to tension in the relationship.Bachelor of Art

    Sounding the dead in Cambodia: cultivating ethics, generating wellbeing, and living with history through music and sound

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    This dissertation rethinks the ethics of history and trauma in post-genocide Cambodia by examining how Cambodians use a broad repertoire of sounded practices to form relations of mutual care with ancestors, dead teachers, deities, and other predecessors. At its root, the dissertation is the study of an ethical-religious-aesthetic system by which Cambodians recall predecessors’ legacies, care for the dead, and engage ancestors and deities as supportive co-presences. Traditional and popular musics, Buddhist chants and incantations, whispers, and the non-acoustic practice of “speaking in the heart” (niyāy knung citt) are among the primary sounded practices that Cambodians use to engage the dead. Parts One and Two detail those sounded practices and their social implications. I discuss how previous approaches have misinterpreted the nature and capacities of Cambodian music and other ritualized sounds through historicist, colonialist, and secular epistemologies, which cast those sounds as “culture” or “performance” and ignore their capacities as modes of ethics and exchange with the dead. Instead, by rethinking those sounded practices as Cambodian-Buddhist ethics and exchange, I examine how Cambodians fulfill an obligation to care for the ancestors who have supported themselves. I suggest fulfilling that obligation generates personal wellbeing and provides a new model for what living with history can sound like and feel like. Taken together, in Parts One and Two, I detail the non-linear temporalities, types of personhood, ethics, exchange with the dead, and the intergenerational mode of living with history that Cambodians bring into being through music and sound. Part Three zooms further out to discuss how sounded relations with the dead have consequences for national and international politics, which leads to larger critiques of the Cambodian government’s politicization of Khmer Rouge remembrance and international humanitarian efforts that attempt to help Cambodians heal from trauma. Since at least the mid-1990s, a plurality of international activists, scholars, volunteers, and development workers have concluded that Cambodians perpetuate a silence about the Khmer Rouge era that furthers their traumatization. Most observers suggest that Cambodians need to provide public testimony about that violent past in order to heal. This dissertation contests those conclusions, following work in anthropology and trauma studies that problematizes the universalization of the Western psychotherapeutic notion of biomedical trauma and its treatments. I suggest that those calls for a testimonial voice presuppose historicist modes of remembrance and knowledge production that naturalize liberal Western models of personhood, citizenship, justice, wellness, and political agency. To move away from those models, I argue that Cambodian sounded and ritual practices generate what I term “modes of being historical” and “ways of living with history” that are intimate, familial, intergenerational, engage national pasts, and can be a mode of political action. Those “modes of being historical” include but are not limited to telling stories of others’ struggles and deaths. I illustrate how Cambodians have long used a multitude of sounded practices to engage the past, grapple with life’s difficulties, and care for themselves and their ancestors. This dissertation posits that sound studies and ethnomusicology can further the emerging scholarly shifts toward the culturally specific ways people cope with difficult pasts. I propose a new approach to post-violence ethics and history by arguing for the decolonizing possibilities of emphasizing the modes of being historical, ethical relations of mutual care, and ontological entanglements with the dead that Cambodians generate through music and sound
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