Interactive Vegetation Rendering with Slicing and Blending

Detailed and interactive 3D rendering of vegetation is one of the challenges of traditional polygon-oriented computer graphics, due to large geometric complexity even of simple plants. In this paper we introduce a simplified image-based rendering approach based solely on alpha-blended textured polygons. The simplification is based on the limitations of human perception of complex geometry. Our approach renders dozens of detailed trees in real-time with off-the-shelf hardware, while providing significantly improved image quality over existing real-time techniques. The method is based on using ordinary mesh-based rendering for the solid parts of a tree, its trunk and limbs. The sparse parts of a tree, its twigs and leaves, are instead represented with a set of slices, an image-based representation. A slice is a planar layer, represented with an ordinary alpha or color-keyed texture; a set of parallel slices is a slicing. Rendering from an arbitrary viewpoint in a 360 degree circle around the center of a tree is achieved by blending between the nearest two slicings. In our implementation, only 6 slicings with 5 slices each are sufficient to visualize a tree for a moving or stationary observer with the perceptually similar quality as the original model

Structures and orientational transitions in thin films of tilted hexatic smectics

We present detailed systematic studies of structural transformations in thin liquid crystal films with the smectic-C to hexatic phase transition. For the first time all possible structures reported in the literature are observed for one material (5 O.6) at the variation of temperature and thickness. In unusual modulated structures the equilibrium period of stripes is twice with respect to the domain size. We interpret these patterns in the frame work of phenomenological Landau type theory, as equilibrium phenomena produced by a natural geometric frustration in a system having spontaneous splay distortion.Comment: 7 pages, 6 figure

Geometric Phases and Topological Effects

Lecture Notes of the 45th IFF Spring School "Computing Solids - Models, ab initio methods and supercomputing" (Forschungszentrum Juelich, 2014).Comment: 40 pages. January 201

Hierarchical morphological segmentation for image sequence coding

This paper deals with a hierarchical morphological segmentation algorithm for image sequence coding. Mathematical morphology is very attractive for this purpose because it efficiently deals with geometrical features such as size, shape, contrast, or connectivity that can be considered as segmentation-oriented features. The algorithm follows a top-down procedure. It first takes into account the global information and produces a coarse segmentation, that is, with a small number of regions. Then, the segmentation quality is improved by introducing regions corresponding to more local information. The algorithm, considering sequences as being functions on a 3-D space, directly segments 3-D regions. A 3-D approach is used to get a segmentation that is stable in time and to directly solve the region correspondence problem. Each segmentation stage relies on four basic steps: simplification, marker extraction, decision, and quality estimation. The simplification removes information from the sequence to make it easier to segment. Morphological filters based on partial reconstruction are proven to be very efficient for this purpose, especially in the case of sequences. The marker extraction identifies the presence of homogeneous 3-D regions. It is based on constrained flat region labeling and morphological contrast extraction. The goal of the decision is to precisely locate the contours of regions detected by the marker extraction. This decision is performed by a modified watershed algorithm. Finally, the quality estimation concentrates on the coding residue, all the information about the 3-D regions that have not been properly segmented and therefore coded. The procedure allows the introduction of the texture and contour coding schemes within the segmentation algorithm. The coding residue is transmitted to the next segmentation stage to improve the segmentation and coding quality. Finally, segmentation and coding examples are presented to show the validity and interest of the coding approach.Peer ReviewedPostprint (published version

Unsupervised morphological segmentation for images

This paper deals with a morphological approach to unsupervised image segmentation. The proposed technique relies on a multiscale Top-Down approach allowing a hierarchical processing of the data ranging from the most global scale to the most detailed one. At each scale, the algorithm consists of four steps: image simplification, feature extraction, contour localization and quality estimation. The main emphasis of this paper is to discuss the selection of a simplification filter for segmentation. Morphological filters based on reconstruction proved to be very efficient for this purpose. The resulting unsupervised algorithm is very robust and can deal with very different type of images.Peer ReviewedPostprint (published version

Coding of details in very low bit-rate video systems

In this paper, the importance of including small image features at the initial levels of a progressive second generation video coding scheme is presented. It is shown that a number of meaningful small features called details should be coded, even at very low data bit-rates, in order to match their perceptual significance to the human visual system. We propose a method for extracting, perceptually selecting and coding of visual details in a video sequence using morphological techniques. Its application in the framework of a multiresolution segmentation-based coding algorithm yields better results than pure segmentation techniques at higher compression ratios, if the selection step fits some main subjective requirements. Details are extracted and coded separately from the region structure and included in the reconstructed images in a later stage. The bet of considering the local background of a given detail for its perceptual selection breaks the concept ofPeer ReviewedPostprint (published version

Laplacian-Steered Neural Style Transfer

Neural Style Transfer based on Convolutional Neural Networks (CNN) aims to synthesize a new image that retains the high-level structure of a content image, rendered in the low-level texture of a style image. This is achieved by constraining the new image to have high-level CNN features similar to the content image, and lower-level CNN features similar to the style image. However in the traditional optimization objective, low-level features of the content image are absent, and the low-level features of the style image dominate the low-level detail structures of the new image. Hence in the synthesized image, many details of the content image are lost, and a lot of inconsistent and unpleasing artifacts appear. As a remedy, we propose to steer image synthesis with a novel loss function: the Laplacian loss. The Laplacian matrix ("Laplacian" in short), produced by a Laplacian operator, is widely used in computer vision to detect edges and contours. The Laplacian loss measures the difference of the Laplacians, and correspondingly the difference of the detail structures, between the content image and a new image. It is flexible and compatible with the traditional style transfer constraints. By incorporating the Laplacian loss, we obtain a new optimization objective for neural style transfer named Lapstyle. Minimizing this objective will produce a stylized image that better preserves the detail structures of the content image and eliminates the artifacts. Experiments show that Lapstyle produces more appealing stylized images with less artifacts, without compromising their "stylishness".Comment: Accepted by the ACM Multimedia Conference (MM) 2017. 9 pages, 65 figure