Characterization of Popular Culture Icons in LIFE and TIME Magazines

Popular culture icons are physical objects of everyday use that make the everyday meaningful. They are ideas, both old and new, that are at the mercy of its viewer, meaning whatever the viewer desires whenever the viewers desires it. Celebrities with iconic images are global figures worshiped by the public. Their images appear to the public through the media and have their images transmitted globally through the media. No research currently examines the characteristics used to describe the idea of the icon in media. Research studies the use of stereotypes to depict women, racial minorities, as well as sporting individuals. The characterization of sporting individuals is frequently related to their gender or race. This research examines the differences in characterization of eight individuals with iconic images from the entertainment and sports industries in LIFE and TIME magazines. The eight individuals (Muhammad Ali, Babe Didrikson, Michael Jackson, Marilyn Monroe, Elvis Presley, Wilma Rudolph, Babe Ruth, and Oprah Winfrey) were selected based on the number of appearances they made in icon literature listing individuals as icons. Gender, race, and occupation differences are analyzed as well as trends in characterization over time. The individuals are also examined to determine which individuals have the most iconic images. Content analysis was conducted of magazine articles about the eight celebrities. The articles provide narratives about them as an ideal as opposed to them as a people. Results indicate that Whites, males, and entertainers have images that generally average more characteristics used to depict them to the public than Blacks, females, or sportsmen and women. The results also suggest that only four of the individuals have images that truly embody iconic qualities. This research illustrates the prevailing preference for people with iconic images to be Whites, males, or entertainers, questioning the place of the public in the attitudes and biases the eight iconic images represent

Complex Pleasures: Designing Optional interactions for Public Spaces

This research aims to contribute to knowledge about the design of interactive systems sited in public spaces. In particular, the study concerns "optional interactions" where systems invite interaction from passers-by. These systems are action-orientated ratherthan goal-oriented, are designed to encourage engagement, and offer positive and rewarding experiences through the activity of interaction. This is in contrast to systems that provide functional services that are actively sought out by people, such as ticketvending machines or cash dispensers.This thesis asserts that this kind of optimal, designed experience can be examined and understood through comparisons with approaches taken by new-media artists working in interactive, technological media. Artists have different priorities, and use different methods to those employed by Human-Computer Interaction researchers, and this study aims to further understanding of the potential of these artistic approaches for interaction designers.The setting for these optional interaction systems is any public or semi-public environment, including museums, galleries, shopping centres, foyers and urban settings. As well as understanding the public and social context of these interactions, the experiential aspects of interaction are of primary importance in this study. The work is conducted with the aim of providing practical and theoretical resources to interaction designers tasked with creating engaging interactive systems that initiate and sustain experiences that are highly regarded by the participant. The thesis presents a designframework titled the Optional Interactions Design Framework