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Fast and deep deformation approximations
Character rigs are procedural systems that compute the shape of an animated character for a given pose. They can be highly complex and must account for bulges, wrinkles, and other aspects of a character's appearance. When comparing film-quality character rigs with those designed for real-time applications, there is typically a substantial and readily apparent difference in the quality of the mesh deformations. Real-time rigs are limited by a computational budget and often trade realism for performance. Rigs for film do not have this same limitation, and character riggers can make the rig as complicated as necessary to achieve realistic deformations. However, increasing the rig complexity slows rig evaluation, and the animators working with it can become less efficient and may experience frustration. In this paper, we present a method to reduce the time required to compute mesh deformations for film-quality rigs, allowing better interactivity during animation authoring and use in real-time games and applications. Our approach learns the deformations from an existing rig by splitting the mesh deformation into linear and nonlinear portions. The linear deformations are computed directly from the transformations of the rig's underlying skeleton. We use deep learning methods to approximate the remaining nonlinear portion. In the examples we show from production rigs used to animate lead characters, our approach reduces the computational time spent on evaluating deformations by a factor of 5×-10×. This significant savings allows us to run the complex, film-quality rigs in real-time even when using a CPU-only implementation on a mobile device
Non-rigid Reconstruction with a Single Moving RGB-D Camera
We present a novel non-rigid reconstruction method using a moving RGB-D
camera. Current approaches use only non-rigid part of the scene and completely
ignore the rigid background. Non-rigid parts often lack sufficient geometric
and photometric information for tracking large frame-to-frame motion. Our
approach uses camera pose estimated from the rigid background for foreground
tracking. This enables robust foreground tracking in situations where large
frame-to-frame motion occurs. Moreover, we are proposing a multi-scale
deformation graph which improves non-rigid tracking without compromising the
quality of the reconstruction. We are also contributing a synthetic dataset
which is made publically available for evaluating non-rigid reconstruction
methods. The dataset provides frame-by-frame ground truth geometry of the
scene, the camera trajectory, and masks for background foreground. Experimental
results show that our approach is more robust in handling larger frame-to-frame
motions and provides better reconstruction compared to state-of-the-art
approaches.Comment: Accepted in International Conference on Pattern Recognition (ICPR
2018
Shape Animation with Combined Captured and Simulated Dynamics
We present a novel volumetric animation generation framework to create new
types of animations from raw 3D surface or point cloud sequence of captured
real performances. The framework considers as input time incoherent 3D
observations of a moving shape, and is thus particularly suitable for the
output of performance capture platforms. In our system, a suitable virtual
representation of the actor is built from real captures that allows seamless
combination and simulation with virtual external forces and objects, in which
the original captured actor can be reshaped, disassembled or reassembled from
user-specified virtual physics. Instead of using the dominant surface-based
geometric representation of the capture, which is less suitable for volumetric
effects, our pipeline exploits Centroidal Voronoi tessellation decompositions
as unified volumetric representation of the real captured actor, which we show
can be used seamlessly as a building block for all processing stages, from
capture and tracking to virtual physic simulation. The representation makes no
human specific assumption and can be used to capture and re-simulate the actor
with props or other moving scenery elements. We demonstrate the potential of
this pipeline for virtual reanimation of a real captured event with various
unprecedented volumetric visual effects, such as volumetric distortion,
erosion, morphing, gravity pull, or collisions
Morphing of Triangular Meshes in Shape Space
We present a novel approach to morph between two isometric poses of the same
non-rigid object given as triangular meshes. We model the morphs as linear
interpolations in a suitable shape space . For triangulated 3D
polygons, we prove that interpolating linearly in this shape space corresponds
to the most isometric morph in . We then extend this shape space
to arbitrary triangulations in 3D using a heuristic approach and show the
practical use of the approach using experiments. Furthermore, we discuss a
modified shape space that is useful for isometric skeleton morphing. All of the
newly presented approaches solve the morphing problem without the need to solve
a minimization problem.Comment: Improved experimental result
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