An audio-based sports video segmentation and event detection algorithm

In this paper, we present an audio-based event detection algorithm shown to be effective when applied to Soccer video. The main benefit of this approach is the ability to recognise patterns that display high levels of crowd response correlated to key events. The soundtrack from a Soccer sequence is first parameterised using Mel-frequency Cepstral coefficients. It is then segmented into homogenous components using a windowing algorithm with a decision process based on Bayesian model selection. This decision process eliminated the need for defining a heuristic set of rules for segmentation. Each audio segment is then labelled using a series of Hidden Markov model (HMM) classifiers, each a representation of one of 6 predefined semantic content classes found in Soccer video. Exciting events are identified as those segments belonging to a crowd cheering class. Experimentation indicated that the algorithm was more effective for classifying crowd response when compared to traditional model-based segmentation and classification techniques

Geometrical-based lip-reading using template probabilistic multi-dimension dynamic time warping

By identifying lip movements and characterizing their associations with speech sounds, the performance of speech recognition systems can be improved, particularly when operating in noisy environments. In this paper, we present a geometrical-based automatic lip reading system that extracts the lip region from images using conventional techniques, but the contour itself is extracted using a novel application of a combination of border following and convex hull approaches. Classification is carried out using an enhanced dynamic time warping technique that has the ability to operate in multiple dimensions and a template probability technique that is able to compensate for differences in the way words are uttered in the training set. The performance of the new system has been assessed in recognition of the English digits 0 to 9 as available in the CUAVE database. The experimental results obtained from the new approach compared favorably with those of existing lip reading approaches, achieving a word recognition accuracy of up to 71% with the visual information being obtained from estimates of lip height, width and their ratio

Proceedings of the GIS Research UK 18th Annual Conference GISRUK 2010

This volume holds the papers from the 18th annual GIS Research UK (GISRUK). This year the conference, hosted at University College London (UCL), from Wednesday 14 to Friday 16 April 2010. The conference covered the areas of core geographic information science research as well as applications domains such as crime and health and technological developments in LBS and the geoweb. UCL’s research mission as a global university is based around a series of Grand Challenges that affect us all, and these were accommodated in GISRUK 2010. The overarching theme this year was “Global Challenges”, with specific focus on the following themes: * Crime and Place * Environmental Change * Intelligent Transport * Public Health and Epidemiology * Simulation and Modelling * London as a global city * The geoweb and neo-geography * Open GIS and Volunteered Geographic Information * Human-Computer Interaction and GIS Traditionally, GISRUK has provided a platform for early career researchers as well as those with a significant track record of achievement in the area. As such, the conference provides a welcome blend of innovative thinking and mature reflection. GISRUK is the premier academic GIS conference in the UK and we are keen to maintain its outstanding record of achievement in developing GIS in the UK and beyond

Adaptive hypertext and hypermedia : workshop : proceedings, 3rd, Sonthofen, Germany, July 14, 2001 and Aarhus, Denmark, August 15, 2001

This paper presents two empirical usability studies based on techniques from Human-Computer Interaction (HeI) and software engineering, which were used to elicit requirements for the design of a hypertext generation system. Here we will discuss the findings of these studies, which were used to motivate the choice of adaptivity techniques. The results showed dependencies between different ways to adapt the explanation content and the document length and formatting. Therefore, the system's architecture had to be modified to cope with this requirement. In addition, the system had to be made adaptable, in addition to being adaptive, in order to satisfy the elicited users' preferences

Advances in Deep Learning Towards Fire Emergency Application : Novel Architectures, Techniques and Applications of Neural Networks

Paper IV is not published yet.With respect to copyright paper IV and paper VI was excluded from the dissertation.Deep Learning has been successfully used in various applications, and recently, there has been an increasing interest in applying deep learning in emergency management. However, there are still many significant challenges that limit the use of deep learning in the latter application domain. In this thesis, we address some of these challenges and propose novel deep learning methods and architectures. The challenges we address fall in these three areas of emergency management: Detection of the emergency (fire), Analysis of the situation without human intervention and finally Evacuation Planning. In this thesis, we have used computer vision tasks of image classification and semantic segmentation, as well as sound recognition, for detection and analysis. For evacuation planning, we have used deep reinforcement learning.publishedVersio

Computational methods for percussion music analysis : the afro-uruguayan candombe drumming as a case study

Most of the research conducted on information technologies applied to music has been largely limited to a few mainstream styles of the so-called `Western' music. The resulting tools often do not generalize properly or cannot be easily extended to other music traditions. So, culture-specific approaches have been recently proposed as a way to build richer and more general computational models for music. This thesis work aims at contributing to the computer-aided study of rhythm, with the focus on percussion music and in the search of appropriate solutions from a culture specifc perspective by considering the Afro-Uruguayan candombe drumming as a case study. This is mainly motivated by its challenging rhythmic characteristics, troublesome for most of the existing analysis methods. In this way, it attempts to push ahead the boundaries of current music technologies. The thesis o ers an overview of the historical, social and cultural context in which candombe drumming is embedded, along with a description of the rhythm. One of the specific contributions of the thesis is the creation of annotated datasets of candombe drumming suitable for computational rhythm analysis. Performances were purposely recorded, and received annotations of metrical information, location of onsets, and sections. A dataset of annotated recordings for beat and downbeat tracking was publicly released, and an audio-visual dataset of performances was obtained, which serves both documentary and research purposes. Part of the dissertation focused on the discovery and analysis of rhythmic patterns from audio recordings. A representation in the form of a map of rhythmic patterns based on spectral features was devised. The type of analyses that can be conducted with the proposed methods is illustrated with some experiments. The dissertation also systematically approached (to the best of our knowledge, for the first time) the study and characterization of the micro-rhythmical properties of candombe drumming. The ndings suggest that micro-timing is a structural component of the rhythm, producing a sort of characteristic "swing". The rest of the dissertation was devoted to the automatic inference and tracking of the metric structure from audio recordings. A supervised Bayesian scheme for rhythmic pattern tracking was proposed, of which a software implementation was publicly released. The results give additional evidence of the generalizability of the Bayesian approach to complex rhythms from diferent music traditions. Finally, the downbeat detection task was formulated as a data compression problem. This resulted in a novel method that proved to be e ective for a large part of the dataset and opens up some interesting threads for future research.La mayoría de la investigación realizada en tecnologías de la información aplicadas a la música se ha limitado en gran medida a algunos estilos particulares de la así llamada música `occidental'. Las herramientas resultantes a menudo no generalizan adecuadamente o no se pueden extender fácilmente a otras tradiciones musicales. Por lo tanto, recientemente se han propuesto enfoques culturalmente específicos como forma de construir modelos computacionales más ricos y más generales. Esta tesis tiene como objetivo contribuir al estudio del ritmo asistido por computadora, desde una perspectiva cultural específica, considerando el candombe Afro-Uruguayo como caso de estudio. Esto está motivado principalmente por sus características rítmicas, problemáticas para la mayoría de los métodos de análisis existentes. Así , intenta superar los límites actuales de estas tecnologías. La tesis ofrece una visión general del contexto histórico, social y cultural en el que el candombe está integrado, junto con una descripción de su ritmo. Una de las contribuciones específicas de la tesis es la creación de conjuntos de datos adecuados para el análisis computacional del ritmo. Se llevaron adelante sesiones de grabación y se generaron anotaciones de información métrica, ubicación de eventos y secciones. Se disponibilizó públicamente un conjunto de grabaciones anotadas para el seguimiento de pulso e inicio de compás, y se generó un registro audiovisual que sirve tanto para fines documentales como de investigación. Parte de la tesis se centró en descubrir y analizar patrones rítmicos a partir de grabaciones de audio. Se diseñó una representación en forma de mapa de patrones rítmicos basada en características espectrales. El tipo de análisis que se puede realizar con los métodos propuestos se ilustra con algunos experimentos. La tesis también abordó de forma sistemática (y por primera vez) el estudio y la caracterización de las propiedades micro rítmicas del candombe. Los resultados sugieren que las micro desviaciones temporales son un componente estructural del ritmo, dando lugar a una especie de "swing" característico. El resto de la tesis se dedicó a la inferencia automática de la estructura métrica a partir de grabaciones de audio. Se propuso un esquema Bayesiano supervisado para el seguimiento de patrones rítmicos, del cual se disponibilizó públicamente una implementación de software. Los resultados dan evidencia adicional de la capacidad de generalización del enfoque Bayesiano a ritmos complejos. Por último, la detección de inicio de compás se formuló como un problema de compresión de datos. Esto resultó en un método novedoso que demostró ser efectivo para una buena parte de los datos y abre varias líneas de investigación

Mapping Acoustic and Semantic Dimensions of Auditory Perception

Auditory categorisation is a function of sensory perception which allows humans to generalise across many different sounds present in the environment and classify them into behaviourally relevant categories. These categories cover not only the variance of acoustic properties of the signal but also a wide variety of sound sources. However, it is unclear to what extent the acoustic structure of sound is associated with, and conveys, different facets of semantic category information. Whether people use such data and what drives their decisions when both acoustic and semantic information about the sound is available, also remains unknown. To answer these questions, we used the existing methods broadly practised in linguistics, acoustics and cognitive science, and bridged these domains by delineating their shared space. Firstly, we took a model-free exploratory approach to examine the underlying structure and inherent patterns in our dataset. To this end, we ran principal components, clustering and multidimensional scaling analyses. At the same time, we drew sound labels’ semantic space topography based on corpus-based word embeddings vectors. We then built an LDA model predicting class membership and compared the model-free approach and model predictions with the actual taxonomy. Finally, by conducting a series of web-based behavioural experiments, we investigated whether acoustic and semantic topographies relate to perceptual judgements. This analysis pipeline showed that natural sound categories could be successfully predicted based on the acoustic information alone and that perception of natural sound categories has some acoustic grounding. Results from our studies help to recognise the role of physical sound characteristics and their meaning in the process of sound perception and give an invaluable insight into the mechanisms governing the machine-based and human classifications