424 research outputs found

    Pandemic Protagonists: Viral (Re)Actions in Pandemic and Corona Fictions

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    During the first mandatory lockdowns of the Covid-19 pandemic, citizens worldwide turned to "pandemic fictions" or started to produce their own »Corona Fictions« across different media. These accounts of (previously) experienced or imagined health crises feature a great variety of protagonists and their (re)actions in response to the exceptional circumstances. The contributors to this volume take a closer look at different pandemic protagonists in fictional narratives relating to the Covid-19 pandemic as well as in existing pandemic fictions. Thereby they provide new insights into pandemic narratives from a cultural, literary, and media studies perspective from antiquity to today

    (b2023 to 2014) The UNBELIEVABLE similarities between the ideas of some people (2006-2016) and my ideas (2002-2008) in physics (quantum mechanics, cosmology), cognitive neuroscience, philosophy of mind, and philosophy (this manuscript would require a REVOLUTION in international academy environment!)

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    (b2023 to 2014) The UNBELIEVABLE similarities between the ideas of some people (2006-2016) and my ideas (2002-2008) in physics (quantum mechanics, cosmology), cognitive neuroscience, philosophy of mind, and philosophy (this manuscript would require a REVOLUTION in international academy environment!

    Animals in Dutch travel writing, 1800-present

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    Apart from humans, animals play a pivotal role in travel literature. However, the way they are represented in texts can vary from living companions to metaphorical entities. Existing studies mainly focus on the representation of conventional or unconventional roles that are assigned to animals from around the Napoleonic age until now, roles that have been subject to change and that tell us a lot about human reflections on encounters with non-human creatures and the position of man in this rapidly changing world. In this edited volume, scholars from the Netherlands and abroad analyse the roles that animals play in Dutch travel literature from 1800 to the present. In this way, we aim to provide new insights into the relationships between man and animals, in textual expressions and real life, and to add the ‘Dutch case’ to the flourishing international field of travel writing studies

    Fictional Practices of Spirituality I: Interactive Media

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    "Fictional Practices of Spirituality" provides critical insight into the implementation of belief, mysticism, religion, and spirituality into worlds of fiction, be it interactive or non-interactive. This first volume focuses on interactive, virtual worlds - may that be the digital realms of video games and VR applications or the imaginary spaces of life action role-playing and soul-searching practices. It features analyses of spirituality as gameplay facilitator, sacred spaces and architecture in video game geography, religion in video games and spiritual acts and their dramaturgic function in video games, tabletop, or LARP, among other topics. The contributors offer a first-time ever comprehensive overview of play-rites as spiritual incentives and playful spirituality in various medial incarnations

    The Pollinating Mesh: The Ecological Thought in Indigenous Australian Speculative Fiction

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    This thesis studies how the mesh or the idea of interconnectedness among all beings, humans and nonhumans, pollinates Indigenous Australian speculative fiction and how the aesthetics of these texts warrants their reading as sites of these enmeshments. It aims to put this literature in the context of Indigenous cosmologies, epistemologies, ontologies, or metaphysics to establish how these underpin Indigenous literature and frame its reading. To attend to the global pertinence of both the texts under study and the ecological thought as the main conceptual framework, the thesis engages Object Oriented Ontology and adjacent theories of the ontological turn alongside trans-national Indigenous critical thought. Thus, analysing Alexis Wright’s The Swan Book (2013), Ambelin Kwaymullina’s The Interrogation of Ashala Wolf (2010), The Disappearance of Ember Crow (2013), and The Foretelling of Georgie Spider (2015), as well as Kim Scott’s Benang: From the Heart (1999) allows me to establish that the ecological thought thematically informs them in diverse but interlinked ways. The ecological thought establishes enmeshments among all beings in what I posit as the aesthetics and poetics of the uncanny to capture Alexis Wright’s writing as leading us to think ecologically about the enmeshments of all beings in irreducible ways. All beings’ enmeshments attune us to seeking and finding our kin among all beings and I explore this in Ambelin Kwaymullina’s trilogy. In Kwaymullina’s work, I argue that all beings’ enmeshments sees Indigenous survivance as aesthetically coalescing with Indigenous dreams, which are speculatively manoeuvred and explored as the interface between the real and surreal, the material and the spiritual to enact all beings’ enmeshments. The texts thus enact speculative worlds of enmeshments wherein humans, nonhumans, organic, synthetic (AI) alive, dead, undead, spiritual, and nonliving depend on and become with one another for life, survival and survivance. Kwaymullina’s trilogy ultimately enacts a community of beings mediated by thinking about interconnectedness as becoming with and part of one another. The implication of such a way of thinking brings us to rethink what it means to (not) be and the hauntings of identity from the perspective of Indigenous ecological thinking, which my intervention pursues in the reading of Kim Scott’s Benang: From the Heart. The core of my intervention on Benang establishes it as a wellspring of onto-epistemic affordances to understand being and identity as fluid, floating, permeable, leaking, never rigid or definitive. My reading stages how all beings’ enmeshments enhance the protagonist Harley’s regeneration of his effaced Aboriginal identity as an ontological and identity transformation through blood memory, listening to and reading about his family stories, encountering, and becoming with Country and his Aboriginal culture in its material and spiritual aspects. The thesis ends with interrogating my own speaking position as a postcolonial African reader-critic, and what it means for any African to engage with Indigenous cosmologies, epistemologies, and meeting with these literary texts and their philosophical underpinnings. I establish similarities between both worlds and argue that such African texts as Daniel Fagunwa’s Forest of a Thousand Daemons, Tutuola’s The Palm Wine Drunkard and My Life in the Bush of Ghosts, and Okri’s The Famished Road trilogy, epitomise worlds that equally register aesthetics and poetics similar to those in Indigenous Australian literature

    2014 GREAT Day Program

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    SUNY Geneseo’s Eighth Annual GREAT Day.https://knightscholar.geneseo.edu/program-2007/1008/thumbnail.jp

    Catherine Colomb’s VISION OF TIME: in Dialogue with Marcel Proust and Virginia Woolf

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    This monograph is the first substantial contribution to the study of the Swiss novelist Catherine Colomb’s dialogue with Marcel Proust and Virginia Woolf as well as to time and memory studies. The framework and approach devised to examine Colomb’s oeuvre contribute to unravelling some of its complexities, not only in its curving style, ephemeral, and sequence-defying narrative, but also in its literary engagement with the science and philosophy that shaped modernity and proposed new ways of thinking time, knowledge, and the human experience. This thesis ultimately allows us to gain insight into the originality of Colombian time experience, memory, and point-of-view representations, transcending the alleged influence of her iconic predecessors

    Home, Belonging and Multiculturalism in Twenty-First-Century British South Asian Fiction

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    This thesis contributes to the literary and cultural debates surrounding multiculturalism and questions of home and identity in contemporary Britain, using the British South Asian novel as a case study. Through close readings of six novels, including Maps For Lost Lovers (2004) by Nadeem Aslam, Londonstani (2006) by Gautam Malkani, The Year of Runaways (2015) by Sunjeev Sahota, Home Fire (2017) by Kamila Shamsie, Exit West (2017) by Mohsin Hamid, and In Our Mad and Furious City (2018) by Guy Gunaratne, the thesis brings theories of multiculturalism, class, and race into conversation with contemporary British South Asian fiction. It re-examines multiculturalism, as represented in the fiction, in light of recent key events that have catalysed its reconfigurations (e.g. 9/11, 7/7, the 2011 England riots and Brexit) alongside conceptual developments of notions of race, class, home and identity. Stuart Hall (1990) suggests that identity is constructed “within, not outside of, representation”, which indicates that literature plays a potentially important role in the public perception of identity (222). The thesis seeks to demonstrate that terms like diaspora, migrancy, hybridity and liminality do not fully capture the experience of multiculturalism as depicted in the selected novels. Whilst the thesis does not fully dismiss these terms, it redirects attention to critical, non-celebratory conceptions of multiculturalism. In so doing, it makes interventions into debates on multiculturalism. It shows how the UK government has tended to present multiculturalism as “a management exercise” (Mishra 2007, 133) through a “series of hesitant moves and recommendations”, which, as Peter Morey argues, it would be “hard to call [
] a multicultural policy” (Morey 2018a, 5). It argues that theories of multiculturalism might become more 3 coherent if approached from specific theories of race, ethnicity, and class. Such mapping, as Vijay Mishra (2007) advocates, allows us to think more precisely about these theories, so that we can view multiculturalism as “a critical concept” rather than “a management exercise” (133). The thesis first sets out a theoretical framework by which to explore its central concerns with the modalities of representation of British South Asians in fiction and their engagement with ideas of home and identity that are always already inflected by the complexities of race, class, religion and multiculturalism. It then turns to the historical and socio-political contexts of diverse British South Asian experiences as they are depicted in the fiction. The research employs a mixed-method approach synthesising theories of multiculturalism, race, ethnicity, and class, with close readings of British South Asian fiction written between 2000 and 2020. In the process, this enables a critical re-evaluation of these theories (Gilroy 2004, Mishra 2007, Ahmed 2015). Finally, the thesis offers new ways of reading the various permutations of British South Asian identity as culturally diverse in contemporary literature produced by British South Asian authors

    2011 GREAT Day Program

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    SUNY Geneseo’s Fifth Annual GREAT Day.https://knightscholar.geneseo.edu/program-2007/1005/thumbnail.jp
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