80 research outputs found

    BLUES from Music: BLind Underdetermined Extraction of Sources from Music

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    In this paper we propose to use an instantaneous ICA method (BLUES) to separate the instruments in a real music stereo recording. We combine two strong separation techniques to segregate instruments from a mixture: ICA and binary time-frequency masking. By combining the methods, we are able to make use of the fact that the sources are differently distributed in both space, time and frequency. Our method is able to segregate an arbitrary number of instruments and the segregated sources are maintained as stereo signals. We have evaluated our method on real stereo recordings, and we can segregate instruments which are spatially different from other instruments

    An review of automatic drum transcription

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    In Western popular music, drums and percussion are an important means to emphasize and shape the rhythm, often defining the musical style. If computers were able to analyze the drum part in recorded music, it would enable a variety of rhythm-related music processing tasks. Especially the detection and classification of drum sound events by computational methods is considered to be an important and challenging research problem in the broader field of Music Information Retrieval. Over the last two decades, several authors have attempted to tackle this problem under the umbrella term Automatic Drum Transcription(ADT).This paper presents a comprehensive review of ADT research, including a thorough discussion of the task-specific challenges, categorization of existing techniques, and evaluation of several state-of-the-art systems. To provide more insights on the practice of ADT systems, we focus on two families of ADT techniques, namely methods based on Nonnegative Matrix Factorization and Recurrent Neural Networks. We explain the methods’ technical details and drum-specific variations and evaluate these approaches on publicly available datasets with a consistent experimental setup. Finally, the open issues and under-explored areas in ADT research are identified and discussed, providing future directions in this fiel

    Drum extraction from polyphonic music based on a spectro-temporal model of percussive sounds

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