206 research outputs found
Responding to human full-body gestures embedded in motion data streams.
This research created a neural-network enabled artificially intelligent performing agent that was able to learn to dance and recognise movement through a rehearsal and performance process with a human dancer. The agent exhibited emergent dance behaviour and successfully engaged in a live, semi-improvised dance performance with the human dancer
Artificial general intelligence: Proceedings of the Second Conference on Artificial General Intelligence, AGI 2009, Arlington, Virginia, USA, March 6-9, 2009
Artificial General Intelligence (AGI) research focuses on the original and ultimate goal of AI â to create broad human-like and transhuman intelligence, by exploring all available paths, including theoretical and experimental computer science, cognitive science, neuroscience, and innovative interdisciplinary methodologies. Due to the difficulty of this task, for the last few decades the majority of AI researchers have focused on what has been called narrow AI â the production of AI systems displaying intelligence regarding specific, highly constrained tasks. In
recent years, however, more and more researchers have recognized the necessity â and feasibility â of returning to the original goals of the field. Increasingly, there is a call for a transition back to confronting the more difficult issues of human level intelligence and more broadly artificial general intelligence
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What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition
Thinking and sounding are two terms which complicate one another, hence this thesis follows two trajectories each of which make an original contribution to knowledge. Part 1 (thinking sound) proposes to reground composition away from historically authoritative humanist models, instead suggesting a biopsychosocial approach for a post-acousmatic music. I elaborate a set of models and key concepts, chiefly an eliminativist account of the listener-sound relation; neurocognitively discrete musical domains and dimensions of the Kmatrix; model-based reasoning through a Reception-Interpretation-Action helix; and, mentalizing listening stances based upon dual-process cognition models. This is combined with an art-activist stance where composition is concerned with the effects that a sonic artobject exerts in its vicinity. I propose composition as experimentally concerned with generating new epistemic things through a process of assemblage and heterogeneous engineering. Part 2 (sounding thinking) discusses fixed and live compositions which initiated and respond to my proposed approach. In my practice, I focus on the disruption of specific aesthetic regimens to bring listening into attentional focus, engaging the specificity of the mnemonic traces that sound leaves. The pieces are largely concerned with sonic cultures related to Islam and the MENASA region
Affective Computing
This book provides an overview of state of the art research in Affective Computing. It presents new ideas, original results and practical experiences in this increasingly important research field. The book consists of 23 chapters categorized into four sections. Since one of the most important means of human communication is facial expression, the first section of this book (Chapters 1 to 7) presents a research on synthesis and recognition of facial expressions. Given that we not only use the face but also body movements to express ourselves, in the second section (Chapters 8 to 11) we present a research on perception and generation of emotional expressions by using full-body motions. The third section of the book (Chapters 12 to 16) presents computational models on emotion, as well as findings from neuroscience research. In the last section of the book (Chapters 17 to 22) we present applications related to affective computing
Advancing the Human Self
Do technologies advance our self-identities, as they do our bodies, cognitive skills, and the next developmental stage called postpersonal? Did we already manage to be fully human, before becoming posthuman? Are we doomed to disintegration and episodic selfhood? This book examines the impact of radical technopoiesis on our selves from a multidisciplinary perspective, including the health humanities, phenomenology, the life sciences and humanoid AI (artificial intelligence) ethics. Surprisingly, our body representations show more plasticity than scholarly concepts and sociocultural narratives. Our embodied selves can withstand transplants, bionic prostheses and radical somatechnics, but to remain autonomous and authentic, our agential potentials must be strengthened â and this is not through âpsychosurgeryâ and the brainâcomputer interface
Developmental Bootstrapping of AIs
Although some current AIs surpass human abilities in closed artificial worlds
such as board games, their abilities in the real world are limited. They make
strange mistakes and do not notice them. They cannot be instructed easily, fail
to use common sense, and lack curiosity. They do not make good collaborators.
Mainstream approaches for creating AIs are the traditional manually-constructed
symbolic AI approach and generative and deep learning AI approaches including
large language models (LLMs). These systems are not well suited for creating
robust and trustworthy AIs. Although it is outside of the mainstream, the
developmental bootstrapping approach has more potential. In developmental
bootstrapping, AIs develop competences like human children do. They start with
innate competences. They interact with the environment and learn from their
interactions. They incrementally extend their innate competences with
self-developed competences. They interact and learn from people and establish
perceptual, cognitive, and common grounding. They acquire the competences they
need through bootstrapping. However, developmental robotics has not yet
produced AIs with robust adult-level competences. Projects have typically
stopped at the Toddler Barrier corresponding to human infant development at
about two years of age, before their speech is fluent. They also do not bridge
the Reading Barrier, to skillfully and skeptically draw on the socially
developed information resources that power current LLMs. The next competences
in human cognitive development involve intrinsic motivation, imitation
learning, imagination, coordination, and communication. This position paper
lays out the logic, prospects, gaps, and challenges for extending the practice
of developmental bootstrapping to acquire further competences and create
robust, resilient, and human-compatible AIs.Comment: 102 pages, 29 figure
The rhythm that unites: an empirical investigation into synchrony, ritual, and hierarchy
Synchrony, or rhythmic bodily unison activities such as drumming or cadence marching, has attracted growing scholarly interest. Among laboratory subjects, synchrony elicits prosocial responses, including altruism and empathy. In light of such findings, researchers in social psychology and the bio-cultural study of religion have suggested that synchrony played a role in humanityâs evolutionary history by engendering collectivistic commitments and social cohesion. These models propose that synchrony enhances cohesion by making people feel united. However, such models overlook the importance of differentiated social relations, such as hierarchies. This dissertation builds on this insight by drawing on neuroscience, coordination dynamics, social psychology, anthropology, and ritual studies to generate a complex model of synchrony, ritual, and social hierarchy, which is then tested in an experimental study.
In the hypothesized model, shared motor unison suppresses the brainâs ability to distinguish cognitively between self-caused and exogenous motor acts, resulting in subjective self-other overlap. During synchrony each participant is dynamically entrained to a group mean rhythm; this âimmanent authorityâ prevents any one participant from unilaterally dictating the rhythm, flattening relative hierarchy. As a ritualized behavior, synchrony therefore paradigmatically evokes shared ideals of equality and unity. However, when lab participants were assigned to either a synchrony or asynchrony manipulation and given a collaborative task requiring complex coordination, synchrony predicted a marginally lower degree of collaboration and significantly lower interpersonal satisfaction. These findings imply that unity and equality can undercut group cohesion if the collective agenda is a shared goal that requires interpersonal coordination.
My results emphasize that, despite the inevitable tensions associated with social hierarchy, complementary roles and hierarchy are vital for certain aspects of social cohesion. Ritual and convention institute social boundaries that can be adroitly negotiated, even as egalitarian effervescence such as communitas (in the sense of Victor Turner) facilitates social unity and inspires affective commitments. These findings corroborate theories in ritual studies and sociology that caution both against excessive emphasis on inner emotive states (such as empathy) and against excessively rigid conventions or roles. An organic balance between unity and functional differentiation is vital for genuinely robust, long-term social cohesion.2018-06-21T00:00:00
Image and Evidence: The Study of Attention through the Combined Lenses of Neuroscience and Art
: Levy, EK 2012, âAn artistic exploration of inattention blindnessâ, in Frontiers Hum Neurosci, vol. 5, ISSN=1662-5161.Full version unavailable due to 3rd party copyright restrictions.This study proposed that new insights about attention, including its phenomenon and pathology, would be provided by combining perspectives of the neurobiological discourse about attention with analyses of artworks that exploit the constraints of the attentional system. To advance the central argument that art offers a training ground for the attentional system, a wide range of contemporary art was analysed in light of specific tasks invoked. The kinds of cognitive tasks these works initiate with respect to the attentional system have been particularly critical to this research. Attention was explored within the context of transdisciplinary art practices, varied circumstances of viewing, new neuroscientific findings, and new approaches towards learning. Research for this dissertation required practical investigations in a gallery setting, and this original work was contextualised and correlated with pertinent neuroscientific approaches. It was also concluded that art can enhance public awareness of attention disorders and assist the public in discriminating between medical and social factors through questioning how norms of behaviour are defined and measured. This territory was examined through the comparative analysis of several diagnostic tests for attention deficit hyperactivity disorder (ADHD), through the adaptation of a methodology from economics involving patent citation in order to show market incentives, and through examples of data visualisation. The construction of an installation and collaborative animation allowed participants to experience first-hand the constraints on the attentional system, provoking awareness of our own ânormalâ physiological limitations. The embodied knowledge of images, emotion, and social context that are deeply embedded in art practices appeared to be capable of supplementing neuroscienceâs understanding of attention and its disorders
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