The voice of authority : Evelyn Waugh's fiction

A large part of the extant criticism of Evelyn Waugh's fiction is orientated towards either a biographical or a literary-historical interest: there are comparatively few detailed surveys of the novels themselves. This study attempts such a survey, and in particular examines the tension which inheres in the relationship of Waugh's poised, urbane narrators to the social and moral chaos they depict. I have been interested in the source and management of that poise, the testing, as it were to destruction, of a series of narrative positions. There is a very modern equation to be observed in Waugh's fiction, between the potentially anarchic mode of fiction and what Waugh felt to be the actual anarchy of contemporary civilisation. His novels can with interest be read in terms of a comic exploitation of this equation, and subsequently, as the writer aged, of his attempts to evade its logic, to discover a 'voice of authority'. Apparently secure narrative stances are repeatedly undermined, and a succession of 'realities' compromised - Tony Last's, William Boot's, John Plant's, Guy Crouchback's. It is this awareness and exploitation of the reflexive quality of fiction, and its use in disclosing the nature of his age which lends Waugh's writing its real and enduring interest. I seek to draw out this awareness through detailed examination of the different novels' precise narrative stance, the source of their 'voice', and have been largely content to let stand other commentators' descriptions of Waugh's broader thesis. My method involves close attention to Waugh's language, from the conviction that nuances of tone and the development of marginal allusions and metaphors are the keys to many of his characteristic effects

Racialized Health, COVID-19, and Religious Responses

This volume draws attention to multiple ways black health prospects and outcomes are configured by the actions, inactions, and cultural capital of social institutions and leaders, including within the governmental sector, the healthcare sector, and the religious sector. Facilitating and ensuring conditions conducive to public health, and capacities for provision of public healthcare, are macro tasks, requiring substantial institutional, financial, and technological resources. Government sectors and healthcare sectors around the globe are where this scale of resources are concentrated, though in varying degrees reflective of global wealth disparities. As these disparities and inequities have become increasingly evident, including as a result of the COVID-19 crisis, it has become more urgent to hold sectors charged with public health accountable in fulfilling their public charge. Racialized Health, COVID-19, and Religious Responses: Black Atlantic Contexts and Perspectives explores black religious responses to black health concerns amidst persistent race-based health disparities and healthcare inequities. This cutting-edge edited volume provides theoretically and descriptively rich analysis of cases and contexts where race factors strongly in black health outcomes and dynamics, viewing these matters from various disciplinary and national vantage points. The volume is divided into the following four parts: Systemic and Socio-Cultural Dimensions of Black Health Ecclesial Responses to Black Health Vulnerabilities Public Education and Policy Considerations Spirituality and the Wellness of Black Minds, Bodies and Souls Part I explores ways social and cultural factors such as racial bias, religious conviction, and resource capacity have influenced and delimited black health prospects. Part II looks historically and contemporarily at denominational and ecumenical responses to collective black health emergencies in places such as Nigeria, the UK, the US, and the Caribbean. Part III focuses on public advocacy, particularly collective black health, both in terms of policy and education. The final section deals with spiritual, psychological, and theological dimensions, understandings, and pursuits of black health and wholeness. Collectively, the essays in the volume delineate analysis and action that wrestle with the multidimensional nature of black wellness and with ways broad public resources and black religious resources should be mobilized and leveraged to ensure collective black wellness

Paper bullets: the Office Of War Information and American World War II print propaganda

Thesis (Ph.D.)--Boston UniversityThis dissertation analyzes American World War II propaganda generated by the Office of War Information (OWI), the nation's primary propaganda agency from 1942 to 1945. The visual rhetoric of printed OWI propaganda, including posters, brochures, newspaper graphics, and magazine illustrations, demonstrated affinities with advertising and modern art and exhibited an increasingly conservative tone as the war progressed. While politically progressive bureaucrats initially molded the OWI's graphic agenda, research reveals how politicians suppressed graphics that displayed the war's violence, racial integration, and progressive gender roles in favor of images resembling commercial advertisements. To articulate the manner in which issues of American self-representation evolved during the war, this study examines the graphic work of artists and designers such as Charles Alston, Thomas Hart Benton, Charles Coiner, Ben Shahn, and Norman Rockwell. The investigation unfolds across four chapters. The first chapter examines the institutional origins of American World War II propaganda by exploring the shifting content of New Deal promotional efforts during the 1930s and early 1940s. This analysis is critical, as government agencies used propaganda not only to support economic recovery during the Great Depression, but also to prepare Americans for war before the Japanese attacked Pearl Harbor. The second chapter analyzes the ways OWI increasingly suppressed depictions of violence as the war progressed. While the agency distributed traumatic images of Axis hostility early in the war, such work was later deemed "too aggressive" by former advertising executives turned federal bureaucrats who preferred more friendly, appealing graphics. The third chapter focuses on propaganda intended for African Americans, whose support for the war was divided due to racist Jim Crow legislation. This section analyzes OWI efforts to address the nation's largest racial minority through posters, brochures, and newspaper graphics. The fourth chapter examines the OWI's efforts to influence middle-class white women, a demographic of consumers whose influence grew as the war progressed. This includes an examination of the OWI's role in modifying the "Rosie the Riveter" mythology in contemporary advertising to encourage women to pursue jobs outside of factory work

Winona Daily News

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