59 research outputs found

    2014-2015 Annual Security and Fire Reports

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    This report has been prepared in compliance with the Jeanne Clery Disclosure of Campus Security Policy and Campus Crime Statistics Act of 1998. The report provides information on services and policies that support a safe and secure environment, highlights programs that encourage members of the campus community to seek intervention and assistance for victimization, provides information on the alcohol and drug policies, outlines procedures for handling reports of sexual assault, and identifies campus representatives for reporting crimes and incidents that have impact on the college community

    2016-2017 Annual Security and Fire Reports

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    The report provides information on services and policies that support a safe and secure environment, highlights programs that encourage members of the campus community to seek intervention and assistance for victimization, provides information on the alcohol and drug policies, outlines procedures for handling reports of sexual assault, and identifies campus representatives for reporting crimes and incidents that have impact on the college community. It is also about the College’s safety programs and security procedures and policies. In addition, you will discover our crime and fire safety statistics, who to call and what to do if you witness or are the victim of a crime, and tips to increase your safety awareness

    2015-2016 Annual Security and Fire Reports

    Get PDF
    This report has been prepared in compliance with the Jeanne Clery Disclosure of Campus Security Policy and Campus Crime Statistics Act of 1998. The report provides information on services and policies that support a safe and secure environment, highlights programs that encourage members of the campus community to seek intervention and assistance for victimization, provides information on the alcohol and drug policies, outlines procedures for handling reports of sexual assault, and identifies campus representatives for reporting crimes and incidents that have impact on the college community.

    Amicus Curiae (Vol. 3, Issue 8)

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    Attitudes and Perceptions of Concealed Carry on Campus: A Case Study of Students, Staff, and Faculty at Liberty University

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    The number of mass shootings and active shooter situations has significantly increased at higher education institutions (HEIs) over the past several years, and as a result, they have introduced issues of safety that administrators must handle. The purpose of this embedded, single case study was to understand the attitudes concerning concealed carry on campus for students, staff, and faculty at Liberty University. The primary theory guiding this study was vested interest theory (Crano, 1997) as it examines the attitudes of those most closely involved with a situation and how they become vested in a particular situation which results in behavior changes, and the secondary theory is Maslow’s (1970) hierarchy of needs, as it argues that in order for individuals to achieve their potential, they must first have their safety needs met. Data collection entailed a survey sent to all students, staff, and faculty followed by interviews with select participants. Data analysis included the coding of the data to examine themes across the embedded units and provide descriptions of the attitudes and perceptions of faculty, staff, and students across the university. The research questions guiding this study were: (1) How do students, staff, and faculty feel about concealed carry on campus? (2) What factors influence the attitudes of faculty, staff, and students towards concealed carry on campus? (3) What affects does a concealed carry policy have on student, staff, and faculty perceptions of safety? (4) What impact does the university’s culture have on student, staff, and faculty attitudes towards concealed carry? (5) How do the students, staff, and faculty perceive the exposure given them concerning concealed carry on campus? Three overarching themes were identified: education and training, cognitive and emotional maturity, and mental health

    Bewitching The Stage: Elizabethan And Jacobean Witch-Lore And Witch-Hunt

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    This project hypothesizes that the early modern stage witch\u27s grotesque femininity and her masculine presumption of agency were the effective signifiers of the feminine covert, what men fantasized about the reproductive secrets of womanhood and their control over the feminine activities. My investigation of late Elizabethan and Jacobean drama indicates that the fictional witch is postulated as the negative example of female fertility and feminine nurture: the witch not only interferes in the natural process of fertility in humans as well as in nature but she also contaminates maids and mistresses with her mismanagement and overconsumption of household resources. I suggest that the early modern stage appropriated the historical witch, the anti-mother, and cast her as the anti-housewife whose negative example was to discipline femininity and domesticate housewives. In Titus Andronicus and Catering for Bloody Banquets: the Witch in the Kitchen, I postulate Tamora as anti-mother and Titus as anti-wife: while the queen of Goths defiles nature and nurture, Titus literalizes the fright in the feminine by cooking and serving a cannibalistic banquet. The text encodes the witch on Tamora\u27s eroticized maternal body and in Titus\u27 feminine labor and control in the kitchen. In Is There a Witch in this Text?: the Troubling Provenance of the Witch of Brainford in The Merry Wives of Windsor, I illustrate how the wives, using a local witch\u27s garb and cuckold\u27s horns, dissipate the male fantasies of witchery and cuckoldry while the numen of the fairy queen disciplines, remedies, and harmonizes the elements of communal dis-eases. Chapter Three, Imaging the Witch at the Table: the Abominable Belly of Middleton\u27s Women, examines the gustatory and sexual appetite of indolent housewives--daughters of the witch--who destroy the middle-class aspiration of the fair banqueting house. In The Covenant Staged: Jugglers, Conjurers, and Skeptics on the Early Modern Stage, I investigate the theater\u27s epistemological dilemma in appropriating the violent fantasies of the witch-hunt, detecting an interpretive agency in staging the witch

    Fullerton PD policy manual

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    The Papers of Andrew Jackson, Volume X, 1832

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    This volume presents more than four hundred documents from Andrew Jackson’s fourth presidential year. It includes private memoranda, intimate family letters, drafts of official messages, and correspondence with government and military officers, diplomats, Indians, political friends and foes, and ordinary citizens throughout the country. The year 1832 began with Jackson still pursuing his feud with Vice President John C. Calhoun, whom Jackson accused of secretly siding against him in the 1818 controversy over Jackson’s Seminole campaign in Florida. The episode ended embarrassingly for Jackson when a key witness, called on to prove his charges, instead directly contradicted them. Indian removal remained a preoccupation for Jackson. The Choctaws began emigrating westward, the Creeks and Chickasaws signed but then immediately protested removal treaties, and the Cherokees won what proved to be an empty victory against removal in the Supreme Court. Illinois Indians mounted armed resistance in the Black Hawk War. In midsummer, a cholera epidemic swept the country, and Jackson was urged to proclaim a day of fasting and prayer. He refused, saying it would intermingle church and state. A bill to recharter the Bank of the United States passed Congress in July, and Jackson vetoed it with a ringing message that became the signature document of his presidency. In November, Jackson, with new running mate Martin Van Buren, won triumphant reelection over Henry Clay. But only days later, South Carolina nullified the federal tariff law and began preparing for armed resistance. Jackson answered with an official proclamation that “disunion by armed force is treason.” The year closed with Jackson immersed in plans to suppress nullification and destroy the Bank of the United States. Embracing all these stories and many more, this volume offers an incomparable window into Andrew Jackson, his presidency, and America itself in 1832.https://trace.tennessee.edu/utk_jackson/1008/thumbnail.jp

    The Cane toad times

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    The Cane Toad Times was a satirical magazine, published in Brisbane. It was published over two periods. In the first period in the 1970s, 7 issues were produced. In the second period between 1983 and 1990, 15 issues were produced. In 1986 the company ToadShow evolved from the Cane Toad Times

    Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain during the 1940s

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    Existing research on British cinema during the 1940s has often assumed an opposition between realism and fantasy or, as it is also known, 'realism and tinsel'. However, through an analysis of contemporary critical reception and censorship discourses, it becomes apparent how this division was nowhere near as clearly defined as is often argued. Discussions surrounding a supposed ‘ban’ on horror during 1942-45, and the subsequent debates regarding realism in the post-war climate, demonstrate how realism was often associated with fantasy and vice versa. While the ‘quality’ realist film of the 1940s demonstrates a concern with verisimilitude and the reproduction of the surface appearances of reality, when confronting the obscene or the taboo hidden below this surface realism was deemed to be far more closely associated with ‘horrific’ fantasy. This thesis therefore looks beyond common perceptions of British cinema during this period through an analysis of contemporary discussions surrounding the relationship between ‘realism and tinsel’, with a particular emphasis upon the misapprehension that the horror ‘ban’ signified a falling interest in fantasy in favour of the ‘quality’ of realism. By also looking at a number of films not often included within such debates, this approach contributes to the discussion of a period largely unacknowledged in terms of horror in British cinema
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