Object Tracking in Distributed Video Networks Using Multi-Dimentional Signatures

From being an expensive toy in the hands of governmental agencies, computers have evolved a long way from the huge vacuum tube-based machines to today\u27s small but more than thousand times powerful personal computers. Computers have long been investigated as the foundation for an artificial vision system. The computer vision discipline has seen a rapid development over the past few decades from rudimentary motion detection systems to complex modekbased object motion analyzing algorithms. Our work is one such improvement over previous algorithms developed for the purpose of object motion analysis in video feeds. Our work is based on the principle of multi-dimensional object signatures. Object signatures are constructed from individual attributes extracted through video processing. While past work has proceeded on similar lines, the lack of a comprehensive object definition model severely restricts the application of such algorithms to controlled situations. In conditions with varying external factors, such algorithms perform less efficiently due to inherent assumptions of constancy of attribute values. Our approach assumes a variable environment where the attribute values recorded of an object are deemed prone to variability. The variations in the accuracy in object attribute values has been addressed by incorporating weights for each attribute that vary according to local conditions at a sensor location. This ensures that attribute values with higher accuracy can be accorded more credibility in the object matching process. Variations in attribute values (such as surface color of the object) were also addressed by means of applying error corrections such as shadow elimination from the detected object profile. Experiments were conducted to verify our hypothesis. The results established the validity of our approach as higher matching accuracy was obtained with our multi-dimensional approach than with a single-attribute based comparison

ROBUST BACKGROUND SUBTRACTION FOR MOVING CAMERAS AND THEIR APPLICATIONS IN EGO-VISION SYSTEMS

Background subtraction is the algorithmic process that segments out the region of interest often known as foreground from the background. Extensive literature and numerous algorithms exist in this domain, but most research have focused on videos captured by static cameras. The proliferation of portable platforms equipped with cameras has resulted in a large amount of video data being generated from moving cameras. This motivates the need for foundational algorithms for foreground/background segmentation in videos from moving cameras. In this dissertation, I propose three new types of background subtraction algorithms for moving cameras based on appearance, motion, and a combination of them. Comprehensive evaluation of the proposed approaches on publicly available test sequences show superiority of our system over state-of-the-art algorithms. The first method is an appearance-based global modeling of foreground and background. Features are extracted by sliding a fixed size window over the entire image without any spatial constraint to accommodate arbitrary camera movements. Supervised learning method is then used to build foreground and background models. This method is suitable for limited scene scenarios such as Pan-Tilt-Zoom surveillance cameras. The second method relies on motion. It comprises of an innovative background motion approximation mechanism followed by spatial regulation through a Mega-Pixel denoising process. This work does not need to maintain any costly appearance models and is therefore appropriate for resource constraint ego-vision systems. The proposed segmentation combined with skin cues is validated by a novel application on authenticating hand-gestured signature captured by wearable cameras. The third method combines both motion and appearance. Foreground probabilities are jointly estimated by motion and appearance. After the mega-pixel denoising process, the probability estimates and gradient image are combined by Graph-Cut to produce the segmentation mask. This method is universal as it can handle all types of moving cameras

Detail Enhancing Denoising of Digitized 3D Models from a Mobile Scanning System

The acquisition process of digitizing a large-scale environment produces an enormous amount of raw geometry data. This data is corrupted by system noise, which leads to 3D surfaces that are not smooth and details that are distorted. Any scanning system has noise associate with the scanning hardware, both digital quantization errors and measurement inaccuracies, but a mobile scanning system has additional system noise introduced by the pose estimation of the hardware during data acquisition. The combined system noise generates data that is not handled well by existing noise reduction and smoothing techniques. This research is focused on enhancing the 3D models acquired by mobile scanning systems used to digitize large-scale environments. These digitization systems combine a variety of sensors – including laser range scanners, video cameras, and pose estimation hardware – on a mobile platform for the quick acquisition of 3D models of real world environments. The data acquired by such systems are extremely noisy, often with significant details being on the same order of magnitude as the system noise. By utilizing a unique 3D signal analysis tool, a denoising algorithm was developed that identifies regions of detail and enhances their geometry, while removing the effects of noise on the overall model. The developed algorithm can be useful for a variety of digitized 3D models, not just those involving mobile scanning systems. The challenges faced in this study were the automatic processing needs of the enhancement algorithm, and the need to fill a hole in the area of 3D model analysis in order to reduce the effect of system noise on the 3D models. In this context, our main contributions are the automation and integration of a data enhancement method not well known to the computer vision community, and the development of a novel 3D signal decomposition and analysis tool. The new technologies featured in this document are intuitive extensions of existing methods to new dimensionality and applications. The totality of the research has been applied towards detail enhancing denoising of scanned data from a mobile range scanning system, and results from both synthetic and real models are presented

Perception and intelligent localization for autonomous driving

Mestrado em Engenharia de Computadores e TelemáticaVisão por computador e fusão sensorial são temas relativamente recentes, no entanto largamente adoptados no desenvolvimento de robôs autónomos que exigem adaptabilidade ao seu ambiente envolvente. Esta dissertação foca-se numa abordagem a estes dois temas para alcançar percepção no contexto de condução autónoma. O uso de câmaras para atingir este fim é um processo bastante complexo. Ao contrário dos meios sensoriais clássicos que fornecem sempre o mesmo tipo de informação precisa e atingida de forma determinística, as sucessivas imagens adquiridas por uma câmara estão repletas da mais variada informação e toda esta ambígua e extremamente difícil de extrair. A utilização de câmaras como meio sensorial em robótica é o mais próximo que chegamos na semelhança com aquele que é o de maior importância no processo de percepção humana, o sistema de visão. Visão por computador é uma disciplina científica que engloba àreas como: processamento de sinal, inteligência artificial, matemática, teoria de controlo, neurobiologia e física. A plataforma de suporte ao estudo desenvolvido no âmbito desta dissertação é o ROTA (RObô Triciclo Autónomo) e todos os elementos que consistem o seu ambiente. No contexto deste, são descritas abordagens que foram introduzidas com fim de desenvolver soluções para todos os desafios que o robô enfrenta no seu ambiente: detecção de linhas de estrada e consequente percepção desta, detecção de obstáculos, semáforos, zona da passadeira e zona de obras. É também descrito um sistema de calibração e aplicação da remoção da perspectiva da imagem, desenvolvido de modo a mapear os elementos percepcionados em distâncias reais. Em consequência do sistema de percepção, é ainda abordado o desenvolvimento de auto-localização integrado numa arquitectura distribuída incluindo navegação com planeamento inteligente. Todo o trabalho desenvolvido no decurso da dissertação é essencialmente centrado no desenvolvimento de percepção robótica no contexto de condução autónoma.Computer vision and sensor fusion are subjects that are quite recent, however widely adopted in the development of autonomous robots that require adaptability to their surrounding environment. This thesis gives an approach on both in order to achieve perception in the scope of autonomous driving. The use of cameras to achieve this goal is a rather complex subject. Unlike the classic sensorial devices that provide the same type of information with precision and achieve this in a deterministic way, the successive images acquired by a camera are replete with the most varied information, that this ambiguous and extremely dificult to extract. The use of cameras for robotic sensing is the closest we got within the similarities with what is of most importance in the process of human perception, the vision system. Computer vision is a scientific discipline that encompasses areas such as signal processing, artificial intelligence, mathematics, control theory, neurobiology and physics. The support platform in which the study within this thesis was developed, includes ROTA (RObô Triciclo Autónomo) and all elements comprising its environment. In its context, are described approaches that introduced in the platform in order to develop solutions for all the challenges facing the robot in its environment: detection of lane markings and its consequent perception, obstacle detection, trafic lights, crosswalk and road maintenance area. It is also described a calibration system and implementation for the removal of the image perspective, developed in order to map the elements perceived in actual real world distances. As a result of the perception system development, it is also addressed self-localization integrated in a distributed architecture that allows navigation with long term planning. All the work developed in the course of this work is essentially focused on robotic perception in the context of autonomous driving

D5.1 SHM digital twin requirements for residential, industrial buildings and bridges

This deliverable presents a report of the needs for structural control on buildings (initial imperfections, deflections at service, stability, rheology) and on bridges (vibrations, modal shapes, deflections, stresses) based on state-of-the-art image-based and sensor-based techniques. To this end, the deliverable identifies and describes strategies that encompass state-of-the-art instrumentation and control for infrastructures (SHM technologies).Objectius de Desenvolupament Sostenible::8 - Treball Decent i Creixement EconòmicObjectius de Desenvolupament Sostenible::9 - Indústria, Innovació i InfraestructuraPreprin

Small business innovation research. Abstracts of completed 1987 phase 1 projects

Non-proprietary summaries of Phase 1 Small Business Innovation Research (SBIR) projects supported by NASA in the 1987 program year are given. Work in the areas of aeronautical propulsion, aerodynamics, acoustics, aircraft systems, materials and structures, teleoperators and robotics, computer sciences, information systems, spacecraft systems, spacecraft power supplies, spacecraft propulsion, bioastronautics, satellite communication, and space processing are covered

Understanding and designing for control in camera operation

Kameraleute nutzen traditionell gezielt Hilfsmittel um kontrollierte Kamerabewegungen zu ermöglichen. Der technische Fortschritt hat hierbei unlängst zum Entstehen neuer Werkzeugen wie Gimbals, Drohnen oder Robotern beigetragen. Dabei wurden durch eine Kombination von Motorisierung, Computer-Vision und Machine-Learning auch neue Interaktionstechniken eingeführt. Neben dem etablierten achsenbasierten Stil wurde nun auch ein inhaltsbasierter Interaktionsstil ermöglicht. Einerseits vereinfachte dieser die Arbeit, andererseits aber folgten dieser (Teil-)Automatisierung auch unerwünschte Nebeneffekte. Grundsätzlich wollen sich Kameraleute während der Kamerabewegung kontinuierlich in Kontrolle und am Ende als Autoren der Aufnahmen fühlen. Während Automatisierung hierbei Experten unterstützen und Anfänger befähigen kann, führt sie unweigerlich auch zu einem gewissen Verlust an gewünschter Kontrolle. Wenn wir Kamerabewegung mit neuen Werkzeugen unterstützen wollen, stellt sich uns daher die Frage: Wie sollten wir diese Werkzeuge gestalten damit sie, trotz fortschreitender Automatisierung ein Gefühl von Kontrolle vermitteln? In der Vergangenheit wurde Kamerakontrolle bereits eingehend erforscht, allerdings vermehrt im virtuellen Raum. Die Anwendung inhaltsbasierter Kontrolle im physikalischen Raum trifft jedoch auf weniger erforschte domänenspezifische Herausforderungen welche gleichzeitig auch neue Gestaltungsmöglichkeiten eröffnen. Um dabei auf Nutzerbedürfnisse einzugehen, müssen sich Schnittstellen zum Beispiel an diese Einschränkungen anpassen können und ein Zusammenspiel mit bestehenden Praktiken erlauben. Bisherige Forschung fokussierte sich oftmals auf ein technisches Verständnis von Kamerafahrten, was sich auch in der Schnittstellengestaltung niederschlug. Im Gegensatz dazu trägt diese Arbeit zu einem besseren Verständnis der Motive und Praktiken von Kameraleuten bei und bildet eine Grundlage zur Forschung und Gestaltung von Nutzerschnittstellen. Diese Arbeit präsentiert dazu konkret drei Beiträge: Zuerst beschreiben wir ethnographische Studien über Experten und deren Praktiken. Sie zeigen vor allem die Herausforderungen von Automatisierung bei Kreativaufgaben auf (Assistenz vs. Kontrollgefühl). Zweitens, stellen wir ein Prototyping-Toolkit vor, dass für den Einsatz im Feld geeignet ist. Das Toolkit stellt Software für eine Replikation quelloffen bereit und erleichtert somit die Exploration von Designprototypen. Um Fragen zu deren Gestaltung besser beantworten zu können, stellen wir ebenfalls ein Evaluations-Framework vor, das vor allem Kontrollqualität und -gefühl bestimmt. Darin erweitern wir etablierte Ansätze um eine neurowissenschaftliche Methodik, um Daten explizit wie implizit erheben zu können. Drittens, präsentieren wir Designs und deren Evaluation aufbauend auf unserem Toolkit und Framework. Die Alternativen untersuchen Kontrolle bei verschiedenen Automatisierungsgraden und inhaltsbasierten Interaktionen. Auftretende Verdeckung durch graphische Elemente, wurde dabei durch visuelle Reduzierung und Mid-Air Gesten kompensiert. Unsere Studien implizieren hohe Grade an Kontrollqualität und -gefühl bei unseren Ansätzen, die zudem kreatives Arbeiten und bestehende Praktiken unterstützen.Cinematographers often use supportive tools to craft desired camera moves. Recent technological advances added new tools to the palette such as gimbals, drones or robots. The combination of motor-driven actuation, computer vision and machine learning in such systems also rendered new interaction techniques possible. In particular, a content-based interaction style was introduced in addition to the established axis-based style. On the one hand, content-based cocreation between humans and automated systems made it easier to reach high level goals. On the other hand however, the increased use of automation also introduced negative side effects. Creatives usually want to feel in control during executing the camera motion and in the end as the authors of the recorded shots. While automation can assist experts or enable novices, it unfortunately also takes away desired control from operators. Thus, if we want to support cinematographers with new tools and interaction techniques the following question arises: How should we design interfaces for camera motion control that, despite being increasingly automated, provide cinematographers with an experience of control? Camera control has been studied for decades, especially in virtual environments. Applying content-based interaction to physical environments opens up new design opportunities but also faces, less researched, domain-specific challenges. To suit the needs of cinematographers, designs need to be crafted with care. In particular, they must adapt to constraints of recordings on location. This makes an interplay with established practices essential. Previous work has mainly focused on a technology-centered understanding of camera travel which consequently influenced the design of camera control systems. In contrast, this thesis, contributes to the understanding of the motives of cinematographers, how they operate on set and provides a user-centered foundation informing cinematography specific research and design. The contribution of this thesis is threefold: First, we present ethnographic studies on expert users and their shooting practices on location. These studies highlight the challenges of introducing automation to a creative task (assistance vs feeling in control). Second, we report on a domain specific prototyping toolkit for in-situ deployment. The toolkit provides open source software for low cost replication enabling the exploration of design alternatives. To better inform design decisions, we further introduce an evaluation framework for estimating the resulting quality and sense of control. By extending established methodologies with a recent neuroscientific technique, it provides data on explicit as well as implicit levels and is designed to be applicable to other domains of HCI. Third, we present evaluations of designs based on our toolkit and framework. We explored a dynamic interplay of manual control with various degrees of automation. Further, we examined different content-based interaction styles. Here, occlusion due to graphical elements was found and addressed by exploring visual reduction strategies and mid-air gestures. Our studies demonstrate that high degrees of quality and sense of control are achievable with our tools that also support creativity and established practices