An Asymmetric Watermarking Method

Special Issue on Signal Processing for Data Hiding in Digital Media and Secure Content DeliveryThis article presents an asymmetric watermarking method as an alternative to classical Direct Sequence Spread Spectrum and Watermarking Costa Schemes techniques. This new method provides a higher security level against malicious attacks threatening watermarking techniques used for a copy protection purpose. This application, which is quite different from the classical copyright enforcement issue, is extremely challenging as no public algorithm is so far known to be secure enough and some proposed proprietary techniques have been already hacked. Our method is thus a try towards the proof that the Kerckhoffs principle can be stated in the copy protection framework

A survey on security analysis of machine learning-oriented hardware and software intellectual property

Intellectual Property (IP) includes ideas, innovations, methodologies, works of authorship (viz., literary and artistic works), emblems, brands, images, etc. This property is intangible since it is pertinent to the human intellect. Therefore, IP entities are indisputably vulnerable to infringements and modifications without the owner’s consent. IP protection regulations have been deployed and are still in practice, including patents, copyrights, contracts, trademarks, trade secrets, etc., to address these challenges. Unfortunately, these protections are insufficient to keep IP entities from being changed or stolen without permission. As for this, some IPs require hardware IP protection mechanisms, and others require software IP protection techniques. To secure these IPs, researchers have explored the domain of Intellectual Property Protection (IPP) using different approaches. In this paper, we discuss the existing IP rights and concurrent breakthroughs in the field of IPP research; provide discussions on hardware IP and software IP attacks and defense techniques; summarize different applications of IP protection; and lastly, identify the challenges and future research prospects in hardware and software IP security

Rétroingénierie du son pour l écoute active et autres applications

Ce travail s intéresse au problème de la rétroingénierie du son pour l écoute active. Le format considéré correspond au CD audio. Le contenu musical est vu comme le résultat d un enchaînement de la composition, l enregistrement, le mixage et le mastering. L inversion des deux dernières étapes constitue le fond du problème présent. Le signal audio est traité comme un mélange post-non-linéaire. Ainsi, le mélange est décompressé avant d'être décomposé en pistes audio. Le problème est abordé dans un contexte informé : l inversion est accompagnée d'une information qui est spécifique à la production du contenu. De cette manière, la qualité de l inversion est significativement améliorée. L information est réduite de taille en se servant des méthodes de quantification, codage, et des faits sur la psychoacoustique. Les méthodes proposées s appliquent en temps réel et montrent une complexité basse. Les résultats obtenus améliorent l état de l art et contribuent aux nouvelles connaissances.This work deals with the problem of reverse audio engineering for active listening. The format under consideration corresponds to the audio CD. The musical content is viewed as the result of a concatenation of the composition, the recording, the mixing, and the mastering. The inversion of the two latter stages constitutes the core of the problem at hand. The audio signal is treated as a post-nonlinear mixture. Thus, the mixture is decompressed before being decomposed into audio tracks. The problem is tackled in an informed context: The inversion is accompanied by information which is specific to the content production. In this manner, the quality of the inversion is significantly improved. The information is reduced in size by the use of quantification and coding methods, and some facts on psychoacoustics. The proposed methods are applicable in real time and have a low complexity. The obtained results advance the state of the art and contribute new insights.BORDEAUX1-Bib.electronique (335229901) / SudocSudocFranceF

Copyright protection of scalar and multimedia sensor network data using digital watermarking

This thesis records the research on watermarking techniques to address the issue of copyright protection of the scalar data in WSNs and image data in WMSNs, in order to ensure that the proprietary information remains safe between the sensor nodes in both. The first objective is to develop LKR watermarking technique for the copyright protection of scalar data in WSNs. The second objective is to develop GPKR watermarking technique for copyright protection of image data in WMSN

Digital rights management (DRM) - watermark encoding scheme for JPEG images

The aim of this dissertation is to develop a new algorithm to embed a watermark in JPEG compressed images, using encoding methods. This encompasses the embedding of proprietary information, such as identity and authentication bitstrings, into the compressed material. This watermark encoding scheme involves combining entropy coding with homophonic coding, in order to embed a watermark in a JPEG image. Arithmetic coding was used as the entropy encoder for this scheme. It is often desired to obtain a robust digital watermarking method that does not distort the digital image, even if this implies that the image is slightly expanded in size before final compression. In this dissertation an algorithm that combines homophonic and arithmetic coding for JPEG images was developed and implemented in software. A detailed analysis of this algorithm is given and the compression (in number of bits) obtained when using the newly developed algorithm (homophonic and arithmetic coding). This research shows that homophonic coding can be used to embed a watermark in a JPEG image by using the watermark information for the selection of the homophones. The proposed algorithm can thus be viewed as a ‘key-less’ encryption technique, where an external bitstring is used as a ‘key’ and is embedded intrinsically into the message stream. The algorithm has achieved to create JPEG images with minimal distortion, with Peak Signal to Noise Ratios (PSNR) of above 35dB. The resulting increase in the entropy of the file is within the expected 2 bits per symbol. This research endeavor consequently provides a unique watermarking technique for images compressed using the JPEG standard.Dissertation (MEng)--University of Pretoria, 2008.Electrical, Electronic and Computer Engineeringunrestricte

Data Hiding in Digital Video

With the rapid development of digital multimedia technologies, an old method which is called steganography has been sought to be a solution for data hiding applications such as digital watermarking and covert communication. Steganography is the art of secret communication using a cover signal, e.g., video, audio, image etc., whereas the counter-technique, detecting the existence of such as a channel through a statistically trained classifier, is called steganalysis. The state-of-the art data hiding algorithms utilize features; such as Discrete Cosine Transform (DCT) coefficients, pixel values, motion vectors etc., of the cover signal to convey the message to the receiver side. The goal of embedding algorithm is to maximize the number of bits sent to the decoder side (embedding capacity) with maximum robustness against attacks while keeping the perceptual and statistical distortions (security) low. Data Hiding schemes are characterized by these three conflicting requirements: security against steganalysis, robustness against channel associated and/or intentional distortions, and the capacity in terms of the embedded payload. Depending upon the application it is the designer\u27s task to find an optimum solution amongst them. The goal of this thesis is to develop a novel data hiding scheme to establish a covert channel satisfying statistical and perceptual invisibility with moderate rate capacity and robustness to combat steganalysis based detection. The idea behind the proposed method is the alteration of Video Object (VO) trajectory coordinates to convey the message to the receiver side by perturbing the centroid coordinates of the VO. Firstly, the VO is selected by the user and tracked through the frames by using a simple region based search strategy and morphological operations. After the trajectory coordinates are obtained, the perturbation of the coordinates implemented through the usage of a non-linear embedding function, such as a polar quantizer where both the magnitude and phase of the motion is used. However, the perturbations made to the motion magnitude and phase were kept small to preserve the semantic meaning of the object motion trajectory. The proposed method is well suited to the video sequences in which VOs have smooth motion trajectories. Examples of these types could be found in sports videos in which the ball is the focus of attention and exhibits various motion types, e.g., rolling on the ground, flying in the air, being possessed by a player, etc. Different sports video sequences have been tested by using the proposed method. Through the experimental results, it is shown that the proposed method achieved the goal of both statistical and perceptual invisibility with moderate rate embedding capacity under AWGN channel with varying noise variances. This achievement is important as the first step for both active and passive steganalysis is the detection of the existence of covert channel. This work has multiple contributions in the field of data hiding. Firstly, it is the first example of a data hiding method in which the trajectory of a VO is used. Secondly, this work has contributed towards improving steganographic security by providing new features: the coordinate location and semantic meaning of the object

Digital Watermarking for Verification of Perception-based Integrity of Audio Data

In certain application fields digital audio recordings contain sensitive content. Examples are historical archival material in public archives that preserve our cultural heritage, or digital evidence in the context of law enforcement and civil proceedings. Because of the powerful capabilities of modern editing tools for multimedia such material is vulnerable to doctoring of the content and forgery of its origin with malicious intent. Also inadvertent data modification and mistaken origin can be caused by human error. Hence, the credibility and provenience in terms of an unadulterated and genuine state of such audio content and the confidence about its origin are critical factors. To address this issue, this PhD thesis proposes a mechanism for verifying the integrity and authenticity of digital sound recordings. It is designed and implemented to be insensitive to common post-processing operations of the audio data that influence the subjective acoustic perception only marginally (if at all). Examples of such operations include lossy compression that maintains a high sound quality of the audio media, or lossless format conversions. It is the objective to avoid de facto false alarms that would be expectedly observable in standard crypto-based authentication protocols in the presence of these legitimate post-processing. For achieving this, a feasible combination of the techniques of digital watermarking and audio-specific hashing is investigated. At first, a suitable secret-key dependent audio hashing algorithm is developed. It incorporates and enhances so-called audio fingerprinting technology from the state of the art in contentbased audio identification. The presented algorithm (denoted as ”rMAC” message authentication code) allows ”perception-based” verification of integrity. This means classifying integrity breaches as such not before they become audible. As another objective, this rMAC is embedded and stored silently inside the audio media by means of audio watermarking technology. This approach allows maintaining the authentication code across the above-mentioned admissible post-processing operations and making it available for integrity verification at a later date. For this, an existent secret-key ependent audio watermarking algorithm is used and enhanced in this thesis work. To some extent, the dependency of the rMAC and of the watermarking processing from a secret key also allows authenticating the origin of a protected audio. To elaborate on this security aspect, this work also estimates the brute-force efforts of an adversary attacking this combined rMAC-watermarking approach. The experimental results show that the proposed method provides a good distinction and classification performance of authentic versus doctored audio content. It also allows the temporal localization of audible data modification within a protected audio file. The experimental evaluation finally provides recommendations about technical configuration settings of the combined watermarking-hashing approach. Beyond the main topic of perception-based data integrity and data authenticity for audio, this PhD work provides new general findings in the fields of audio fingerprinting and digital watermarking. The main contributions of this PhD were published and presented mainly at conferences about multimedia security. These publications were cited by a number of other authors and hence had some impact on their works