Properties of series feature aggregation schemes

Feature aggregation is a critical technique in content-based image retrieval (CBIR) that combines multiple feature distances to obtain image dissimilarity. Conventional parallel feature aggregation (PFA) schemes failed to effectively filter out the irrelevant images using individual visual features before ranking images in collection. Series feature aggregation (SFA) is a new scheme that aims to address this problem. This paper investigates three important properties of SFA that are significant for design of systems. They reveal the irrelevance of feature order and the convertibility of SFA and PFA as well as the superior performance of SFA. Furthermore, based on Gaussian kernel density estimator, the authors propose a new method to estimate the visual threshold, which is the key parameter of SFA. Experiments, conducted with IAPR TC-12 benchmark image collection (ImageCLEF2006) that contains over 20,000 photographic images and defined queries, have shown that SFA can outperform conventional PFA schemes.<br /

Content based image retrieval using unclean positive examples

Conventional content-based image retrieval (CBIR) schemes employing relevance feedback may suffer from some problems in the practical applications. First, most ordinary users would like to complete their search in a single interaction especially on the web. Second, it is time consuming and difficult to label a lot of negative examples with sufficient variety. Third, ordinary users may introduce some noisy examples into the query. This correspondence explores solutions to a new issue that image retrieval using unclean positive examples. In the proposed scheme, multiple feature distances are combined to obtain image similarity using classification technology. To handle the noisy positive examples, a new two-step strategy is proposed by incorporating the methods of data cleaning and noise tolerant classifier. The extensive experiments carried out on two different real image collections validate the effectiveness of the proposed scheme.<br /

Media aesthetics based multimedia storytelling.

Since the earliest of times, humans have been interested in recording their life experiences, for future reference and for storytelling purposes. This task of recording experiences --i.e., both image and video capture-- has never before in history been as easy as it is today. This is creating a digital information overload that is becoming a great concern for the people that are trying to preserve their life experiences. As high-resolution digital still and video cameras become increasingly pervasive, unprecedented amounts of multimedia, are being downloaded to personal hard drives, and also uploaded to online social networks on a daily basis. The work presented in this dissertation is a contribution in the area of multimedia organization, as well as automatic selection of media for storytelling purposes, which eases the human task of summarizing a collection of images or videos in order to be shared with other people. As opposed to some prior art in this area, we have taken an approach in which neither user generated tags nor comments --that describe the photographs, either in their local or on-line repositories-- are taken into account, and also no user interaction with the algorithms is expected. We take an image analysis approach where both the context images --e.g. images from online social networks to which the image stories are going to be uploaded--, and the collection images --i.e., the collection of images or videos that needs to be summarized into a story--, are analyzed using image processing algorithms. This allows us to extract relevant metadata that can be used in the summarization process. Multimedia-storytellers usually follow three main steps when preparing their stories: first they choose the main story characters, the main events to describe, and finally from these media sub-groups, they choose the media based on their relevance to the story as well as based on their aesthetic value. Therefore, one of the main contributions of our work has been the design of computational models --both regression based, as well as classification based-- that correlate well with human perception of the aesthetic value of images and videos. These computational aesthetics models have been integrated into automatic selection algorithms for multimedia storytelling, which are another important contribution of our work. A human centric approach has been used in all experiments where it was feasible, and also in order to assess the final summarization results, i.e., humans are always the final judges of our algorithms, either by inspecting the aesthetic quality of the media, or by inspecting the final story generated by our algorithms. We are aware that a perfect automatically generated story summary is very hard to obtain, given the many subjective factors that play a role in such a creative process; rather, the presented approach should be seen as a first step in the storytelling creative process which removes some of the ground work that would be tedious and time consuming for the user. Overall, the main contributions of this work can be capitalized in three: (1) new media aesthetics models for both images and videos that correlate with human perception, (2) new scalable multimedia collection structures that ease the process of media summarization, and finally, (3) new media selection algorithms that are optimized for multimedia storytelling purposes.Postprint (published version

Social shaping of digital publishing: exploring the interplay between culture and technology

The processes and forms of electronic publishing have been changing since the advent of the Web. In recent years, the open access movement has been a major driver of scholarly communication, and change is also evident in other fields such as e-government and e-learning. Whilst many changes are driven by technological advances, an altered social reality is also pushing the boundaries of digital publishing. With 23 articles and 10 posters, Elpub 2012 focuses on the social shaping of digital publishing and explores the interplay between culture and technology. This book contains the proceedings of the conference, consisting of 11 accepted full articles and 12 articles accepted as extended abstracts. The articles are presented in groups, and cover the topics: digital scholarship and publishing; special archives; libraries and repositories; digital texts and readings; and future solutions and innovations. Offering an overview of the current situation and exploring the trends of the future, this book will be of interest to all those whose work involves digital publishing