A Survey of Geometric Analysis in Cultural Heritage

We present a review of recent techniques for performing geometric analysis in cultural heritage (CH) applications. The survey is aimed at researchers in the areas of computer graphics, computer vision and CH computing, as well as to scholars and practitioners in the CH field. The problems considered include shape perception enhancement, restoration and preservation support, monitoring over time, object interpretation and collection analysis. All of these problems typically rely on an understanding of the structure of the shapes in question at both a local and global level. In this survey, we discuss the different problem forms and review the main solution methods, aided by classification criteria based on the geometric scale at which the analysis is performed and the cardinality of the relationships among object parts exploited during the analysis. We finalize the report by discussing open problems and future perspectives

Remote sensing and data fusion of cultural and physical landscapes

This dissertation is written as part of the three-article option offered by the Geography Department at UNC Greensboro. Each article addresses specific research issues within Remote Sensing, Photogrammetry, and three-dimensional modeling related structural and subsurface remote sensing of historic cultural landscapes. The articles submitted in this dissertation are both separate study sites and research questions, but the unifying theme of geographic research methods applies throughout. The first article is titled Terrestrial Lidar and GPR Investigations into the Third Line of Battle at Guilford Courthouse National Military Park, Guilford County, North Carolina is published in the book Digital Methods and Remote Sensing in Archaeology: Archaeology in the Age of Sensing. Forte, Maurizio, Campana, Stefano R.L. (Eds.) 2016. The results of the research demonstrate the successful exportation of GPR data into three-dimensional point clouds. Subsequently, the converted GPR points in conjunction with the TLS were explored to aid in the identification of the colonial subsurface. The second article submitted for consideration is titled “Three-Dimensional Modeling using Terrestrial LiDAR, Unmanned Aerial Vehicles, and Digital Cameras at House in the Horseshoe State Historic Site, Sanford, North Carolina.” There are two different research components to this study, modeling a structure and the landscape. The structure modeling section compares three different remote sensing approaches to the capture and three-dimensional model creation of a historic building. A detailed comparison is made between the photogrammetric models generated from digital camera photography, a terrestrial laser scanner (TLS) and an unmanned aerial vehicle (UAS). The final article, “Geophysical Investigations at the Harper House Bentonville Battlefield, NC State Historic Site” submitted focuses on the Harper House located in at the Bentonville Civil War battlefield. UNCG conducted a geophysical survey using a ground penetrating radar and gradiometer. The findings from the data were used to determine and pinpoint areas of interest for subsequent excavation

Virtual 3D Reconstruction of Archaeological Pottery Using Coarse Registration

The 3D reconstruction of objects has not only improved visualisation of digitised objects, it has helped researchers to actively carry out archaeological pottery. Reconstructing pottery is significant in archaeology but is challenging task among practitioners. For one, excavated potteries are hardly complete to provide exhaustive and useful information, hence archaeologists attempt to reconstruct them with available tools and methods. It is also challenging to apply existing reconstruction approaches in archaeological documentation. This limitation makes it difficult to carry out studies within a reasonable time. Hence, interest has shifted to developing new ways of reconstructing archaeological artefacts with new techniques and algorithms. Therefore, this study focuses on providing interventions that will ease the challenges encountered in reconstructing archaeological pottery. It applies a data acquisition approach that uses a 3D laser scanner to acquire point cloud data that clearly show the geometric and radiometric properties of the object’s surface. The acquired data is processed to remove noise and outliers before undergoing a coarse-to-fine registration strategy which involves detecting and extracting keypoints from the point clouds and estimating descriptions with them. Additionally, correspondences are estimated between point pairs, leading to a pairwise and global registration of the acquired point clouds. The peculiarity of the approach of this thesis is in its flexibility due to the peculiar nature of the data acquired. This improves the efficiency, robustness and accuracy of the approach. The approach and findings show that the use of real 3D dataset can attain good results when used with right tools. High resolution lenses and accurate calibration help to give accurate results. While the registration accuracy attained in the study lies between 0.08 and 0.14 mean squared error for the data used, further studies will validate this result. The results obtained are nonetheless useful for further studies in 3D pottery reassembly

IKUWA6. Shared Heritage

Celebrating the theme ‘Shared heritage’, IKUWA6 (the 6th International Congress for Underwater Archaeology), was the first such major conference to be held in the Asia-Pacific region, and the first IKUWA meeting hosted outside Europe since the organisation’s inception in Germany in the 1990s. A primary objective of holding IKUWA6 in Australia was to give greater voice to practitioners and emerging researchers across the Asia and Pacific regions who are often not well represented in northern hemisphere scientific gatherings of this scale; and, to focus on the areas of overlap in our mutual heritage, techniques and technology. Drawing together peer-reviewed presentations by delegates from across the world who converged in Fremantle in 2016 to participate, this volume covers a stimulating diversity of themes and niche topics of value to maritime archaeology practitioners, researchers, students, historians and museum professionals across the world

Investigating London’s Post Medieval Pipe Clay Figurines From 1500-1800: Critiquing 3D Approaches to Mould Generation Analysis Via English and Transatlantic Case Studies

This thesis has two main strands to its research, one being the first comprehensive synthesis of London’s post-medieval pipe clay figurines dating to the period 1500-1800, combined with examining the potential for inexpensive 3D imaging technology to carry out a new digitised methodology for mould matching and figurine generational analysis. By applying this new digital methodology new insights have been gained on the wider context of these artefacts. The thesis also contextualises the London material with a broad array of academic publications on pipe clay figurines from Britain, Germany, the Netherlands, Poland, Jamaica, and America. This has included an extensive comparison between the previously unappreciated pipe clay figurines from London and figurines from Germany and the Low Countries and a specific comparison with data collected from the United States of America. This compendium of data provides more information to examine a range of questions, such as production, distribution, iconography, intended audience, and the general economic, social, and religious setting in which they operated. By drawing upon these resources and new avenues of research this investigation offers an insight into pipe clay figurines within Germany and the Low Countries by examining a series of archaeological and contemporary literary sources. Following chapters go on to explore both the London and New World assemblages, presenting details on the distribution of these collections, a contextualised discussion on consumer markets, and iconographical relations of specific case studies. It is from this assemblage that figurines presenting similar stylistic qualities were selected for further analysis via 3D imaging methodologies to comprehend how closely, if at all, the morphometrics of the figurines compare and whether these figurines were produced from related mould groups. The parameters for this analysis are developed in Chapters 4 and 6, which discuss controlled datasets and a series of tests investigating the accuracy of inexpensive 3D imaging technology and their suitability for pipe clay figurine 3D imaging. These tests also analysed other potential influences on the morphometrics of the figurines and designed error parameters to be taken into account so that potential mould relationships could still be observed between figurines that had experienced damage, erosion, or manipulated on removal from their mould. These two strands are then brought together in Chapter 8, where new theories are discussed concerning the causes behind the changing iconography of these figurines, particularly those from London and the New World. This thesis also highlights the wider potential of 3D modelling for artefact studies and the limitations of Structure from Motion in the field of mould analysis. Overall, the research covered within this thesis has provided new details on a previously unstudied dataset alongside a much-needed critique of a new technological approach to 3D modelling and a brand new and revitalising means of carrying out mould-matching analysis of artefacts and other archaeological material

Stratigraphic visualisation for archaeological investigation

The principal objective of archaeology is to reconstruct in all possible ways the life of a community at a specific physical location throughout a specific time period. Distinctly separate layers of soil provide evidence for a specific time period. Discovered artefacts are most frequently used to date the layer. An artefact taken out of context is virtually worthless; hence the correct registration of the layer in which they were uncovered is of great importance. The most popular way to record temporal relationships between stratigraphic layers is through the use of the 2D Harris Matrix method. Without accurate 3D spatial recording of the layers, it is difficult if not impossible, to form new stratigraphic correspondences or correlations. New techniques for archaeological recording, reconstruction, visualisation and interpretation in 3D space are described in these works and as a result software has been developed. Within the developed software system, legacy stratigraphy data, reconstructed from archaeological notebooks can be integrated with contemporary photogrammetric models and theodolite point data representations to provide as comprehensive a reconstruction as possible. The new methods developed from this research have the capability to illustrate the progression of the excavation over time. This is made possible after the entry of only two or more strata. Sophisticated, yet easy-to-use tools allow the navigation of the entire site in 3D. Through the use of an animation-bar it is possible to replay through time both the excavation period and the occupation period, that is to say the various time periods in antiquity when human beings occupied these locations. The lack of complete and consistent recording of the soil layers was an issue that proved to be an obstacle for complete reconstruction during the development of these methods. A lack of worldwide archaeological consensus on the methods of stratigraphic recording inhibited development of a universal scientific tool. As a result, new recording methods are suggested to allow more scientific stratigraphic reconstruction.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Aiding the conservation of two wooden Buddhist sculptures with 3D imaging and spectroscopic techniques

The conservation of Buddhist sculptures that were transferred to Europe at some point during their lifetime raises numerous questions: while these objects historically served a religious, devotional purpose, many of them currently belong to museums or private collections, where they are detached from their original context and often adapted to western taste. A scientific study was carried out to address questions from Museo d'Arte Orientale of Turin curators in terms of whether these artifacts might be forgeries or replicas, and how they may have transformed over time. Several analytical techniques were used for materials identification and to study the production technique, ultimately aiming to discriminate the original materials from those added within later interventions