Abstracts on Radio Direction Finding (1899 - 1995)

The files on this record represent the various databases that originally composed the CD-ROM issue of "Abstracts on Radio Direction Finding" database, which is now part of the Dudley Knox Library's Abstracts and Selected Full Text Documents on Radio Direction Finding (1899 - 1995) Collection. (See Calhoun record https://calhoun.nps.edu/handle/10945/57364 for further information on this collection and the bibliography). Due to issues of technological obsolescence preventing current and future audiences from accessing the bibliography, DKL exported and converted into the three files on this record the various databases contained in the CD-ROM. The contents of these files are: 1) RDFA_CompleteBibliography_xls.zip [RDFA_CompleteBibliography.xls: Metadata for the complete bibliography, in Excel 97-2003 Workbook format; RDFA_Glossary.xls: Glossary of terms, in Excel 97-2003 Workbookformat; RDFA_Biographies.xls: Biographies of leading figures, in Excel 97-2003 Workbook format]; 2) RDFA_CompleteBibliography_csv.zip [RDFA_CompleteBibliography.TXT: Metadata for the complete bibliography, in CSV format; RDFA_Glossary.TXT: Glossary of terms, in CSV format; RDFA_Biographies.TXT: Biographies of leading figures, in CSV format]; 3) RDFA_CompleteBibliography.pdf: A human readable display of the bibliographic data, as a means of double-checking any possible deviations due to conversion

EURAU18 Alicante: Retroactive Research: Congress Proceedings

An interdisciplinary research of architecture is something that society demands from our profession. Furthermore, in many countries that are currently immersed in a recessive economic process, it is the only possible solution. In that context, it is urgent to clarify the scope of our projects: Those whose ultimate goal consists of going beyond the limits of other disciplines through the application of architecture. Starting with Architecture’s capacity to learn from other disciplines and to follow their guidelines and techniques, we will build and offer new specific tools. With these new tools, our research will provide the opportunity to challenge and expand the boundaries of those original disciplines. Traditionally, architecture supported itself by various branches of knowledge to advance its proposals: Economic Changes Social organizations Environmental Crisis and Natural Catastrophes Structural Knowledge Artistic Trends New Materials Technological Advances Political positions and Conflicts. While the resulting architectures are excellent examples of applying these areas of knowledge, our interest lies in the reverse process: how the discipline of architecture can cause changes in others. It is an applied research that extends its scope to a prior discourse that originated in the past. That is to say, becomes a Retroactive Research. In the end, the architectural project is an effective document that not only establishes a program but also defines the author as an entrepreneur, understanding this quality as a position that opens the door to different types of practices that architects can exercise: from running a professional architecture office, to teach, to do interior and furniture design, to write, to design digital scenarios, to work in social associations, to collaborate with research centres

21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics Aesthetics Between History, Geography and Media, Book of Abstracts

The Faculty of Architecture, University of Belgrade and the Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) are proud to be able to organize the 21st ICA Congress on “Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”. We are proud to announce that we received over 500 submissions from 56 countries, which makes this Congress the greatest gathering of aestheticians in this region in the last 40 years. The ICA 2019 Belgrade aims to map out contemporary aesthetics practices in a vivid dialogue of aestheticians, philosophers, art theorists, architecture theorists, culture theorists, media theorists, artists, media entrepreneurs, architects, cultural activists and researchers in the fields of humanities and social sciences. More precisely, the goal is to map the possible worlds of contemporary aesthetics in Europe, Asia, North and South America, Africa and Australia. The idea is to show, interpret and map the unity and diverseness in aesthetic thought, expression, research, and philosophies on our shared planet. Our goal is to promote a dialogue concerning aesthetics in those parts of the world that have not been involved with the work of the International Association for Aesthetics to this day. Global dialogue, understanding and cooperation are what we aim to achieve. That said, the 21st ICA is the first Congress to highlight the aesthetic issues of marginalised regions that have not been fully involved in the work of the IAA. This will be accomplished, among others, via thematic round tables discussing contemporary aesthetics in East Africa and South America. Today, aesthetics is recognized as an important philosophical, theoretical and even scientific discipline that aims at interpreting the complexity of phenomena in our contemporary world. People rather talk about possible worlds or possible aesthetic regimes rather than a unique and consistent philosophical, scientific or theoretical discipline