Relating Objective and Subjective Performance Measures for AAM-based Visual Speech Synthesizers

We compare two approaches for synthesizing visual speech using Active Appearance Models (AAMs): one that utilizes acoustic features as input, and one that utilizes a phonetic transcription as input. Both synthesizers are trained using the same data and the performance is measured using both objective and subjective testing. We investigate the impact of likely sources of error in the synthesized visual speech by introducing typical errors into real visual speech sequences and subjectively measuring the perceived degradation. When only a small region (e.g. a single syllable) of ground-truth visual speech is incorrect we find that the subjective score for the entire sequence is subjectively lower than sequences generated by our synthesizers. This observation motivates further consideration of an often ignored issue, which is to what extent are subjective measures correlated with objective measures of performance? Significantly, we find that the most commonly used objective measures of performance are not necessarily the best indicator of viewer perception of quality. We empirically evaluate alternatives and show that the cost of a dynamic time warp of synthesized visual speech parameters to the respective ground-truth parameters is a better indicator of subjective quality

Synthesising visual speech using dynamic visemes and deep learning architectures

This paper proposes and compares a range of methods to improve the naturalness of visual speech synthesis. A feedforward deep neural network (DNN) and many-to-one and many-to-many recurrent neural networks (RNNs) using long short-term memory (LSTM) are considered. Rather than using acoustically derived units of speech, such as phonemes, viseme representations are considered and we propose using dynamic visemes together with a deep learning framework. The input feature representation to the models is also investigated and we determine that including wide phoneme and viseme contexts is crucial for predicting realistic lip motions that are sufficiently smooth but not under-articulated. A detailed objective evaluation across a range of system configurations shows that a combined dynamic viseme-phoneme speech unit combined with a many-to-many encoder-decoder architecture models visual co-articulations effectively. Subjective preference tests reveal there to be no significant difference between animations produced using this system and using ground truth facial motion taken from the original video. Furthermore, the dynamic viseme system also outperforms significantly conventional phoneme-driven speech animation systems

Visual speech synthesis using dynamic visemes, contextual features and DNNs

This paper examines methods to improve visual speech synthesis from a text input using a deep neural network (DNN). Two representations of the input text are considered, namely into phoneme sequences or dynamic viseme sequences. From these sequences, contextual features are extracted that include information at varying linguistic levels, from frame level down to the utterance level. These are extracted from a broad sliding window that captures context and produces features that are input into the DNN to estimate visual features. Experiments first compare the accuracy of these visual features against an HMM baseline method which establishes that both the phoneme and dynamic viseme systems perform better with best performance obtained by a combined phoneme-dynamic viseme system. An investigation into the features then reveals the importance of the frame level information which is able to avoid discontinuities in the visual feature sequence and produces a smooth and realistic output

Expressive Modulation of Neutral Visual Speech

The need for animated graphical models of the human face is commonplace in the movies, video games and television industries, appearing in everything from low budget advertisements and free mobile apps, to Hollywood blockbusters costing hundreds of millions of dollars. Generative statistical models of animation attempt to address some of the drawbacks of industry standard practices such as labour intensity and creative inflexibility. This work describes one such method for transforming speech animation curves between different expressive styles. Beginning with the assumption that expressive speech animation is a mix of two components, a high-frequency speech component (the content) and a much lower-frequency expressive component (the style), we use Independent Component Analysis (ICA) to identify and manipulate these components independently of one another. Next we learn how the energy for different speaking styles is distributed in terms of the low-dimensional independent components model. Transforming the speaking style involves projecting new animation curves into the lowdimensional ICA space, redistributing the energy in the independent components, and finally reconstructing the animation curves by inverting the projection. We show that a single ICA model can be used for separating multiple expressive styles into their component parts. Subjective evaluations show that viewers can reliably identify the expressive style generated using our approach, and that they have difficulty in identifying transformed animated expressive speech from the equivalent ground-truth

Visual Speech Synthesis using Dynamic Visemes and Deep Learning Architectures

The aim of this work is to improve the naturalness of visual speech synthesis produced automatically from a linguistic input over existing methods. Firstly, the most important contribution is on the investigation of the most suitable speech units for the visual speech synthesis. We propose the use of dynamic visemes instead of phonemes or static visemes and found that dynamic visemes can generate better visual speech than either phone or static viseme units. Moreover, best performance is obtained by a combined phoneme-dynamic viseme system. Secondly, we examine the most appropriate model between hidden Markov model (HMM) and different deep learning models that include feedforward and recurrent structures consisting of one-to-one, many-to-one and many-to-many architectures. Results suggested that that frame-by-frame synthesis from deep learning approach outperforms state-based synthesis from HMM approaches and an encoder-decoder many-to-many architecture is better than the one-to-one and many-to-one architectures. Thirdly, we explore the importance of contextual features that include information at varying linguistic levels, from frame level up to the utterance level. Our findings found that frame level information is the most valuable feature, as it is able to avoid discontinuities in the visual feature sequence and produces a smooth and realistic animation output. Fourthly, we found that the two most common objective measures of correlation and root mean square error are not able to indicate realism and naturalness of human perceived quality. We introduce an alternative objective measure and show that the global variance is a better indicator of human perception of quality. Finally, we propose a novel method to convert a given text input and phoneme transcription into a dynamic viseme transcription in the case when a reference dynamic viseme sequence is not available. Subjective preference tests confirmed that our proposed method is able to produce animation, that are statistically indistinguishable from animation produced using reference data

Modelling talking human faces

This thesis investigates a number of new approaches for visual speech synthesis using data-driven methods to implement a talking face. The main contributions in this thesis are the following. The accuracy of shared Gaussian process latent variable model (SGPLVM) built using the active appearance model (AAM) and relative spectral transform-perceptual linear prediction (RASTAPLP) features is improved by employing a more accurate AAM. This is the first study to report that using a more accurate AAM improves the accuracy of SGPLVM. Objective evaluation via reconstruction error is performed to compare the proposed approach against previously existing methods. In addition, it is shown experimentally that the accuracy of AAM can be improved by using a larger number of landmarks and/or larger number of samples in the training data. The second research contribution is a new method for visual speech synthesis utilising a fully Bayesian method namely the manifold relevance determination (MRD) for modelling dynamical systems through probabilistic non-linear dimensionality reduction. This is the first time MRD was used in the context of generating talking faces from the input speech signal. The expressive power of this model is in the ability to consider non-linear mappings between audio and visual features within a Bayesian approach. An efficient latent space has been learnt iii Abstract iv using a fully Bayesian latent representation relying on conditional nonlinear independence framework. In the SGPLVM the structure of the latent space cannot be automatically estimated because of using a maximum likelihood formulation. In contrast to SGPLVM the Bayesian approaches allow the automatic determination of the dimensionality of the latent spaces. The proposed method compares favourably against several other state-of-the-art methods for visual speech generation, which is shown in quantitative and qualitative evaluation on two different datasets. Finally, the possibility of incremental learning of AAM for inclusion in the proposed MRD approach for visual speech generation is investigated. The quantitative results demonstrate that using MRD in conjunction with incremental AAMs produces only slightly less accurate results than using batch methods. These results support a way of training this kind of models on computers with limited resources, for example in mobile computing. Overall, this thesis proposes several improvements to the current state-of-the-art in generating talking faces from speech signal leading to perceptually more convincing results

Discovering Dynamic Visemes

Abstract This thesis introduces a set of new, dynamic units of visual speech which are learnt using computer vision and machine learning techniques. Rather than clustering phoneme labels as is done traditionally, the visible articulators of a speaker are tracked and automatically segmented into short, visually intuitive speech gestures based on the dynamics of the articulators. The segmented gestures are clustered into dynamic visemes, such that movements relating to the same visual function appear within the same cluster. Speech animation can then be generated on any facial model by mapping a phoneme sequence to a sequence of dynamic visemes, and stitching together an example of each viseme in the sequence. Dynamic visemes model coarticulation and maintain the dynamics of the original speech, so simple blending at the concatenation boundaries ensures a smooth transition. The efficacy of dynamic visemes for computer animation is formally evaluated both objectively and subjectively, and compared with traditional phoneme to static lip-pose interpolation