83 research outputs found

    Rolling Shutter Correction in Manhattan World

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    A unified rolling shutter and motion blur model for 3d visual registration

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    International audienceMotion blur and rolling shutter deformations both inhibit visual motion registration, whether it be due to a moving sensor or a moving target. Whilst both deformations exist simultaneously, no models have been proposed to handle them together. Furthermore, neither deformation has been considered previously in the context of monocular fullimage 6 degrees of freedom registration or RGB-D structure and motion. As will be shown, rolling shutter deformation is observed when a camera moves faster than a single pixel in parallax between subsequent scan-lines. Blur is a function of the pixel exposure time and the motion vector. In this paper a complete dense 3D registration model will be derived to account for both motion blur and rolling shutter deformations simultaneously. Various approaches will be compared with respect to ground truth and live real-time performance will be demonstrated for complex scenarios where both blur and shutter deformations are dominant

    Structure and motion estimation from rolling shutter video

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    The majority of consumer quality cameras sold today have CMOS sensors with rolling shutters. In a rolling shutter camera, images are read out row by row, and thus each row is exposed during a different time interval. A rolling-shutter exposure causes geometric image distortions when either the camera or the scene is moving, and this causes state-of-the-art structure and motion algorithms to fail. We demonstrate a novel method for solving the structure and motion problem for rolling-shutter video. The method relies on exploiting the continuity of the camera motion, both between frames, and across a frame. We demonstrate the effectiveness of our method by controlled experiments on real video sequences. We show, both visually and quantitatively, that our method outperforms standard structure and motion, and is more accurate and efficient than a two-step approach, doing image rectification and structure and motion

    Sensor-based camera tracking and video stabilization

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    Increasing temporal, structural, and spectral resolution in images using exemplar-based priors

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    In the past decade, camera manufacturers have offered smaller form factors, smaller pixel sizes (leading to higher resolution images), and faster processing chips to increase the performance of consumer cameras. However, these conventional approaches have failed to capitalize on the spatio-temporal redundancy inherent in images, nor have they adequately provided a solution for finding 33D point correspondences for cameras sampling different bands of the visible spectrum. In this thesis, we pose the following question---given the repetitious nature of image patches, and appropriate camera architectures, can statistical models be used to increase temporal, structural, or spectral resolution? While many techniques have been suggested to tackle individual aspects of this question, the proposed solutions either require prohibitively expensive hardware modifications and/or require overly simplistic assumptions about the geometry of the scene. We propose a two-stage solution to facilitate image reconstruction; 1) design a linear camera system that optically encodes scene information and 2) recover full scene information using prior models learned from statistics of natural images. By leveraging the tendency of small regions to repeat throughout an image or video, we are able to learn prior models from patches pulled from exemplar images. The quality of this approach will be demonstrated for two application domains, using low-speed video cameras for high-speed video acquisition and multi-spectral fusion using an array of cameras. We also investigate a conventional approach for finding 3D correspondence that enables a generalized assorted array of cameras to operate in multiple modalities, including multi-spectral, high dynamic range, and polarization imaging of dynamic scenes
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