A graphical model based solution to the facial feature point tracking problem

In this paper a facial feature point tracker that is motivated by applications such as human-computer interfaces and facial expression analysis systems is proposed. The proposed tracker is based on a graphical model framework. The facial features are tracked through video streams by incorporating statistical relations in time as well as spatial relations between feature points. By exploiting the spatial relationships between feature points, the proposed method provides robustness in real-world conditions such as arbitrary head movements and occlusions. A Gabor feature-based occlusion detector is developed and used to handle occlusions. The performance of the proposed tracker has been evaluated on real video data under various conditions including occluded facial gestures and head movements. It is also compared to two popular methods, one based on Kalman filtering exploiting temporal relations, and the other based on active appearance models (AAM). Improvements provided by the proposed approach are demonstrated through both visual displays and quantitative analysis

A Survey on Human Activity Analysis Techniques

Human Activity Recognition(HAR) is Popular research topic in Computer vision and Image Processing area. This Paper Provide an exhaustive survey on the Entire Process of identify or Recognize Human activity. Basically, There are Four steps are involved in HAR process, which are Pre-processing, Feature extraction, Training, and Classification of different activities from video. The need of data preprocessing , and segmentation based on camera movements are presented. This paper provide detailed survey on different features for HAR, feature extraction and selection method , and Classification methods with advantages and disadvantages. Finally, A brief discussion about various classification techniques are presented

Spatial Motion Doodles: Sketching Animation in VR Using Hand Gestures and Laban Motion Analysis

International audienceWe present a method for easily drafting expressive character animation by playing with instrumented rigid objects. We parse the input 6D trajectories (position and orientation over time)-called spatial motion doodles-into sequences of actions and convert them into detailed character animations using a dataset of parameterized motion clips which are automatically fitted to the doodles in terms of global trajectory and timing. Moreover, we capture the expres-siveness of user-manipulation by analyzing Laban effort qualities in the input spatial motion doodles and transferring them to the synthetic motions we generate. We validate the ease of use of our system and the expressiveness of the resulting animations through a series of user studies, showing the interest of our approach for interactive digital storytelling applications dedicated to children and non-expert users, as well as for providing fast drafting tools for animators

Graphical model based facial feature point tracking in a vehicle environment

Facial feature point tracking is a research area that can be used in human-computer interaction (HCI), facial expression analysis, fatigue detection, etc. In this paper, a statistical method for facial feature point tracking is proposed. Feature point tracking is a challenging topic in case of uncertain data because of noise and/or occlusions. With this motivation, a graphical model that incorporates not only temporal information about feature point movements, but also information about the spatial relationships between such points is built. Based on this model, an algorithm that achieves feature point tracking through a video observation sequence is implemented. The proposed method is applied on 2D gray scale real video sequences taken in a vehicle environment and the superiority of this approach over existing techniques is demonstrated

3D 손 포즈 인식을 위한 인조 데이터의 이용

학위논문(박사) -- 서울대학교대학원 : 융합과학기술대학원 융합과학부(지능형융합시스템전공), 2021.8. 양한열.3D hand pose estimation (HPE) based on RGB images has been studied for a long time. Relevant methods have focused mainly on optimization of neural framework for graphically connected finger joints. Training RGB-based HPE models has not been easy to train because of the scarcity on RGB hand pose datasets; unlike human body pose datasets, the finger joints that span hand postures are structured delicately and exquisitely. Such structure makes accurately annotating each joint with unique 3D world coordinates difficult, which is why many conventional methods rely on synthetic data samples to cover large variations of hand postures. Synthetic dataset consists of very precise annotations of ground truths, and further allows control over the variety of data samples, yielding a learning model to be trained with a large pose space. Most of the studies, however, have performed frame-by-frame estimation based on independent static images. Synthetic visual data can provide practically infinite diversity and rich labels, while avoiding ethical issues with privacy and bias. However, for many tasks, current models trained on synthetic data generalize poorly to real data. The task of 3D human hand pose estimation is a particularly interesting example of this synthetic-to-real problem, because learning-based approaches perform reasonably well given real training data, yet labeled 3D poses are extremely difficult to obtain in the wild, limiting scalability. In this dissertation, we attempt to not only consider the appearance of a hand but incorporate the temporal movement information of a hand in motion into the learning framework for better 3D hand pose estimation performance, which leads to the necessity of a large scale dataset with sequential RGB hand images. We propose a novel method that generates a synthetic dataset that mimics natural human hand movements by re-engineering annotations of an extant static hand pose dataset into pose-flows. With the generated dataset, we train a newly proposed recurrent framework, exploiting visuo-temporal features from sequential images of synthetic hands in motion and emphasizing temporal smoothness of estimations with a temporal consistency constraint. Our novel training strategy of detaching the recurrent layer of the framework during domain finetuning from synthetic to real allows preservation of the visuo-temporal features learned from sequential synthetic hand images. Hand poses that are sequentially estimated consequently produce natural and smooth hand movements which lead to more robust estimations. We show that utilizing temporal information for 3D hand pose estimation significantly enhances general pose estimations by outperforming state-of-the-art methods in experiments on hand pose estimation benchmarks. Since a fixed set of dataset provides a finite distribution of data samples, the generalization of a learning pose estimation network is limited in terms of pose, RGB and viewpoint spaces. We further propose to augment the data automatically such that the augmented pose sampling is performed in favor of training pose estimators generalization performance. Such auto-augmentation of poses is performed within a learning feature space in order to avoid computational burden of generating synthetic sample for every iteration of updates. The proposed effort can be considered as generating and utilizing synthetic samples for network training in the feature space. This allows training efficiency by requiring less number of real data samples, enhanced generalization power over multiple dataset domains and estimation performance caused by efficient augmentation.2D 이미지에서 사람의 손 모양과 포즈를 인식하고 구현흐는 연구는 각 손가락 조인트들의 3D 위치를 검출하는 것을 목표로한다. 손 포즈는 손가락 조인트들로 구성되어 있고 손목 관절부터 MCP, PIP, DIP 조인트들로 사람 손을 구성하는 신체적 요소들을 의미한다. 손 포즈 정보는 다양한 분야에서 활용될수 있고 손 제스쳐 감지 연구 분야에서 손 포즈 정보가 매우 훌륭한 입력 특징 값으로 사용된다. 사람의 손 포즈 검출 연구를 실제 시스템에 적용하기 위해서는 높은 정확도, 실시간성, 다양한 기기에 사용 가능하도록 가벼운 모델이 필요하고, 이것을 가능케 하기 위해서 학습한 인공신경망 모델을 학습하는데에는 많은 데이터가 필요로 한다. 하지만 사람 손 포즈를 측정하는 기계들이 꽤 불안정하고, 이 기계들을 장착하고 있는 이미지는 사람 손 피부 색과는 많이 달라 학습에 사용하기가 적절하지 않다. 그러기 때문에 본 논문에서는 이러한 문제를 해결하기 위해 인공적으로 만들어낸 데이터를 재가공 및 증량하여 학습에 사용하고, 그것을 통해 더 좋은 학습성과를 이루려고 한다. 인공적으로 만들어낸 사람 손 이미지 데이터들은 실제 사람 손 피부색과는 비슷할지언정 디테일한 텍스쳐가 많이 달라, 실제로 인공 데이터를 학습한 모델은 실제 손 데이터에서 성능이 현저히 많이 떨어진다. 이 두 데이타의 도메인을 줄이기 위해서 첫번째로는 사람손의 구조를 먼저 학습 시키기위해, 손 모션을 재가공하여 그 움직임 구조를 학스한 시간적 정보를 뺀 나머지만 실제 손 이미지 데이터에 학습하였고 크게 효과를 내었다. 이때 실제 사람 손모션을 모방하는 방법론을 제시하였다. 두번째로는 두 도메인이 다른 데이터를 네트워크 피쳐 공간에서 align시켰다. 그뿐만아니라 인공 포즈를 특정 데이터들로 augment하지 않고 네트워크가 많이 보지 못한 포즈가 만들어지도록 하나의 확률 모델로서 설정하여 그것에서 샘플링하는 구조를 제안하였다. 본 논문에서는 인공 데이터를 더 효과적으로 사용하여 annotation이 어려운 실제 데이터를 더 모으는 수고스러움 없이 인공 데이터들을 더 효과적으로 만들어 내는 것 뿐만 아니라, 더 안전하고 지역적 특징과 시간적 특징을 활용해서 포즈의 성능을 개선하는 방법들을 제안했다. 또한, 네트워크가 스스로 필요한 데이터를 찾아서 학습할수 있는 자동 데이터 증량 방법론도 함께 제안하였다. 이렇게 제안된 방법을 결합해서 더 나은 손 포즈의 성능을 향상 할 수 있다.1. Introduction 1 2. Related Works 14 3. Preliminaries: 3D Hand Mesh Model 27 4. SeqHAND: RGB-sequence-based 3D Hand Pose and Shape Estimation 31 5. Hand Pose Auto-Augment 66 6. Conclusion 85 Abstract (Korea) 101 감사의 글 103박

Deep Architectures for Visual Recognition and Description

In recent times, digital media contents are inherently of multimedia type, consisting of the form text, audio, image and video. Several of the outstanding computer Vision (CV) problems are being successfully solved with the help of modern Machine Learning (ML) techniques. Plenty of research work has already been carried out in the field of Automatic Image Annotation (AIA), Image Captioning and Video Tagging. Video Captioning, i.e., automatic description generation from digital video, however, is a different and complex problem altogether. This study compares various existing video captioning approaches available today and attempts their classification and analysis based on different parameters, viz., type of captioning methods (generation/retrieval), type of learning models employed, the desired output description length generated, etc. This dissertation also attempts to critically analyze the existing benchmark datasets used in various video captioning models and the evaluation metrics for assessing the final quality of the resultant video descriptions generated. A detailed study of important existing models, highlighting their comparative advantages as well as disadvantages are also included. In this study a novel approach for video captioning on the Microsoft Video Description (MSVD) dataset and Microsoft Video-to-Text (MSR-VTT) dataset is proposed using supervised learning techniques to train a deep combinational framework, for achieving better quality video captioning via predicting semantic tags. We develop simple shallow CNN (2D and 3D) as feature extractors, Deep Neural Networks (DNNs and Bidirectional LSTMs (BiLSTMs) as tag prediction models and Recurrent Neural Networks (RNNs) (LSTM) model as the language model. The aim of the work was to provide an alternative narrative to generating captions from videos via semantic tag predictions and deploy simpler shallower deep model architectures with lower memory requirements as solution so that it is not very memory extensive and the developed models prove to be stable and viable options when the scale of the data is increased. This study also successfully employed deep architectures like the Convolutional Neural Network (CNN) for speeding up automation process of hand gesture recognition and classification of the sign languages of the Indian classical dance form, ‘Bharatnatyam’. This hand gesture classification is primarily aimed at 1) building a novel dataset of 2D single hand gestures belonging to 27 classes that were collected from (i) Google search engine (Google images), (ii) YouTube videos (dynamic and with background considered) and (iii) professional artists under staged environment constraints (plain backgrounds). 2) exploring the effectiveness of CNNs for identifying and classifying the single hand gestures by optimizing the hyperparameters, and 3) evaluating the impacts of transfer learning and double transfer learning, which is a novel concept explored for achieving higher classification accuracy

CYCLIC GESTURES AND MULTIMODAL SYMBOLIC ASSEMBLIES: AN ARGUMENT FOR SYMBOLIC COMPLEXITY IN GESTURE

In this dissertation, I seek to better understand the nature of the relationship between meanings expressed in gesture and those expressed in speech. This research focuses on the use of cyclic gestures in English. Cyclic gestures are manual co-speech gestures that are characterized by a circular movement of the hand or arm. Despite cyclic gestures being commonplace in many types of spoken discourse, no previous studies to date have specifically explored the functions these gestures serve in English. Broadly, this dissertation addresses two questions: (1) What functions do cyclic gestures serve in interaction in English, and (2) how are cyclic gestures integrated with other meaningful units in multimodal expressions? Using data collected from television talk shows, I examine the functional-semantic properties of spoken language expressions that accompany cyclic gestures and identify properties of meaning that repeatedly align with the expression of the gestures. I also explore relationships between fine-grained formal properties of cyclic gestural expressions and functional-semantic properties of the co-expressed speech. The results of the study find a number of significant relationships between gesture forms and spoken language meanings. For example, when cyclic gestures were expressed with spoken constructions serving an evaluative function, they were significantly associated with bimanual asynchronous rotations and finger spreading (p \u3c .001) with a moderately strong effect size (φc = 0.26). Drawing on the patterns identified in the analysis of the data, I analyze cyclic gestures as component symbolic structures that profile schematic processes. I argue that formal properties that accompany cyclic movement gestures (e.g., handshapes and locations of the hands in space) have the potential to be meaningful. Data from English suggest that cyclic gestures can integrate simultaneously with other symbolic structures in gesture to form complex gestural expressions (i.e., symbolic assemblies). Extending theoretical tools from the framework of Cognitive Grammar (Langacker, 1987, 1991), I explore how the schematic meaning of cyclic gestures is instantiated in specific complex gestural expressions and how those gestural constructions interact with symbolic structures in speech. This work challenges traditional assumptions about the nature of gesture meaning, which treats gestures as simplex, holistic structures. Instead, the findings of this research suggest that gestures are best analyzed as constructions

Learning object behaviour models

The human visual system is capable of interpreting a remarkable variety of often subtle, learnt, characteristic behaviours. For instance we can determine the gender of a distant walking figure from their gait, interpret a facial expression as that of surprise, or identify suspicious behaviour in the movements of an individual within a car-park. Machine vision systems wishing to exploit such behavioural knowledge have been limited by the inaccuracies inherent in hand-crafted models and the absence of a unified framework for the perception of powerful behaviour models. The research described in this thesis attempts to address these limitations, using a statistical modelling approach to provide a framework in which detailed behavioural knowledge is acquired from the observation of long image sequences. The core of the behaviour modelling framework is an optimised sample-set representation of the probability density in a behaviour space defined by a novel temporal pattern formation strategy. This representation of behaviour is both concise and accurate and facilitates the recognition of actions or events and the assessment of behaviour typicality. The inclusion of generative capabilities is achieved via the addition of a learnt stochastic process model, thus facilitating the generation of predictions and realistic sample behaviours. Experimental results demonstrate the acquisition of behaviour models and suggest a variety of possible applications, including automated visual surveillance, object tracking, gesture recognition, and the generation of realistic object behaviours within animations, virtual worlds, and computer generated film sequences. The utility of the behaviour modelling framework is further extended through the modelling of object interaction. Two separate approaches are presented, and a technique is developed which, using learnt models of joint behaviour together with a stochastic tracking algorithm, can be used to equip a virtual object with the ability to interact in a natural way. Experimental results demonstrate the simulation of a plausible virtual partner during interaction between a user and the machine

Appearance-based motion recognition of human actions

Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1996.Includes bibliographical references (leaves 52-53).by James William Davis.M.S