Visual Recognition and Synthesis of Human-Object Interactions

The ability to perceive and understand people's actions enables humans to efficiently communicate and collaborate in society. Endowing machines with such ability is an important step for building assistive and socially-aware robots. Despite such significance, the problem poses a great challenge and the current state of the art is still nowhere close to human-level performance. This dissertation drives progress on visual action understanding in the scope of human-object interactions (HOI), a major branch of human actions that dominates our everyday life. Specifically, we address the challenges of two important tasks: visual recognition and visual synthesis. The first part of this dissertation considers the recognition task. The main bottleneck of current research is a lack of proper benchmark, since existing action datasets contain only a small number of categories with limited diversity. To this end, we set out to construct a large-scale benchmark for HOI recognition. We first tackle the problem of establishing the vocabulary for human-object interactions, by investigating a variety of automatic approaches as well as a crowdsourcing approach that collects human labeled categories. Given the vocabulary, we then construct a large-scale image dataset of human-object interactions by annotating web images through online crowdsourcing. The new "HICO" dataset surpasses prior datasets in term of both the number of images and action categories by one order of magnitude. The introduction of HICO enables us to benchmark state-of-the-art recognition approaches and also shed light on new challenges in the realm of large-scale HOI recognition. We further discover that visual features of humans, objects, as well as their spatial relations play a central role in the representation of interaction, and the combination of three can improve the recognition outcome. The second part of this dissertation considers the synthesis task, and focuses particularly on the synthesis of body motion. The central goal is: given an image of a scene, synthesize the course of an action conditioned on the observed scene. Such capability can predict possible actions afforded by the scene, and will facilitate efficient reactions in human-robot interactions. We investigate two types of synthesis tasks: semantic-driven synthesis and goal-driven synthesis. For semantic-driven synthesis, we study the forecasting of human dynamics from a static image. We propose a novel deep neural network architecture that extracts semantic information from the image and use it to predict future body movement. For goal-directed synthesis, we study the synthesis of motion defined by human-object interactions. We focus on one particular class of interactions—a person sitting onto a chair. To ensure realistic motion from physical interactions, we leverage a physics simulated environment that contains a humanoid and chair model. We propose a novel reinforcement learning framework, and show that the synthesized motion can generalize to different initial human-chair configurations. At the end of this dissertation, we also contribute a new approach to temporal action localization, an essential task in video action understanding. We address the shortcomings of prior Faster R-CNN based approaches, and show state-of-the-art performance on standard benchmarks.PHDComputer Science & EngineeringUniversity of Michigan, Horace H. Rackham School of Graduate Studieshttps://deepblue.lib.umich.edu/bitstream/2027.42/150045/1/ywchao_1.pd

Video Synthesis from the StyleGAN Latent Space

Generative models have shown impressive results in generating synthetic images. However, video synthesis is still difficult to achieve, even for these generative models. The best videos that generative models can currently create are a few seconds long, distorted, and low resolution. For this project, I propose and implement a model to synthesize videos at 1024x1024x32 resolution that include human facial expressions by using static images generated from a Generative Adversarial Network trained on the human facial images. To the best of my knowledge, this is the first work that generates realistic videos that are larger than 256x256 resolution from single starting images. This model improves the video synthesis in both quantitative and qualitative ways compared to two state-of-the-art models: TGAN and MocoGAN. In a quantitative comparison, this project reaches a best Average Content Distance (ACD) score of 0.167, as compared to 0.305 and 0.201 of TGAN and MocoGAN, respectively

Visually Indicated Sounds

Objects make distinctive sounds when they are hit or scratched. These sounds reveal aspects of an object's material properties, as well as the actions that produced them. In this paper, we propose the task of predicting what sound an object makes when struck as a way of studying physical interactions within a visual scene. We present an algorithm that synthesizes sound from silent videos of people hitting and scratching objects with a drumstick. This algorithm uses a recurrent neural network to predict sound features from videos and then produces a waveform from these features with an example-based synthesis procedure. We show that the sounds predicted by our model are realistic enough to fool participants in a "real or fake" psychophysical experiment, and that they convey significant information about material properties and physical interactions