1,474 research outputs found

    Colour coded

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    This 300 word publication to be published by the Society of Dyers and Colourists (SDC) is a collection of the best papers from a 4-year European project that has considered colour from the perspective of both the arts and sciences.The notion of art and science and the crossovers between the two resulted in application and funding for cross disciplinary research to host a series of training events between 2006 and 2010 Marie Curie Conferences & Training Courses (SCF) Call Identifier: FP6-Mobility-4, Euros 532,363.80 CREATE – Colour Research for European Advanced Technology Employment. The research crossovers between the fields of art, science and technology was also a subject that was initiated through Bristol’s Festival if Ideas events in May 2009. The author coordinated and chaired an event during which the C.P Snow lecture “On Two Cultures’ (1959) was re-presented by Actor Simon Cook and then a lecture made by Raymond Tallis on the notion of the Polymath. The CREATE project has a worldwide impact for researchers, academics and scientists. Between January and October 2009, the site has received 221, 414 visits. The most popular route into the site is via the welcome page. The main groups of visitors originate in the UK (including Northern Ireland), Italy, France, Finland, Norway, Hungary, USA, Finland and Spain. A basic percentage breakdown of the traffic over ten months indicates: USA -15%; UK - 16%; Italy - 13%; France -12%; Hungary - 10%; Spain - 6%; Finland - 9%; Norway - 5%. The remaining approximate 14% of visitors are from other countries including Belgium, The Netherlands and Germany (approx 3%). A discussion group has been initiated by the author as part of the CREATE project to facilitate an ongoing dialogue between artists and scientists. http://createcolour.ning.com/group/artandscience www.create.uwe.ac.uk.Related papers to this research: A report on the CREATE Italian event: Colour in cultural heritage.C. Parraman, A. Rizzi, ‘Developing the CREATE network in Europe’, in Colour in Art, Design and Nature, Edinburgh, 24 October 2008.C. Parraman, “Mixing and describing colour”. CREATE (Training event 1), France, 2008

    Data visualizing popular science fiction movies with use of circular hierarchical edge bundling

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    In this article, a specific type of data visualization method called Circular Hierarchical Edge Bundling has been utilized to investigate a subjective discussion on determining the most commonly observed themes in the popular Sci-Fi Movies. To reflect people’s opinions on the subject, a website (www.dystopia-utopia.com) has been designed to invite larger communities to participate in with filling an online form to deliver their judgments. Data Visualization methods and the research results are elaborated in further details

    Interaction and integration of visual and noise impacts of motorways

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    This study aimed to achieve a better understanding of the visual and noise impacts of motorways and their integrated impact on the environmental quality via an aural-visual interaction approach, to contribute to more reliable and efficient assessments of the impacts. The study was based on perceptual experiments involving human participants using computer-visualised scenes and edited audio recordings as experimental stimuli. Factors related to road project characteristics and existing landscape characters that potentially influence the perceived visual impact of motorways were first investigated on without considering the impact from moving traffic. An online preference survey was conducted for this part of study. The results showed substantial visual impact from motorways especially in more natural landscapes and significant increase in the impact by opaque noise barriers. Map-based predictors were identified and a regression model was developed to predict and map the perceived visual impact in GIS. The second part of the study investigated the effects of traffic condition, distance to road and background landscape on the perceived visual impact of motorway traffic, and the contribution of traffic noise to the perceived visual impact. A laboratory experiment was carried out where experimental scenarios were presented to participants both with and without sound. The results showed significant visual impact from motorway traffic which was higher in the natural landscape than in the residential counterpart, increased by traffic volume and decreased by distance. Noise increased the perceived visual impact by a largely constant level despite changes in noise level and other factors. With findings on visual impact from above studies and knowledge on noise impact from current literature, the third part of this study, with a second laboratory experiment, investigated on the perceived integrated impact of visual intrusion and noise of motorways, and explored the predictability of the impact by noise exposure indices. The results showed that traffic volume expressed by noise emission level was the most influential factor, followed by distance and background landscape. A regression model using noise level at receiver position and type of background landscape as predictors was developed, explaining about a quarter of the variation in the perceived impact. Concerning the acoustical and visual effects of noise barriers found on perceived environmental quality, the fourth part of the study focused on mitigation of the integrated visual and noise impact by noise barrier. A third laboratory experiment was conducted and the results showed that noise barriers always had either beneficial or insignificant effect in mitigating integrated impact, and the effect was largely similar to that of tree belt. Generally, barriers varying in size and transparency did not differ much in their performance, but there seems to be some difference by barrier size at different distances. Lastly, using the above findings of this study, impact mappings as possible prototype of more advanced tools to assist visual and noise impact assessment were demonstrated

    Industrial Design

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    A new breed of modern designers is on the way. These non-traditional industrial designers work across disciplines, understand human beings, as well as business and technology thus bridging the gap between customer needs and technological advancement of tomorrow. This book uncovers prospective designer techniques and methods of a new age of industrial design, whose practitioners strive to construct simple and yet complex products of the future. The novel frontiers of a new era of industrial design are exposed, in what concerns the design process, in illustrating the use of new technologies in design and in terms of the advancement of culturally inspired design. The diverse perspectives taken by the authors of this book ensure stimulating reading and will assist readers in leaping forward in their own practice of industrial design, and in preparing new research that is relevant and aligned with the current challenges of this fascinating field

    Architecture's Model Environments

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    Seen through the distilling lens of the architectural model, Architecture’s Model Environments is a novel and far-reaching exploration of the many dialogues buildings have with their environmental surroundings. Expanding on histories of building technology, the book sheds new light on how physical models conventionally understood as engineering experimentation devices enable architectural design speculation. The book begins with a catalogue of ten original model prototypes – of wind tunnels, water tables and filling boxes – and is the first of its kind to establish an architectural approach to fabricating such environmental models. Subsequent chapters feature three precedent models that have been largely overlooked within the wider oeuvres of their authors: French polymath Étienne-Jules Marey’s 1900-2 wind tunnels, Hungarian-American architects Victor and Aladár Olgyay’s 1955-63 thermoheliodon, and Scottish chemist and building ventilation expert David Boswell ‘The Ventilator’ Reid’s 1844 test tube convection experiments. Moving between historic moments and the present day, between case studies and original prototypes, the book reveals the potent ability for models, as both physical artefacts and mental ideals, to reflect prevailing cultural views about the world and to even reshape those views. Fundamentally, Architecture’s Model Environments illustrates how environmental models reveal design insights across scales from the seam (that leaks) to the body (that feels) to the building (that mediates) to the world (that immerses)

    Revision of the EU Green Public Procurement Criteria for Street Lighting and Traffic Signals - Preliminary Report

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    Lighting is used on more than 1.6 million km of roads in EU28 countries, accounting for some 35 TWh of electricity consumption (1.3% of total electricity consumption) and costing public authorities almost €4000 million each year. A broad review of relevant technical, policy, academic and legislative literature has been conducted. This report examines the current market situation and the potential for reducing environmental impacts and electricity costs by assessing the recent developments in road lighting technology, particularly LEDs. Particularly important areas identified relate to energy efficiency, light pollution, product durability and, specifically for longer lasting and rapidly evolving new LED technologies, reparability and upgradeability. The information in this report shall serve as a basis for discussion with stakeholders about the further development and revision of EU GPP criteria for street lighting and traffic signals.JRC.B.5-Circular Economy and Industrial Leadershi

    Digital Image Access & Retrieval

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    The 33th Annual Clinic on Library Applications of Data Processing, held at the University of Illinois at Urbana-Champaign in March of 1996, addressed the theme of "Digital Image Access & Retrieval." The papers from this conference cover a wide range of topics concerning digital imaging technology for visual resource collections. Papers covered three general areas: (1) systems, planning, and implementation; (2) automatic and semi-automatic indexing; and (3) preservation with the bulk of the conference focusing on indexing and retrieval.published or submitted for publicatio

    Architecture handbook

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    2003 handbook for the faculty of Architectur
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