Why do creative industries cluster? An analysis of the determinants of clustering of creative industries

Creative industries tend to concentrate mainly around large- and medium-sized cities, forming creative local production systems. The text analyses the forces behind clustering of creative industries to provide the first empirical explanation of the determinants of creative employment clustering following a multidisciplinary approach based on cultural and creative economics, evolutionary geography and urban economics. A comparative analysis has been performed for Italy and Spain. The results show different patterns of creative employment clustering in both countries. The small role of historical and cultural endowments, the size of the place, the average size of creative industries, the productive diversity and the concentration of human capital and creative class have been found as common factors of clustering in both countries.creative industries, creative local production systems, creative clusters, agglomeration economies

Do creative industries cluster? Mapping Creative Local Production Systems in Italy

An important debate on the role of creativity and culture as factors of local economic development is distinctly emerging. Despite the emphasis put on the theoretical definition of these concepts, it is necessary to strengthen comparative research for the identification and analysis of the kind of creativity embedded in the territory as well as its determinants. Creative local production systems are identified in Italy and Spain departing from local labour markets as territorial units, and focusing on two different kinds of creative industries: traditional cultural industries (publishing, music, architecture and engineering, performing arts) and technology-related creative industries (R&D, ICT, advertising). The results suggest the existence of different patterns of concentration of creative industries in both countries and the concentration of creative industries in thecreative industries, creative local systems, agglomeration economies

Why do creative industries cluster? An analysis of the determinants of clustering of creative industries

Creative industries tend to concentrate mainly around large- and medium-sized cities, forming creative local production systems. The text analyses the forces behind clustering of creative industries to provide the first empirical explanation of the determinants of creative employment clustering following a multidisciplinary approach based on cultural and creative economics, evolutionary geography and urban economics. A comparative analysis has been performed for Italy and Spain. The results show different patterns of creative employment clustering in both countries. The small role of historical and cultural endowments, the size of the place, the average size of creative industries, the productive diversity and the concentration of human capital and creative class have been found as common factors of clustering in both countries

Urban fashion policies: lessons from the Barcelona catwalks

Since at least a decade, Barcelona is on the world map of fashion: Antonio Mirò, Mango, Desigual, Agatha Ruiz de la Prada are famous Barcelona-based stylists teaming up with other large Spanish fashion firms, like Zara, and commercial outlets, like El Corte Ingles, to attract a large interest on local fashion and fashion-based events. Thus, Barcelona has become a straightforward “shopping destination” for millions of international visitors, developing a shopping-related image, various specialised “fashion clusters” for different market targets, and a number of fashion-related events attracting both professionals and a dedicated general audience, like the 080 Barcelona and Bread & Butter. Barcelona’s liberal and leisure-related image can be easily associated with fashion, so if the national capital Madrid retains its role of business capital of the country even in relation to fashion, Barcelona could be considered the emergent “catwalk” of the Mediterranean, challenging other fashion capitals of Europe like Milan and Paris. The article analyses the urban strategy to foster the fashion industry in Barcelona through a redefinition of the “soft” factors establishing the substance of a fashion capital: image, place qualities, events, connectedness and social embeddedness. Tourism, unsurprisingly, is an important component of such strategy. The growth of Barcelona to the stardom of international leisure and cultural tourism is mostly about the “liminal” nature and the symbolically-charged activities of visitors that can be easily extended to fashion and fashion buying behaviour. Through a number of interviews and the analysis of strategy documents and reports, the authors unravel this relationship and assess the effectiveness of this strategy face to other factors playing against a more enduring rooting of fashion industries in the city, like the volatility of the sector, the insufficient international connectedness of the city and its business orientation, and the reorientation of the tourist supply towards low-cost visitors segments.

Applied arts and design in museums: USA and Milan experience

The Design represents an innovative work of art. Chairs, spoons, teapots could be an example of designed arts. Creativity and daily utility, they both “evolve in” arts. Design Museums are often collections of famous designers, stylists and firms. The supply chain of brands could find an exhibition in “Museum Rooms”. Design Museums develop own fundraising techniques. Through networks and partnerships with Industrial Museums and Fairs, they focus on targets like entrepreneurs, institutions and research centres. Merchandising could also turn out to be an opportunity in order to raise funds. The range of merchandising could really be multiple and attractive for visitors, usually engaged – in “ordinary” museums - in the choice of t-shirts or calendars. The aim of the paper is the investigation of strategies of Design Museums. How do they transform industrial concepts in museum concepts and attract resources? The analysis will be focused on USA Museums whose collections give evidence of applied arts and design.. The recently born Milan Design Museum will be illustrated as regards the collection, partnerships, networks and fundraising priorities. The Association Museimpresa as a promoter of Italian industrial collections will be presented in the ending part.applied arts; design; museum; management; fundraising

Does related variety matter for creative employment growth?

Little progress has been made in the mitigation of the controversies surrounding creativity and its role for local economic development (FLORIDA, 2002; PECK, 2005). Moreover, creative industries seem to have been denied, so far, a prominent role in the intense debate about the impact of localization or urbanization economies on innovation and growth. Taking departure in the void between these two streams of literature, I deploy the concept of «related variety», as formulated by BOSCHMA (2005) and FRENKEN, VAN OORT and VERBURG (2007), to verify if well-diversified and interdependent creative industries determine more pronounced local creative employment growth. A pooled OLS panel model has been estimated for 73 Italian provinces (2008-2010), using the total amount of creative workers as dependent variable and the variety indexes as main regressors. The results are mostly consistent with the main hypothesis: related variety, in terms of complementarity between sectors, has a positive and significant effect on provincial creative employment growth

Everything you Always Wanted to Know About Inventors (But Never Asked): Evidence from the PatVal-EU Survey

Based on a survey of the inventors of 9,017 European patented inventions, this paper provides new information about the characteristics of European inventors, the sources of their knowledge, the importance of formal and informal collaborations, the motivations to invent, and the actual use and economic value of the patents

Knowledge Spillover Agents and Regional Development

It is widely recognised that knowledge and highly skilled individuals as "carriers" of knowledge (i.e. knowledge spillover agents) play a key role in impelling the development and growth of cities and regions. In this paper we discuss the relation between the mobility of talent and knowledge flows. In this context, several issues are examined, including the role of highly skilled labour for regional development, the features that characterise knowledge spillovers through labour mobility, the key factors for attracting and retaining talent as well as the rise of "brain gain" policies. Although the paper deals with highly skilled mobility and migration in general, a particular attention will be paid to flows of (star) scientists.Series: SRE - Discussion Paper

The location of creative clusters in non-metropolitan areas: A methodological proposition

This article studies creative clusters outside metropolitan areas in Spain. Both the notion of cluster and that of creative activity tend to be associated by mainstream research with urban settings; thus, situating them in an non metropolitan or rural localities has required us to adapt the usual methodology to the scale and idiosyncrasies of a rural setting. Based on this new focus, we have been able to identify 761 municipalities that could host creative clusters within an initial area of study of 7367 non-metropolitan municipalities with fewer than 50,000 inhabitants. This methodology also has allowed us to measure intensity, internal composition, and localization, so that those of a more mature or advanced character, having a greater level of specialization and diversity, predominate in places close to metropolitan areas and the Mediterranean axis, whereas in the inner Spain, they are found in a lower proportion and in a more scattered and discontinuous manner. Activities belonging to the Functional Creations sector prevail over those from Communication and Patrimony in the configuration of the clusters, although there are differences in relative specialization according to their mature or advanced level. In addition, some of the most significant indicators of rural dynamism e population growth, human capital, unemployment, and economic activity e show much better behaviour in municipalities with creative clusters