Quantum Structure in Cognition, Origins, Developments, Successes and Expectations

We provide an overview of the results we have attained in the last decade on the identification of quantum structures in cognition and, more specifically, in the formalization and representation of natural concepts. We firstly discuss the quantum foundational reasons that led us to investigate the mechanisms of formation and combination of concepts in human reasoning, starting from the empirically observed deviations from classical logical and probabilistic structures. We then develop our quantum-theoretic perspective in Fock space which allows successful modeling of various sets of cognitive experiments collected by different scientists, including ourselves. In addition, we formulate a unified explanatory hypothesis for the presence of quantum structures in cognitive processes, and discuss our recent discovery of further quantum aspects in concept combinations, namely, 'entanglement' and 'indistinguishability'. We finally illustrate perspectives for future research.Comment: 25 pages. arXiv admin note: text overlap with arXiv:1412.870

Analytic philosophy for biomedical research: the imperative of applying yesterday's timeless messages to today's impasses

The mantra that "the best way to predict the future is to invent it" (attributed to the computer scientist Alan Kay) exemplifies some of the expectations from the technical and innovative sides of biomedical research at present. However, for technical advancements to make real impacts both on patient health and genuine scientific understanding, quite a number of lingering challenges facing the entire spectrum from protein biology all the way to randomized controlled trials should start to be overcome. The proposal in this chapter is that philosophy is essential in this process. By reviewing select examples from the history of science and philosophy, disciplines which were indistinguishable until the mid-nineteenth century, I argue that progress toward the many impasses in biomedicine can be achieved by emphasizing theoretical work (in the true sense of the word 'theory') as a vital foundation for experimental biology. Furthermore, a philosophical biology program that could provide a framework for theoretical investigations is outlined

Discourse Analysis: varieties and methods

This paper presents and analyses six key approaches to discourse analysis, including political discourse theory, rhetorical political analysis, the discourse historical approach in critical discourse analysis, interpretive policy analysis, discursive psychology and Q methodology. It highlights differences and similarities between the approaches along three distinctive dimensions, namely, ontology, focus and purpose. Our analysis reveals the difficulty of arriving at a fundamental matrix of dimensions which would satisfactorily allow one to organize all approaches in a coherent theoretical framework. However, it does not preclude various theoretical articulations between the different approaches, provided one takes a problem-driven approach to social science as one?s starting-point

The Discipline of Happiness

A deeply personal Journey, “The Discipline of Happiness” blends fundamental philosophy with the power of visual art. In a 42‐year quest for purpose certain theories have been tried, championed, discredited, and discarded. The distillation of these ideas into my current theory provides, more saliently than the theory itself, a venue for discussion of the creative process. My creativity often manifests itself in visual terms. Through the medium of an extended artist statement I reflect on the virtues of thinking in both a linguistic and spatial manner. Orchestrating the dual modes of inquiry, semantic and visual, into a single narrative highlights the evolution of my ideas about happiness. This journey is aided by a description of the associated artwork following each exposition. The effort clarifies my concepts for critical evaluation while establishing a framework for future innovation. By applying prose and picture to my thought pattern, discovery of the undercurrents of my creative wanderings bubble to the surface. If I understand my process, then better pedagogy may follow. Focus on one set of theories, the discipline of happiness, reduces the chaos of the possible into more quantifiable units of inspiration. Compressed in these theories the meaning of life and the apparatus for learning support, but do not dominate the discussion. Personal history provides context for the generation of creative definitions as well as the Achilles heel undermining the conclusions. Ultimately, I provide no answers; I debunk my own theory, hoping only that the discussion of the process of creativity remains compelling