Livrable D1.2 of the PERSEE project : Perceptual-Modelling-Definition-of-the-Models

Livrable D1.2 du projet ANR PERSEECe rapport a été réalisé dans le cadre du projet ANR PERSEE (n° ANR-09-BLAN-0170). Exactement il correspond au livrable D1.2 du projet. Son titre : Perceptual-Modelling-Definition-of-the-Model

Livrable D1.2 of the PERSEE project : Perceptual-Modelling-Definition-of-the-Models

Livrable D1.2 du projet ANR PERSEECe rapport a été réalisé dans le cadre du projet ANR PERSEE (n° ANR-09-BLAN-0170). Exactement il correspond au livrable D1.2 du projet. Son titre : Perceptual-Modelling-Definition-of-the-Model

Visual discomfort and depth-of-field

Visual discomfort has been reported for certain visual stimuli and under particular viewing conditions, such as stereoscopic viewing. In stereoscopic viewing, visual discomfort can be caused by a conflict between accommodation and convergence cues that may specify different distances in depth. Earlier research has shown that depth-of-field, which is the distance range in depth in the scene that is perceived to be sharp, influences both the perception of egocentric distance to the focal plane, and the distance range in depth between objects in the scene. Because depth-of-field may also be in conflict with convergence and the accommodative state of the eyes, we raised the question of whether depth-of-field affects discomfort when viewing stereoscopic photographs. The first experiment assessed whether discomfort increases when depth-of-field is in conflict with coherent accommodation-convergence cues to distance in depth. The second experiment assessed whether depth-of-field influences discomfort from a pre-existing accommodation-convergence conflict. Results showed no effect of depth-of-field on visual discomfort. These results suggest therefore that depth-of-field can be used as a cue to depth without inducing discomfort in the viewer, even when cue conflicts are large. © 2013 L O'Hare, T Zhang, H T Nefs, P B Hibbard

Apparent sharpness of 3D video when one eye's view is more blurry.

When the images presented to each eye differ in sharpness, the fused percept remains relatively sharp. Here, we measure this effect by showing stereoscopic videos that have been blurred for one eye, or both eyes, and psychophysically determining when they appear equally sharp. For a range of blur magnitudes, the fused percept always appeared significantly sharper than the blurrier view. From these data, we investigate to what extent discarding high spatial frequencies from just one eye's view reduces the bandwidth necessary to transmit perceptually sharp 3D content. We conclude that relatively high-resolution video transmission has the most potential benefit from this method

Study of depth bias of observers in free viewing of still stereoscopic synthetic stimuli

Observers’ fixations exhibit a marked bias towards certain areas on the screen when viewing scenes on computer monitors. For instance, there exists a well-known “center-bias” which means that fixations are biased towards the center of the screen during the viewing of 2D still images. In the viewing of 3D content, stereoscopic displays enhance depth perception by the mean of binocular parallax. This additional depth cue has a great influence on guiding eye movements. Relatively little is known about the impact of binocular parallax on visual attention of the 3D content displayed on stereoscopic screen. Several studies mentioned that people tend to look preferably at the objects located at certain positions in depth. But studies proving or quantifying this depth-bias are still limited. In this paper, we conducted a binocular eye-tracking experiment by showing synthetic stimuli on a stereoscopic display. Observers were required to do a free-viewing task through passive polarized glasses. Gaze positions of both eyes were recorded and the depth of eyes’ fixation was determined. The stimuli used in the experiment were designed in such a way that the center-bias and the depth-bias affect eye movements individually. Results indicate the existence of a depth-bias: objects closer to the viewer attract attention earlier than distant objects, and the number of fixations located on objects varies as a function of objects’ depth. The closest object in a scene always attracts most fixations. The fixation distribution along depth also shows a convergent behavior as the viewing time increases

Livrable D5.2 of the PERSEE project : 2D/3D Codec architecture

Livrable D5.2 du projet ANR PERSEECe rapport a été réalisé dans le cadre du projet ANR PERSEE (n° ANR-09-BLAN-0170). Exactement il correspond au livrable D5.2 du projet. Son titre : 2D/3D Codec architectur

Saillance Visuelle, de la 2D à la 3D Stéréoscopique : Examen des Méthodes Psychophysique et Modélisation Computationnelle

Visual attention is one of the most important mechanisms deployed in the human visual system to reduce the amount of information that our brain needs to process. An increasing amount of efforts are being dedicated in the studies of visual attention, particularly in computational modeling of visual attention. In this thesis, we present studies focusing on several aspects of the research of visual attention. Our works can be mainly classified into two parts. The first part concerns ground truths used in the studies related to visual attention ; the second part contains studies related to the modeling of visual attention for Stereoscopic 3D (S-3D) viewing condition. In the first part, our work starts with identifying the reliability of FDM from different eye-tracking databases. Then we quantitatively identify the similarities and difference between fixation density maps and visual importance map, which have been two widely used ground truth for attention-related applications. Next, to solve the problem of lacking ground truth in the community of 3D visual attention modeling, we conduct a binocular eye-tracking experiment to create a new eye-tracking database for S-3D images. In the second part, we start with examining the impact of depth on visual attention in S-3D viewing condition. We firstly introduce a so-called "depth-bias" in the viewing of synthetic S-3D content on planar stereoscopic display. Then, we extend our study from synthetic stimuli to natural content S-3D images. We propose a depth-saliency-based model of 3D visual attention, which relies on depth contrast of the scene. Two different ways of applying depth information in S-3D visual attention model are also compared in our study. Next, we study the difference of center-bias between 2D and S-3D viewing conditions, and further integrate the center-bias with S-3D visual attention modeling. At the end, based on the assumption that visual attention can be used for improving Quality of Experience of 3D-TV when collaborating with blur, we study the influence of blur on depth perception and blur's relationship with binocular disparity.L'attention visuelle est l'un des mécanismes les plus importants mis en oeuvre par le système visuel humain (SVH) afin de réduire la quantité d'information que le cerveau a besoin de traiter pour appréhender le contenu d'une scène. Un nombre croissant de travaux est consacré à l'étude de l'attention visuelle, et en particulier à sa modélisation computationnelle. Dans cette thèse, nous présentons des études portant sur plusieurs aspects de cette recherche. Nos travaux peuvent être classés globalement en deux parties. La première concerne les questions liées à la vérité de terrain utilisée, la seconde est relative à la modélisation de l'attention visuelle dans des conditions de visualisation 3D. Dans la première partie, nous analysons la fiabilité de cartes de densité de fixation issues de différentes bases de données occulométriques. Ensuite, nous identifions quantitativement les similitudes et les différences entre carte de densité de fixation et carte d'importance visuelle, ces deux types de carte étant les vérités de terrain communément utilisées par les applications relatives à l'attention. Puis, pour faire face au manque de vérité de terrain exploitable pour la modélisation de l'attention visuelle 3D, nous procédons à une expérimentation oculométrique binoculaire qui aboutit à la création d'une nouvelle base de données avec des images stéréoscopiques 3D. Dans la seconde partie, nous commençons par examiner l'impact de la profondeur sur l'attention visuelle dans des conditions de visualisation 3D. Nous quantifions d'abord le " biais de profondeur " lié à la visualisation de contenus synthétiques 3D sur écran plat stéréoscopique. Ensuite, nous étendons notre étude avec l'usage d'images 3D au contenu naturel. Nous proposons un modèle de l'attention visuelle 3D basé saillance de profondeur, modèle qui repose sur le contraste de profondeur de la scène. Deux façons différentes d'exploiter l'information de profondeur par notre modèle sont comparées. Ensuite, nous étudions le biais central et les différences qui existent selon que les conditions de visualisation soient 2D ou 3D. Nous intégrons aussi le biais central à notre modèle de l'attention visuelle 3D. Enfin, considérant que l'attention visuelle combinée à une technique de floutage peut améliorer la qualité d'expérience de la TV-3D, nous étudions l'influence de flou sur la perception de la profondeur, et la relation du flou avec la disparité binoculaire