A high-speed laryngoscopic investigation of aryepiglottic trilling

Six aryepiglottic trills with varied laryngeal parameters were recorded using high-speed laryngoscopy to investigate the nature of the oscillatory behavior of the upper margin of the epilaryngeal tube. Image analysis techniques were applied to extract data about the patterns of aryepiglottic fold oscillation, with a focus on the oscillatory frequencies of the folds. The acoustic impact of aryepiglottic trilling is also considered, along with possible interactions between the aryepiglottic vibration and vocal fold vibration during the voiced trill. Overall, aryepiglottic trilling is deemed to be correctly labeled as a trill in phonetic terms, while also acting as a means to alter the quality of voicing to be auditorily harsh. In terms of its characterization, aryepiglottic vibration is considerably irregular, but it shows indications of contributing quasi-harmonic excitation of the vocal tract, particularly noticeable under conditions of glottal voicelessness. Aryepiglottic vibrations appear to be largely independent of glottal vibration in terms of oscillatory frequency but can be increased in frequency by increasing overall laryngeal constriction. There is evidence that aryepiglottic vibration induces an alternating vocal fold vibration pattern. It is concluded that aryepiglottic trilling, like ventricular phonation, should be regarded as a complex, if highly irregular, sound source

The Flute Inside-Out: Tracking Internal Movements in Flute Playing

Analyses in the past have revealed that flute sound production is a complex procedure involving internal movements of the body. The larynx and pharynx in particular play a crucial role. Some authors, advocate for the abdominal muscles, while others, draw attention to the lips and the oral cavity. However, despite the various studies, the physiology of flute playing is limited by lack of empirically-derived information about what happens when a player carries out musical tasks. The present study is an empirical investigation of the role of the larynx and pharynx in flute playing from the perspective of a flute specialist. Specifically, the study aims to determine vocal fold involvement in vibrato, epiglottis movements, arytenoids and epiglottis involvement in articulation, and glottal aperture in tone and dynamics production (soft to loud, loud to soft). A detailed analysis of the relationship between standard flute techniques and the larynx and pharynx mechanisms is presented, making a significant contribution to the flute pedagogical literature. Two male and three female experienced players (referred to in the study as “the participants”) participated in a video-nasendoscopy procedure. The behaviour of the participants’ larynxes and pharynxes while playing a performance protocol specifically designed for this research was observed by a qualified speech pathologist. Specifically, the observer analysed true vocal fold adduction, false vocal fold adduction, laryngeal height, pharyngeal space, epiglottis movement, and arytenoid adduction. This study reveals that laryngeal/pharyngeal participation in flute playing is not limited to vibrato production or specific techniques, such as singing and playing or flutter tongue (tongue rolling effect while playing). The larynx plays a major role in producing flute tone and dynamics and should be considered by pedagogues, performers and health specialists. These findings can assist flute professionals in their daily practice, performances and teaching. Knowing the role of the larynx in vibrato, articulation, pitch control, and dynamics control, reveals a new tool for flute players to use with assurance when preparing any piece of the standard repertoire, or teaching a student

An exploration of the rhythm of Malay

In recent years there has been a surge of interest in speech rhythm. However we still lack a clear understanding of the nature of rhythm and rhythmic differences across languages. Various metrics have been proposed as means for measuring rhythm on the phonetic level and making typological comparisons between languages (Ramus et al, 1999; Grabe & Low, 2002; Dellwo, 2006) but the debate is ongoing on the extent to which these metrics capture the rhythmic basis of speech (Arvaniti, 2009; Fletcher, in press). Furthermore, cross linguistic studies of rhythm have covered a relatively small number of languages and research on previously unclassified languages is necessary to fully develop the typology of rhythm. This study examines the rhythmic features of Malay, for which, to date, relatively little work has been carried out on aspects rhythm and timing. The material for the analysis comprised 10 sentences produced by 20 speakers of standard Malay (10 males and 10 females). The recordings were first analysed using rhythm metrics proposed by Ramus et. al (1999) and Grabe & Low (2002). These metrics (∆C, %V, rPVI, nPVI) are based on durational measurements of vocalic and consonantal intervals. The results indicated that Malay clustered with other so-called syllable-timed languages like French and Spanish on the basis of all metrics. However, underlying the overall findings for these metrics there was a large degree of variability in values across speakers and sentences, with some speakers having values in the range typical of stressed-timed languages like English. Further analysis has been carried out in light of Fletcher’s (in press) argument that measurements based on duration do not wholly reflect speech rhythm as there are many other factors that can influence values of consonantal and vocalic intervals, and Arvaniti’s (2009) suggestion that other features of speech should also be considered in description of rhythm to discover what contributes to listeners’ perception of regularity. Spectrographic analysis of the Malay recordings brought to light two parameters that displayed consistency and regularity for all speakers and sentences: the duration of individual vowels and the duration of intervals between intensity minima. This poster presents the results of these investigations and points to connections between the features which seem to be consistently regulated in the timing of Malay connected speech and aspects of Malay phonology. The results are discussed in light of current debate on the descriptions of rhythm

Voice quality features in the production of pharyngeal consonants by Iraqi Arabic speakers

PhD ThesisThis study investigates nasalisation and laryngealisation in the production of pharyngeal consonants in Iraqi Arabic (IA) and as potential voice quality (VQ) settings of IA speakers in general. Pharyngeal consonants have been the subject of investigation in many studies on Arabic, primarily due to the wide range of variation in their realisation across dialects, including approximant, fricative, and stop variants. This is the first quantitative study of its kind to extend these findings to IA and to investigate whether any of the variants and/or VQ features are dialect- specific. The study offers a detailed auditory and acoustic account of the realisations of pharyngeal consonants as produced by nine male speakers of three Iraqi dialects: Baghdad (representing Central gelet), Basra (representing Southern gelet) and Mosul (representing Northern qeltu) (Blanc, 1964; Ingham, 1997). Acoustic cues of nasalisation and phonation types are investigated in isolated vowels, oral, nasal, and pharyngeal environments in order to unravel the source of the nasalised and laryngealised VQ percept and to establish whether their manifestations are categorical or particular to certain contexts. Results suggest a range of realisations for the pharyngeals that are conditioned by word position and dialect. Regardless of realisation, VQ measurements suggest that: 1- nasalisation increases when pharyngeals are adjacent to nasals, beyond what is expected of a nasal environment; 2- vowels neighbouring pharyngeals show more nasalisation than in oral environments; 3- vowels in pharyngeal contexts and isolation show more laryngealisation compared with nasal and oral contexts; 4- both nasals and pharyngeals show progressive effect of nasalisation, and pharyngeals show a progressive effect of laryngealisation; 5- /ħ/ shows more nasalisation but less laryngealisation effect on neighbouring vowels than /ʕ/; and 6- Baghdad speech is the most nasalised and laryngealised and Basra speech the least. These results coincide with observations on Muslim Baghdadi gelet having a guttural quality (Bellem, 2007). The study reveals that the overall percept of a nasalised and laryngealised VQ in IA is a local feature rather than a general vocal setting

The glottalic consonants of Hausa.

This thesis is concerned with the examination of the glottalic consonants of Hausa, a Chadic language spoken in northern Nigeria, Niger, Cameroon, Togo and Ghana. The glottalic consonants constitute a set of phonemes in the language whose historical and phonetic properties merit further investigation. The study is laid out in three parts. Part one (Chapters 1, 2 and 3) is the historical section. Here, a general overview of the Hausa language is given. Also discussed are several specific points made by pioneers of the genetic classification of Chadic within Afroasiatic and the reconstruction of glottalic consonants in both Chadic and Afroasiatic. The discussion here is not new but presents a summary of the literature. Hausa native words that have glottalic consonants are compared with possible cognates from other related Chadic languages from West, Central and East branches of Chadic and also from other Afroasiatic languages. Part two (Chapters 4 and 5) of the study concerns the investigation of phonation types in general. Chapter 4 gives a short account of the larynx, the mechanism of the vocal fold vibration and classification of phonation types. Chapter 5 is devoted to a review of instrumental techniques used in voice measurement. Part three (Chapter 6, the instrumental section) presents and discusses the results of a detailed electro- laryngographic analysis of the activity of the behaviour of the vocal folds in the production of the glottalic consonants and their non-glottalic counterparts as observed in the speech of educated native speakers of the language. The chapter begins with a review of the literature reporting early instrumental and non-instrumental studies of the segmental phonemes of the language. This is followed by a description of the techniques used to record, display and annotate both speech pressure and laryngographic waveforms. Both qualitative and quantitative analysis of the waveforms are presented. The most important parameter in the quantitative analysis is estimated open quotient (OQ) derived from the Lx waveforms measurements of Fundamental Frequency, duration and Voice Onset Time are also given. The chapter concludes by presenting the results of the experiment: 1 OQ increases in anticipation of plain voiceless consonants, and is relatively high at the consonantal release; 2 OQ decreases in anticipation of laryngealized consonants including the glottal stop (for most speakers) and less sharply for the ejectives; 3 OQ remains approximately at the speaker's modal value for the plain voiced consonants; 4 The laryngealized segments tend to lower pitch at the left of the consonant; and 5 They also tend to be longer than their plain counterparts

Pan European Voice Conference - PEVOC 11

The Pan European VOice Conference (PEVOC) was born in 1995 and therefore in 2015 it celebrates the 20th anniversary of its establishment: an important milestone that clearly expresses the strength and interest of the scientific community for the topics of this conference. The most significant themes of PEVOC are singing pedagogy and art, but also occupational voice disorders, neurology, rehabilitation, image and video analysis. PEVOC takes place in different European cities every two years (www.pevoc.org). The PEVOC 11 conference includes a symposium of the Collegium Medicorum Theatri (www.comet collegium.com

Models and Analysis of Vocal Emissions for Biomedical Applications

The International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA) came into being in 1999 from the particularly felt need of sharing know-how, objectives and results between areas that until then seemed quite distinct such as bioengineering, medicine and singing. MAVEBA deals with all aspects concerning the study of the human voice with applications ranging from the neonate to the adult and elderly. Over the years the initial issues have grown and spread also in other aspects of research such as occupational voice disorders, neurology, rehabilitation, image and video analysis. MAVEBA takes place every two years always in Firenze, Italy

Models and analysis of vocal emissions for biomedical applications: 5th International Workshop: December 13-15, 2007, Firenze, Italy

The MAVEBA Workshop proceedings, held on a biannual basis, collect the scientific papers presented both as oral and poster contributions, during the conference. The main subjects are: development of theoretical and mechanical models as an aid to the study of main phonatory dysfunctions, as well as the biomedical engineering methods for the analysis of voice signals and images, as a support to clinical diagnosis and classification of vocal pathologies. The Workshop has the sponsorship of: Ente Cassa Risparmio di Firenze, COST Action 2103, Biomedical Signal Processing and Control Journal (Elsevier Eds.), IEEE Biomedical Engineering Soc. Special Issues of International Journals have been, and will be, published, collecting selected papers from the conference

An Investigation of Coarticulation Resistance in Speech Production Using Ultrasound

Sound segments show considerable influence from neighbouring segments, which is described as being the result of coarticulation. None of the previous reports on coarticulation in vowel-consonant-vowel (VCV) sequences has used ultrasound. One advantage of ultrasound is that it provides information about the shape of most of the midsagittal tongue contour. In this work, ultrasound is employed for studying symmetrical VCV sequences, like /ipi/ and /ubu/, and methods for analysing coarticulation are refined. The use of electropalatography (EPG) in combination with ultrasound is piloted in the study. A unified approach is achieved to describing lingual behaviour during the interaction of different speech sounds, by using the concept of Coarticulation Resistance, which implies that different sounds resist coarticulatory influence to different degrees. The following research questions were investigated: how does the tongue shape change from one segment to the next in symmetrical VCV sequences? Do the vowels influence the consonant? Does the consonant influence the vowels? Is the vocalic influence on the consonant greater than the consonantal influence on the vowels? What are the differences between lingual and non-lingual consonants with respect to lingual coarticulation? Does the syllable/word boundary affect the coarticulatory pattern? Ultrasound data were collected using the QMUC ultrasound system, and in the final experiment some EPG data were also collected. The data were Russian nonsense VCVs with /i/, /u/, /a/ and bilabial stops; English nonsense VhV sequences with /i/, /u/, /a/; English /aka/, /ata/ and /iti/ sequences, forming part of real speech. The results show a significant vowel influence on all intervocalic consonants. Lingual consonants significantly influence their neighbouring vowels. The vocalic influence on the consonants is significantly greater than the consonantal influence on the vowels. Non-lingual consonants exhibit varying coarticulatory patterns. Syllable and word boundary influence on VCV coarticulation is demonstrated. The results are interpreted and discussed in terms of the Coarticulation Resistance theory: Coarticulation Resistance of speech segments varies, depending on segment type, syllable boundary, and language. A method of quantifying Coarticulation Resistance based on ultrasound data is suggested.sub_shsunpub143_ethesesunpu