Scalable Remote Rendering using Synthesized Image Quality Assessment

Depth-image-based rendering (DIBR) is widely used to support 3D interactive graphics on low-end mobile devices. Although it reduces the rendering cost on a mobile device, it essentially turns such a cost into depth image transmission cost or bandwidth consumption, inducing performance bottleneck to a remote rendering system. To address this problem, we design a scalable remote rendering framework based on synthesized image quality assessment. Specially, we design an efficient synthesized image quality metric based on Just Noticeable Distortion (JND), properly measuring human perceived geometric distortions in synthesized images. Based on this, we predict quality-aware reference viewpoints, with viewpoint intervals optimized by the JND-based metric. An adaptive transmission scheme is also developed to control depth image transmission based on perceived quality and network bandwidth availability. Experiment results show that our approach effectively reduces transmission frequency and network bandwidth consumption with perceived quality on mobile devices maintained. A prototype system is implemented to demonstrate the scalability of our proposed framework to multiple clients

Algorithmen zur Korrespondenzschätzung und Bildinterpolation für die photorealistische Bildsynthese

Free-viewpoint video is a new form of visual medium that has received considerable attention in the last 10 years. Most systems reconstruct the geometry of the scene, thus restricting themselves to synchronized multi-view footage and Lambertian scenes. In this thesis we follow a different approach and describe contributions to a purely image-based end-to-end system operating on sparse, unsynchronized multi-view footage. In particular, we focus on dense correspondence estimation and synthesis of in-between views. In contrast to previous approaches, our correspondence estimation is specifically tailored to the needs of image interpolation; our multi-image interpolation technique advances the state-of-the-art by disposing the conventional blending step. Both algorithms are put to work in an image-based free-viewpoint video system and we demonstrate their applicability to space-time visual effects production as well as to stereoscopic content creation.3D-Video mit Blickpunktnavigation ist eine neues digitales Medium welchem die Forschung in den letzten 10 Jahren viel Aufmerksamkeit gewidmet hat. Die meisten Verfahren rekonstruieren dabei die Szenengeometrie und schränken sich somit auf Lambertsche Szenen und synchron aufgenommene Eingabedaten ein. In dieser Dissertation beschreiben wir Beiträge zu einem rein bild-basierten System welches auf unsynchronisierten Eingabevideos arbeitet. Unser Fokus liegt dabei auf der Schätzung dichter Korrespondenzkarten und auf der Synthese von Zwischenbildern. Im Gegensatz zu bisherigen Verfahren ist unser Ansatz der Korrespondenzschätzung auf die Bedürfnisse der Bilderinterpolation ausgerichtet; unsere Zwischenbildsynthese verzichtet auf das Überblenden der Eingabebilder zu Gunsten der Lösung eines Labelingproblems. Das resultierende System eignet sich sowohl zur Produktion räumlich-zeitlicher Spezialeffekte als auch zur Erzeugung stereoskopischer Videosequenzen

Enhancing Mobile Capacity through Generic and Efficient Resource Sharing

Mobile computing devices are becoming indispensable in every aspect of human life, but diverse hardware limits make current mobile devices far from ideal for satisfying the performance requirements of modern mobile applications and being used anytime, anywhere. Mobile Cloud Computing (MCC) could be a viable solution to bypass these limits which enhances the mobile capacity through cooperative resource sharing, but is challenging due to the heterogeneity of mobile devices in both hardware and software aspects. Traditional schemes either restrict to share a specific type of hardware resource within individual applications, which requires tremendous reprogramming efforts; or disregard the runtime execution pattern and transmit too much unnecessary data, resulting in bandwidth and energy waste.To address the aforementioned challenges, we present three novel designs of resource sharing frameworks which utilize the various system resources from a remote or personal cloud to enhance the mobile capacity in a generic and efficient manner. First, we propose a novel method-level offloading methodology to run the mobile computational workload on the remote cloud CPU. Minimized data transmission is achieved during such offloading by identifying and selectively migrating the memory contexts which are necessary to the method execution. Second, we present a systematic framework to maximize the mobile performance of graphics rendering with the remote cloud GPU, during which the redundant pixels across consecutive frames are reused to reduce the transmitted frame data. Last, we propose to exploit the unified mobile OS services and generically interconnect heterogeneous mobile devices towards a personal mobile cloud, which complement and flexibly share mobile peripherals (e.g., sensors, camera) with each other

Compression and Subjective Quality Assessment of 3D Video

In recent years, three-dimensional television (3D TV) has been broadly considered as the successor to the existing traditional two-dimensional television (2D TV) sets. With its capability of offering a dynamic and immersive experience, 3D video (3DV) is expected to expand conventional video in several applications in the near future. However, 3D content requires more than a single view to deliver the depth sensation to the viewers and this, inevitably, increases the bitrate compared to the corresponding 2D content. This need drives the research trend in video compression field towards more advanced and more efficient algorithms. Currently, the Advanced Video Coding (H.264/AVC) is the state-of-the-art video coding standard which has been developed by the Joint Video Team of ISO/IEC MPEG and ITU-T VCEG. This codec has been widely adopted in various applications and products such as TV broadcasting, video conferencing, mobile TV, and blue-ray disc. One important extension of H.264/AVC, namely Multiview Video Coding (MVC) was an attempt to multiple view compression by taking into consideration the inter-view dependency between different views of the same scene. This codec H.264/AVC with its MVC extension (H.264/MVC) can be used for encoding either conventional stereoscopic video, including only two views, or multiview video, including more than two views. In spite of the high performance of H.264/MVC, a typical multiview video sequence requires a huge amount of storage space, which is proportional to the number of offered views. The available views are still limited and the research has been devoted to synthesizing an arbitrary number of views using the multiview video and depth map (MVD). This process is mandatory for auto-stereoscopic displays (ASDs) where many views are required at the viewer side and there is no way to transmit such a relatively huge number of views with currently available broadcasting technology. Therefore, to satisfy the growing hunger for 3D related applications, it is mandatory to further decrease the bitstream by introducing new and more efficient algorithms for compressing multiview video and depth maps. This thesis tackles the 3D content compression targeting different formats i.e. stereoscopic video and depth-enhanced multiview video. Stereoscopic video compression algorithms introduced in this thesis mostly focus on proposing different types of asymmetry between the left and right views. This means reducing the quality of one view compared to the other view aiming to achieve a better subjective quality against the symmetric case (the reference) and under the same bitrate constraint. The proposed algorithms to optimize depth-enhanced multiview video compression include both texture compression schemes as well as depth map coding tools. Some of the introduced coding schemes proposed for this format include asymmetric quality between the views. Knowing that objective metrics are not able to accurately estimate the subjective quality of stereoscopic content, it is suggested to perform subjective quality assessment to evaluate different codecs. Moreover, when the concept of asymmetry is introduced, the Human Visual System (HVS) performs a fusion process which is not completely understood. Therefore, another important aspect of this thesis is conducting several subjective tests and reporting the subjective ratings to evaluate the perceived quality of the proposed coded content against the references. Statistical analysis is carried out in the thesis to assess the validity of the subjective ratings and determine the best performing test cases

Low Latency Rendering with Dataflow Architectures

The research presented in this thesis concerns latency in VR and synthetic environments. Latency is the end-to-end delay experienced by the user of an interactive computer system, between their physical actions and the perceived response to these actions. Latency is a product of the various processing, transport and buffering delays present in any current computer system. For many computer mediated applications, latency can be distracting, but it is not critical to the utility of the application. Synthetic environments on the other hand attempt to facilitate direct interaction with a digitised world. Direct interaction here implies the formation of a sensorimotor loop between the user and the digitised world - that is, the user makes predictions about how their actions affect the world, and see these predictions realised. By facilitating the formation of the this loop, the synthetic environment allows users to directly sense the digitised world, rather than the interface, and induce perceptions, such as that of the digital world existing as a distinct physical place. This has many applications for knowledge transfer and efficient interaction through the use of enhanced communication cues. The complication is, the formation of the sensorimotor loop that underpins this is highly dependent on the fidelity of the virtual stimuli, including latency. The main research questions we ask are how can the characteristics of dataflow computing be leveraged to improve the temporal fidelity of the visual stimuli, and what implications does this have on other aspects of the fidelity. Secondarily, we ask what effects latency itself has on user interaction. We test the effects of latency on physical interaction at levels previously hypothesized but unexplored. We also test for a previously unconsidered effect of latency on higher level cognitive functions. To do this, we create prototype image generators for interactive systems and virtual reality, using dataflow computing platforms. We integrate these into real interactive systems to gain practical experience of how the real perceptible benefits of alternative rendering approaches, but also what implications are when they are subject to the constraints of real systems. We quantify the differences of our systems compared with traditional systems using latency and objective image fidelity measures. We use our novel systems to perform user studies into the effects of latency. Our high performance apparatuses allow experimentation at latencies lower than previously tested in comparable studies. The low latency apparatuses are designed to minimise what is currently the largest delay in traditional rendering pipelines and we find that the approach is successful in this respect. Our 3D low latency apparatus achieves lower latencies and higher fidelities than traditional systems. The conditions under which it can do this are highly constrained however. We do not foresee dataflow computing shouldering the bulk of the rendering workload in the future but rather facilitating the augmentation of the traditional pipeline with a very high speed local loop. This may be an image distortion stage or otherwise. Our latency experiments revealed that many predictions about the effects of low latency should be re-evaluated and experimenting in this range requires great care