I Probe, Therefore I Am: Designing a Virtual Journalist with Human Emotions

By utilizing different communication channels, such as verbal language, gestures or facial expressions, virtually embodied interactive humans hold a unique potential to bridge the gap between human-computer interaction and actual interhuman communication. The use of virtual humans is consequently becoming increasingly popular in a wide range of areas where such a natural communication might be beneficial, including entertainment, education, mental health research and beyond. Behind this development lies a series of technological advances in a multitude of disciplines, most notably natural language processing, computer vision, and speech synthesis. In this paper we discuss a Virtual Human Journalist, a project employing a number of novel solutions from these disciplines with the goal to demonstrate their viability by producing a humanoid conversational agent capable of naturally eliciting and reacting to information from a human user. A set of qualitative and quantitative evaluation sessions demonstrated the technical feasibility of the system whilst uncovering a number of deficits in its capacity to engage users in a way that would be perceived as natural and emotionally engaging. We argue that naturalness should not always be seen as a desirable goal and suggest that deliberately suppressing the naturalness of virtual human interactions, such as by altering its personality cues, might in some cases yield more desirable results.Comment: eNTERFACE16 proceeding

User-Centred Design Actions for Lightweight Evaluation of an Interactive Machine Learning Toolkit

Machine learning offers great potential to developers and end users in the creative industries. For example, it can support new sensor-based interactions, procedural content generation and end-user product customisation. However, designing machine learning toolkits for adoption by creative developers is still a nascent effort. This work focuses on the application of user-centred design with creative end-user developers for informing the design of an interactive machine learning toolkit. We introduce a framework for user-centred design actions that we developed within the context of an EU innovation project, RAPID-MIX. We illustrate the application of the framework with two actions for lightweight formative evaluation of our toolkit—the JUCE Machine Learning Hackathon and the RAPID-MIX API workshop at eNTERFACE’17. We describe how we used these actions to uncover conceptual and technical limitations. We also discuss how these actions provided us with a better understanding of users, helped us to refine the scope of the design space, and informed improvements to the toolkit. We conclude with a reflection about the knowledge we obtained from applying user-centred design to creative technology, in the context of an innovation project in the creative industries

On the Audio-Visual Emotion Recognition using Convolutional Neural Networks and Extreme Learning Machine

The advances in artificial intelligence and machine learning concerning emotion recognition have been enormous and in previously inconceivable ways. Inspired by the promising evolution in human-computer interaction, this paper is based on developing a multimodal emotion recognition system. This research encompasses two modalities as input, namely speech and video. In the proposed model, the input video samples are subjected to image pre-processing and image frames are obtained. The signal is pre-processed and transformed into the frequency domain for the audio input. The aim is to obtain Mel-spectrogram, which is processed further as images. Convolutional neural networks are used for training and feature extraction for both audio and video with different configurations. The fusion of outputs from two CNNs is done using two extreme learning machines. For classification, the proposed system incorporates a support vector machine. The model is evaluated using three databases, namely eNTERFACE, RML, and SAVEE. For the eNTERFACE dataset, the accuracy obtained without and with augmentation was 87.2% and 94.91%, respectively. The RML dataset yielded an accuracy of 98.5%, and for the SAVEE dataset, the accuracy reached 97.77%. Results achieved from this research are an illustration of the fruitful exploration and effectiveness of the proposed system

Multimodaalsel emotsioonide tuvastamisel põhineva inimese-roboti suhtluse arendamine

Väitekirja elektrooniline versioon ei sisalda publikatsiooneÜks afektiivse arvutiteaduse peamistest huviobjektidest on mitmemodaalne emotsioonituvastus, mis leiab rakendust peamiselt inimese-arvuti interaktsioonis. Emotsiooni äratundmiseks uuritakse nendes süsteemides nii inimese näoilmeid kui kakõnet. Käesolevas töös uuritakse inimese emotsioonide ja nende avaldumise visuaalseid ja akustilisi tunnuseid, et töötada välja automaatne multimodaalne emotsioonituvastussüsteem. Kõnest arvutatakse mel-sageduse kepstri kordajad, helisignaali erinevate komponentide energiad ja prosoodilised näitajad. Näoilmeteanalüüsimiseks kasutatakse kahte erinevat strateegiat. Esiteks arvutatakse inimesenäo tähtsamate punktide vahelised erinevad geomeetrilised suhted. Teiseks võetakse emotsionaalse sisuga video kokku vähendatud hulgaks põhikaadriteks, misantakse sisendiks konvolutsioonilisele tehisnärvivõrgule emotsioonide visuaalsekseristamiseks. Kolme klassifitseerija väljunditest (1 akustiline, 2 visuaalset) koostatakse uus kogum tunnuseid, mida kasutatakse õppimiseks süsteemi viimasesetapis. Loodud süsteemi katsetati SAVEE, Poola ja Serbia emotsionaalse kõneandmebaaside, eNTERFACE’05 ja RML andmebaaside peal. Saadud tulemusednäitavad, et võrreldes olemasolevatega võimaldab käesoleva töö raames loodudsüsteem suuremat täpsust emotsioonide äratundmisel. Lisaks anname käesolevastöös ülevaate kirjanduses väljapakutud süsteemidest, millel on võimekus tunda äraemotsiooniga seotud ̆zeste. Selle ülevaate eesmärgiks on hõlbustada uute uurimissuundade leidmist, mis aitaksid lisada töö raames loodud süsteemile ̆zestipõhiseemotsioonituvastuse võimekuse, et veelgi enam tõsta süsteemi emotsioonide äratundmise täpsust.Automatic multimodal emotion recognition is a fundamental subject of interest in affective computing. Its main applications are in human-computer interaction. The systems developed for the foregoing purpose consider combinations of different modalities, based on vocal and visual cues. This thesis takes the foregoing modalities into account, in order to develop an automatic multimodal emotion recognition system. More specifically, it takes advantage of the information extracted from speech and face signals. From speech signals, Mel-frequency cepstral coefficients, filter-bank energies and prosodic features are extracted. Moreover, two different strategies are considered for analyzing the facial data. First, facial landmarks' geometric relations, i.e. distances and angles, are computed. Second, we summarize each emotional video into a reduced set of key-frames. Then they are taught to visually discriminate between the emotions. In order to do so, a convolutional neural network is applied to the key-frames summarizing the videos. Afterward, the output confidence values of all the classifiers from both of the modalities are used to define a new feature space. Lastly, the latter values are learned for the final emotion label prediction, in a late fusion. The experiments are conducted on the SAVEE, Polish, Serbian, eNTERFACE'05 and RML datasets. The results show significant performance improvements by the proposed system in comparison to the existing alternatives, defining the current state-of-the-art on all the datasets. Additionally, we provide a review of emotional body gesture recognition systems proposed in the literature. The aim of the foregoing part is to help figure out possible future research directions for enhancing the performance of the proposed system. More clearly, we imply that incorporating data representing gestures, which constitute another major component of the visual modality, can result in a more efficient framework

Affective games:a multimodal classification system

Affective gaming is a relatively new field of research that exploits human emotions to influence gameplay for an enhanced player experience. Changes in player’s psychology reflect on their behaviour and physiology, hence recognition of such variation is a core element in affective games. Complementary sources of affect offer more reliable recognition, especially in contexts where one modality is partial or unavailable. As a multimodal recognition system, affect-aware games are subject to the practical difficulties met by traditional trained classifiers. In addition, inherited game-related challenges in terms of data collection and performance arise while attempting to sustain an acceptable level of immersion. Most existing scenarios employ sensors that offer limited freedom of movement resulting in less realistic experiences. Recent advances now offer technology that allows players to communicate more freely and naturally with the game, and furthermore, control it without the use of input devices. However, the affective game industry is still in its infancy and definitely needs to catch up with the current life-like level of adaptation provided by graphics and animation

A review of affective computing: From unimodal analysis to multimodal fusion

Affective computing is an emerging interdisciplinary research field bringing together researchers and practitioners from various fields, ranging from artificial intelligence, natural language processing, to cognitive and social sciences. With the proliferation of videos posted online (e.g., on YouTube, Facebook, Twitter) for product reviews, movie reviews, political views, and more, affective computing research has increasingly evolved from conventional unimodal analysis to more complex forms of multimodal analysis. This is the primary motivation behind our first of its kind, comprehensive literature review of the diverse field of affective computing. Furthermore, existing literature surveys lack a detailed discussion of state of the art in multimodal affect analysis frameworks, which this review aims to address. Multimodality is defined by the presence of more than one modality or channel, e.g., visual, audio, text, gestures, and eye gage. In this paper, we focus mainly on the use of audio, visual and text information for multimodal affect analysis, since around 90% of the relevant literature appears to cover these three modalities. Following an overview of different techniques for unimodal affect analysis, we outline existing methods for fusing information from different modalities. As part of this review, we carry out an extensive study of different categories of state-of-the-art fusion techniques, followed by a critical analysis of potential performance improvements with multimodal analysis compared to unimodal analysis. A comprehensive overview of these two complementary fields aims to form the building blocks for readers, to better understand this challenging and exciting research field

Multimodal Affect Recognition: Current Approaches and Challenges

Many factors render multimodal affect recognition approaches appealing. First, humans employ a multimodal approach in emotion recognition. It is only fitting that machines, which attempt to reproduce elements of the human emotional intelligence, employ the same approach. Second, the combination of multiple-affective signals not only provides a richer collection of data but also helps alleviate the effects of uncertainty in the raw signals. Lastly, they potentially afford us the flexibility to classify emotions even when one or more source signals are not possible to retrieve. However, the multimodal approach presents challenges pertaining to the fusion of individual signals, dimensionality of the feature space, and incompatibility of collected signals in terms of time resolution and format. In this chapter, we explore the aforementioned challenges while presenting the latest scholarship on the topic. Hence, we first discuss the various modalities used in affect classification. Second, we explore the fusion of modalities. Third, we present publicly accessible multimodal datasets designed to expedite work on the topic by eliminating the laborious task of dataset collection. Fourth, we analyze representative works on the topic. Finally, we summarize the current challenges in the field and provide ideas for future research directions