Representation Learning: A Review and New Perspectives

The success of machine learning algorithms generally depends on data representation, and we hypothesize that this is because different representations can entangle and hide more or less the different explanatory factors of variation behind the data. Although specific domain knowledge can be used to help design representations, learning with generic priors can also be used, and the quest for AI is motivating the design of more powerful representation-learning algorithms implementing such priors. This paper reviews recent work in the area of unsupervised feature learning and deep learning, covering advances in probabilistic models, auto-encoders, manifold learning, and deep networks. This motivates longer-term unanswered questions about the appropriate objectives for learning good representations, for computing representations (i.e., inference), and the geometrical connections between representation learning, density estimation and manifold learning

Multiscale approaches to music audio feature learning

Content-based music information retrieval tasks are typically solved with a two-stage approach: features are extracted from music audio signals, and are then used as input to a regressor or classifier. These features can be engineered or learned from data. Although the former approach was dominant in the past, feature learning has started to receive more attention from the MIR community in recent years. Recent results in feature learning indicate that simple algorithms such as K-means can be very effective, sometimes surpassing more complicated approaches based on restricted Boltzmann machines, autoencoders or sparse coding. Furthermore, there has been increased interest in multiscale representations of music audio recently. Such representations are more versatile because music audio exhibits structure on multiple timescales, which are relevant for different MIR tasks to varying degrees. We develop and compare three approaches to multiscale audio feature learning using the spherical K-means algorithm. We evaluate them in an automatic tagging task and a similarity metric learning task on the Magnatagatune dataset

Collaborative Deep Learning for Recommender Systems

Collaborative filtering (CF) is a successful approach commonly used by many recommender systems. Conventional CF-based methods use the ratings given to items by users as the sole source of information for learning to make recommendation. However, the ratings are often very sparse in many applications, causing CF-based methods to degrade significantly in their recommendation performance. To address this sparsity problem, auxiliary information such as item content information may be utilized. Collaborative topic regression (CTR) is an appealing recent method taking this approach which tightly couples the two components that learn from two different sources of information. Nevertheless, the latent representation learned by CTR may not be very effective when the auxiliary information is very sparse. To address this problem, we generalize recent advances in deep learning from i.i.d. input to non-i.i.d. (CF-based) input and propose in this paper a hierarchical Bayesian model called collaborative deep learning (CDL), which jointly performs deep representation learning for the content information and collaborative filtering for the ratings (feedback) matrix. Extensive experiments on three real-world datasets from different domains show that CDL can significantly advance the state of the art

Joint Deep Modeling of Users and Items Using Reviews for Recommendation

A large amount of information exists in reviews written by users. This source of information has been ignored by most of the current recommender systems while it can potentially alleviate the sparsity problem and improve the quality of recommendations. In this paper, we present a deep model to learn item properties and user behaviors jointly from review text. The proposed model, named Deep Cooperative Neural Networks (DeepCoNN), consists of two parallel neural networks coupled in the last layers. One of the networks focuses on learning user behaviors exploiting reviews written by the user, and the other one learns item properties from the reviews written for the item. A shared layer is introduced on the top to couple these two networks together. The shared layer enables latent factors learned for users and items to interact with each other in a manner similar to factorization machine techniques. Experimental results demonstrate that DeepCoNN significantly outperforms all baseline recommender systems on a variety of datasets.Comment: WSDM 201

Comparing Probabilistic Models for Melodic Sequences

Modelling the real world complexity of music is a challenge for machine learning. We address the task of modeling melodic sequences from the same music genre. We perform a comparative analysis of two probabilistic models; a Dirichlet Variable Length Markov Model (Dirichlet-VMM) and a Time Convolutional Restricted Boltzmann Machine (TC-RBM). We show that the TC-RBM learns descriptive music features, such as underlying chords and typical melody transitions and dynamics. We assess the models for future prediction and compare their performance to a VMM, which is the current state of the art in melody generation. We show that both models perform significantly better than the VMM, with the Dirichlet-VMM marginally outperforming the TC-RBM. Finally, we evaluate the short order statistics of the models, using the Kullback-Leibler divergence between test sequences and model samples, and show that our proposed methods match the statistics of the music genre significantly better than the VMM.Comment: in Proceedings of the ECML-PKDD 2011. Lecture Notes in Computer Science, vol. 6913, pp. 289-304. Springer (2011

Rethinking Recurrent Latent Variable Model for Music Composition

We present a model for capturing musical features and creating novel sequences of music, called the Convolutional Variational Recurrent Neural Network. To generate sequential data, the model uses an encoder-decoder architecture with latent probabilistic connections to capture the hidden structure of music. Using the sequence-to-sequence model, our generative model can exploit samples from a prior distribution and generate a longer sequence of music. We compare the performance of our proposed model with other types of Neural Networks using the criteria of Information Rate that is implemented by Variable Markov Oracle, a method that allows statistical characterization of musical information dynamics and detection of motifs in a song. Our results suggest that the proposed model has a better statistical resemblance to the musical structure of the training data, which improves the creation of new sequences of music in the style of the originals.Comment: Published as a conference paper at IEEE MMSP 201