A Segurança Computacional como fator de alinhamento entre Planos Organizacionais

Com esta dissertação de mestrado pretende-se chegar a um modelo que permita alinhar os diferentes planos organizacionais de uma organização ou de um domínio pertencente a esta. A metodologia utilizada na condução desta dissertação foi proposta por Raymond Quivy e LucVan Campenhoudt. Esta ajuda o autor e o leitor, a acompanhar gradualmente o desenvolvimento através das várias fases que a metodologia prevê. Para garantir a coerência de um modelo é necessário um estudo prévio do tema em questão, por este motivo foi necessária uma revisão bibliográfica que abrangesse: os conceitos mais generalistas da área de engenharia organizacional, a linguagem e termos técnicos da segurança computacional, o estado atual da problemática da segurança de informação na Força Aérea e possíveis modelos que poderiam revelar-se úteis no desenvolvimento do objetivo desta dissertação como o Bussiness Motivation Model. Durante o desenvolvimento do modelo surgiu a necessidade de definir o conceito de «Plano Organizacional» pois este estava pouco explorado na comunidade científica e fazia parte integrante do tema desta dissertação, definindo-o como tendo um conjunto de atributos que o identifica e universais a qualquer plano da organização. Identificados os atributos dos planos organizacionais foi possível concluir quais os fatores de alinhamento entre eles, a partir deste ponto surgiu a proposta de modelo capaz satisfazer o objetivo desta dissertação. A validação é atingida através de uma instanciação do modelo no domínio da segurança computacional na Força Aérea, com algumas propostas de alinhamento. No último capítulo é feita uma revisão de todo o trabalho, destacando alguns pontos mais importantes e possibilitando assim ao leitor terminar com uma visão global de toda a dissertação

Proceedings der 11. Internationalen Tagung Wirtschaftsinformatik (WI2013) - Band 1

The two volumes represent the proceedings of the 11th International Conference on Wirtschaftsinformatik WI2013 (Business Information Systems). They include 118 papers from ten research tracks, a general track and the Student Consortium. The selection of all submissions was subject to a double blind procedure with three reviews for each paper and an overall acceptance rate of 25 percent. The WI2013 was organized at the University of Leipzig between February 27th and March 1st, 2013 and followed the main themes Innovation, Integration and Individualization.:Track 1: Individualization and Consumerization Track 2: Integrated Systems in Manufacturing Industries Track 3: Integrated Systems in Service Industries Track 4: Innovations and Business Models Track 5: Information and Knowledge ManagementDie zweibändigen Tagungsbände zur 11. Internationalen Tagung Wirtschaftsinformatik (WI2013) enthalten 118 Forschungsbeiträge aus zehn thematischen Tracks der Wirtschaftsinformatik, einem General Track sowie einem Student Consortium. Die Selektion der Artikel erfolgte nach einem Double-Blind-Verfahren mit jeweils drei Gutachten und führte zu einer Annahmequote von 25%. Die WI2013 hat vom 27.02. - 01.03.2013 unter den Leitthemen Innovation, Integration und Individualisierung an der Universität Leipzig stattgefunden.:Track 1: Individualization and Consumerization Track 2: Integrated Systems in Manufacturing Industries Track 3: Integrated Systems in Service Industries Track 4: Innovations and Business Models Track 5: Information and Knowledge Managemen

The Second World War in the Twenty-First-Century Museum: From Narrative, Memory, and Experience to Experientiality

The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how Second World War museums allow prototypical visitors to comprehend and experience the past. It analyzes twelve permanent exhibitions in Europe and North America - including the Bundeswehr Military History Museum in Dresden, the Museum of the Second World War in Gdańsk, the House of European History in Brussels, the Imperial War Museums in London and Manchester, and the National WWII Museum in New Orleans - in order to show how museums reflect and shape cultural memory, as well as their cognitive, ethical, emotional, and aesthetic potential and effects. This includes a discussion of representations of events such as the Holocaust and air warfare. In relation to narrative, memory, and experience, the study develops the concept of experientiality (on a sliding scale between mimetic and structural forms), which provides a new textual-spatial method for reading exhibitions and understanding the experiences of historical individuals and collectives. It is supplemented by concepts like transnational memory, empathy, and encouraging critical thinking through difficult knowledge

The Agency of Art Objects in Northern Europe, 1380–1520

This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific – material and spatial – way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of “returning to things” (B. Latour, A. Gell and others), the author searches for the “agency of things” in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States

The Agency of Art Objects in Northern Europe, 1380–1520

This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific – material and spatial – way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of “returning to things” (B. Latour, A. Gell and others), the author searches for the “agency of things” in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States

News Networks in Early Modern Europe

News Networks in Early Modern Europe attempts to redraw the history of European news communication in the 16th and 17th centuries. News is defined partly by movement and circulation, yet histories of news have been written overwhelmingly within national contexts. This volume of essays explores the notion that early modern European news, in all its manifestations – manuscript, print, and oral – is fundamentally transnational. These 37 essays investigate the language, infrastructure, and circulation of news across Europe. They range from the 15th to the 18th centuries, and from the Ottoman Empire to the Americas, focussing on the mechanisms of transmission, the organisation of networks, the spread of forms and modes of news communication, and the effects of their translation into new locales and languages