23,032 research outputs found

    Quantum Mechanics Lecture Notes. Selected Chapters

    Full text link
    These are extended lecture notes of the quantum mechanics course which I am teaching in the Weizmann Institute of Science graduate physics program. They cover the topics listed below. The first four chapter are posted here. Their content is detailed on the next page. The other chapters are planned to be added in the coming months. 1. Motion in External Electromagnetic Field. Gauge Fields in Quantum Mechanics. 2. Quantum Mechanics of Electromagnetic Field 3. Photon-Matter Interactions 4. Quantization of the Schr\"odinger Field (The Second Quantization) 5. Open Systems. Density Matrix 6. Adiabatic Theory. The Berry Phase. The Born-Oppenheimer Approximation 7. Mean Field Approaches for Many Body Systems -- Fermions and Boson

    The Artist as Surveillant: The Use of Surveillance Technology in Contemporary Art

    Get PDF
    Artists have long been called observers, voyeurs, and watchers, and with a particular interest in human behavior and society, they frequently use unknowing passersby as their subjects for works. Curators and scholars explored how artists put citizens under surveillance with photography and videography, which dates back to the early 1900s, years before governments deployed surveillance systems. Since the 1980s, artists have explicitly explored surveillance technology and theory to alert viewers to the rise of surveillance. Today, this genre is called artveillance, a term coined by Andrea Mubi Brighenti in 2010 to categorize art that explicitly deals with surveillance. This genre developed parallel to the rise of mass surveillance which created the current-day surveillance state. Since artveillance dominates the contemporary art scene, I was interested in the history of surveillance technology and themes in art. Although that history is brief, there is a wealth of artworks and studies on the topic. This thesis explores artists who use surveillance technology, specifically close-circuit video, in their practice and how this work has changed over time compared to the rise of government surveillance systems. To properly examine the artwork, each artwork’s technological history and broader cultural context is considered, with careful attention to the artists’ intentions. The thesis starts in the 1970s with Bruce Nauman and Peter Campus’s closed-circuit video installations. The artists did not aim to create a surveillance area but wanted to explore the viewer’s identity with their moving image. In Chapter 2, Julia Scher and Lynn Hershman Leeson’s work from the 1980s and early 1990s is discussed. Created when state surveillance was on the rise, the artists’ work used surveillance technology to critique the systems. The third chapter explores surveillance in a post-9/11 state through Jill Magid and Laura Poitras’s work. The artists exploited and exposed government systems to show how the public’s privacy is invaded. Finally, the paper concludes with an investigation into the public’s relationship with video surveillance, which resembles an apathetic acceptance

    On Curation: A Hermeneutical Approach

    Get PDF
    Starting point of this paper is the philosophical field of hermeneutics. Hermeneutics was established to account for different conditions of understanding and how they shape our interpretative processes. As different times constitute different conditions, the goal of the discipline essentially is to bridge the temporal gap between the creation of a work and its perception at a given point in time. Whereas traditionally, understanding was a matter of analyzing the historical tradition of author/artist and reader/viewer, nowadays, the perception and interpretation of art is shaped by another instance, the curator. Under the premise that selection and arrangement, i.e. curating, cannot be neutral, the author analyzes different contexts in which curating takes place and how different contexts account for different effects on our perception of art. After outlining the development of the curatorial practice—from institutional to independent curation—, a case study of Swiss curator Harald Szeemann serves as opportunity to examine specific phenomena and exhibitions in a detailed manner. A cultural and methodological cesura is proposed after which curators were able to execute the power and influence they have today: independent curation and the ahistorical exhibition. Ahistorical exhibitions disregard chronological display and enable curators to create individual narratives and themes by gathering artworks in a cross-temporal and geographical manner. Throughout the paper, it is assessed if and to what degree the application of hermeneutics onto the field of independent curation is fruitful. This theoretical analysis is followed by a market overview, in which various functions the curator fulfills in different institutions, e.g. museums, galleries, auction houses, are outlined and compared. Optimally, the consideration of cultural and commercial factors enables viewers to approach and see (curated) art in a differentiated way

    3d mirror symmetry of braided tensor categories

    Full text link
    We study the braided tensor structure of line operators in the topological A and B twists of abelian 3d N=4\mathcal{N}=4 gauge theories, as accessed via boundary vertex operator algebras (VOA's). We focus exclusively on abelian theories. We first find a non-perturbative completion of boundary VOA's in the B twist, which start out as certain affine Lie superalebras; and we construct free-field realizations of both A and B-twist VOA's, finding an interesting interplay with the symmetry fractionalization group of bulk theories. We use the free-field realizations to establish an isomorphism between A and B VOA's related by 3d mirror symmetry. Turning to line operators, we extend previous physical classifications of line operators to include new monodromy defects and bound states. We also outline a mechanism by which continuous global symmetries in a physical theory are promoted to higher symmetries in a topological twist -- in our case, these are infinite one-form symmetries, related to boundary spectral flow, which structure the categories of lines and control abelian gauging. Finally, we establish the existence of braided tensor structure on categories of line operators, viewed as non-semisimple categories of modules for boundary VOA's. In the A twist, we obtain the categories by extending modules of symplectic boson VOA's, corresponding to gauging free hypermultiplets; in the B twist, we instead extend Kazhdan-Lusztig categories for affine Lie superalgebras. We prove braided tensor equivalences among the categories of 3d-mirror theories. All results on VOA's and their module categories are mathematically rigorous; they rely strongly on recently developed techniques to access non-semisimple extensions.Comment: 158 pages, comments welcome

    Identifying and responding to people with mild learning disabilities in the probation service

    Get PDF
    It has long been recognised that, like many other individuals, people with learningdisabilities find their way into the criminal justice system. This fact is not disputed. Whathas been disputed, however, is the extent to which those with learning disabilities arerepresented within the various agencies of the criminal justice system and the ways inwhich the criminal justice system (and society) should address this. Recently, social andlegislative confusion over the best way to deal with offenders with learning disabilities andmental health problems has meant that the waters have become even more muddied.Despite current government uncertainty concerning the best way to support offenders withlearning disabilities, the probation service is likely to continue to play a key role in thesupervision of such offenders. The three studies contained herein aim to clarify the extentto which those with learning disabilities are represented in the probation service, toexamine the effectiveness of probation for them and to explore some of the ways in whichprobation could be adapted to fit their needs.Study 1 and study 2 showed that around 10% of offenders on probation in Kent appearedto have an IQ below 75, putting them in the bottom 5% of the general population. Study 3was designed to assess some of the support needs of those with learning disabilities in theprobation service, finding that many of the materials used by the probation service arelikely to be too complex for those with learning disabilities to use effectively. To addressthis, a model for service provision is tentatively suggested. This is based on the findings ofthe three studies and a pragmatic assessment of what the probation service is likely to becapable of achieving in the near future

    Consent and the Construction of the Volunteer: Institutional Settings of Experimental Research on Human Beings in Britain during the Cold War

    Get PDF
    This study challenges the primacy of consent in the history of human experimentation and argues that privileging the cultural frameworks adds nuance to our understanding of the construction of the volunteer in the period 1945 to 1970. Historians and bio-ethicists have argued that medical ethics codes have marked out the parameters of using people as subjects in medical scientific research and that the consent of the subjects was fundamental to their status as volunteers. However, the temporality of the creation of medical ethics codes means that they need to be understood within their historical context. That medical ethics codes arose from a specific historical context rather than a concerted and conscious determination to safeguard the well-being of subjects needs to be acknowledged. The British context of human experimentation is under-researched and there has been even less focus on the cultural frameworks within which experiments took place. This study demonstrates, through a close analysis of the Medical Research Council's Common Cold Research Unit (CCRU) and the government's military research facility, the Chemical Defence Experimental Establishment, Porton Down (Porton), that the `volunteer' in human experiments was a subjective entity whose identity was specific to the institution which recruited and made use of the subject. By examining representations of volunteers in the British press, the rhetoric of the government's collectivist agenda becomes evident and this fed into the institutional construction of the volunteer at the CCRU. In contrast, discussions between Porton scientists, staff members, and government officials demonstrate that the use of military personnel in secret chemical warfare experiments was far more complex. Conflicting interests of the military, the government and the scientific imperative affected how the military volunteer was perceived

    Message Journal, Issue 5: COVID-19 SPECIAL ISSUE Capturing visual insights, thoughts and reflections on 2020/21 and beyond...

    Get PDF
    If there is a theme running through the Message Covid-19 special issue, it is one of caring. Of our own and others’ resilience and wellbeing, of friendship and community, of students, practitioners and their futures, of social justice, equality and of doing the right thing. The veins of designing with care run through the edition, wide and deep. It captures, not designers as heroes, but those with humble views, exposing the need to understand a diversity of perspectives when trying to comprehend the complexity that Covid-19 continues to generate. As graphic designers, illustrators and visual communicators, contributors have created, documented, written, visualised, reflected, shared, connected and co-created, designed for good causes and re-defined what it is to be a student, an academic and a designer during the pandemic. This poignant period in time has driven us, through isolation, towards new rules of living, and new ways of working; to see and map the world in a different light. A light that is uncertain, disjointed, and constantly being redefined. This Message issue captures responses from the graphic communication design community in their raw state, to allow contributors to communicate their experiences through both their written and visual voice. Thus, the reader can discern as much from the words as the design and visualisations. Through this issue a substantial number of contributions have focused on personal reflection, isolation, fear, anxiety and wellbeing, as well as reaching out to community, making connections and collaborating. This was not surprising in a world in which connection with others has often been remote, and where ‘normal’ social structures of support and care have been broken down. We also gain insight into those who are using graphic communication design to inspire and capture new ways of teaching and learning, developing themselves as designers, educators, and activists, responding to social justice and to do good; gaining greater insight into society, government actions and conspiracy. Introduction: Victoria Squire - Coping with Covid: Community, connection and collaboration: James Alexander & Carole Evans, Meg Davies, Matthew Frame, Chae Ho Lee, Alma Hoffmann, Holly K. Kaufman-Hill, Joshua Korenblat, Warren Lehrer, Christine Lhowe, Sara Nesteruk, Cat Normoyle & Jessica Teague, Kyuha Shim. - Coping with Covid: Isolation, wellbeing and hope: Sadia Abdisalam, Tom Ayling, Jessica Barness, Megan Culliford, Stephanie Cunningham, Sofija Gvozdeva, Hedzlynn Kamaruzzaman, Merle Karp, Erica V. P. Lewis, Kelly Salchow Macarthur, Steven McCarthy, Shelly Mayers, Elizabeth Shefrin, Angelica Sibrian, David Smart, Ane Thon Knutsen, Isobel Thomas, Darryl Westley. - Coping with Covid: Pedagogy, teaching and learning: Bernard J Canniffe, Subir Dey, Aaron Ganci, Elizabeth Herrmann, John Kilburn, Paul Nini, Emily Osborne, Gianni Sinni & Irene Sgarro, Dave Wood, Helena Gregory, Colin Raeburn & Jackie Malcolm. - Coping with Covid: Social justice, activism and doing good: Class Action Collective, Xinyi Li, Matt Soar, Junie Tang, Lisa Winstanley. - Coping with Covid: Society, control and conspiracy: Diana Bîrhală, Maria Borțoi, Patti Capaldi, Tânia A. Cardoso, Peter Gibbons, Bianca Milea, Rebecca Tegtmeyer, Danne Wo

    Strategies for Early Learners

    Get PDF
    Welcome to learning about how to effectively plan curriculum for young children. This textbook will address: • Developing curriculum through the planning cycle • Theories that inform what we know about how children learn and the best ways for teachers to support learning • The three components of developmentally appropriate practice • Importance and value of play and intentional teaching • Different models of curriculum • Process of lesson planning (documenting planned experiences for children) • Physical, temporal, and social environments that set the stage for children’s learning • Appropriate guidance techniques to support children’s behaviors as the self-regulation abilities mature. • Planning for preschool-aged children in specific domains including o Physical development o Language and literacy o Math o Science o Creative (the visual and performing arts) o Diversity (social science and history) o Health and safety • Making children’s learning visible through documentation and assessmenthttps://scholar.utc.edu/open-textbooks/1001/thumbnail.jp

    Supporting girls and young women victims of sexual harassment in schools : "me and you and everyone we know"

    Get PDF
    This article highlights an innovative project, across three European countries (Italy, Sweden and Romania), that used a pictorial co-design educational tool to empower young women to counter sexual harassment and abuse. Data is very hard to obtain on levels of sexual harassment and the project revealed that there was a need to educate female and male students, as well as professionals of its long-term impact. The co-designed cards generated discussion and comments both with the young participants and educational professionals. Focus groups were organised in the three countries with students using the co-design tool. What emerged from those focus groups are different attitudes towards sexual harassment and how this may affect girls and young women in the three participating countries. This article reflects upon the use of a transnational co-design tool to prevent sexual harassment and abuse in schools. The main aim was to promote a dialogue with young people on the complexity of issues surrounding this topic in order to promote change in this area. Findings from this project revealed that there was much variation between the three countries in a number of important areas, such as the support and knowledge base on the issue
    • …