Mimesis stories: composing new nature music for the shakuhachi

Nature is a widespread theme in much new music for the shakuhachi (Japanese bamboo flute). This article explores the significance of such music within the contemporary shakuhachi scene, as the instrument travels internationally and so becomes rooted in landscapes outside Japan, taking on the voices of new creatures and natural phenomena. The article tells the stories of five compositions and one arrangement by non-Japanese composers, first to credit composers’ varied and personal responses to this common concern and, second, to discern broad, culturally syncretic traditions of nature mimesis and other, more abstract, ideas about the naturalness of sounds and creative processes (which I call musical naturalism). Setting these personal stories and longer histories side by side reveals that composition creates composers (as much as the other way around). Thus it hints at much broader terrain: the refashioning of human nature at the confluence between cosmopolitan cultural circulations and contemporary encounters with the more-than-human world

Temporal Variability and Stability in Infant-Directed Sung Speech: Evidence for Language-specific Patterns.

In this paper, sung speech is used as a methodological tool to explore temporal variability in the timing of word-internal consonants and vowels. It is hypothesized that temporal variability/stability becomes clearer under the varying rhythmical conditions induced by song. This is explored crosslinguistically in German – a language that exhibits a potential vocalic quantity distinction – and the non-quantity languages French and Russian. Songs by non-professional singers, i.e. parents that sang to their infants aged 2 to 13 months in a non-laboratory setting, were recorded and analyzed. Vowel and consonant durations at syllable contacts of trochaic word types with ¦CVCV or ¦CVːCV structure were measured under varying rhythmical conditions. Evidence is provided that in German non-professional singing, the two syllable structures can be differentiated by two distinct temporal variability patterns: vocalic variability (and consonantal stability) was found to be dominant in ¦CVːCV structures whereas consonantal variability (and vocalic stability) was characteristic for ¦CVCV structures. In French and Russian, however, only vocalic variability seemed to apply. Additionally, findings suggest that the different temporal patterns found in German were also supported by the stability pattern at the tonal level. These results point to subtle (supra) segmental timing mechanisms in sung speech that affect temporal targets according to the specific prosodic nature of the language in question