Photographic tone reproduction for digital images

technical reportA classic photographic task is the mapping of the potentially high dynamic range of real world luminances to the low dynamic range of the photographic print. This tone reproduction problem is also faced by computer graphics practitioners who must map digital images to a low dynamic range print or screen. The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator. In particular, we use and extend the techniques developed by Ansel Adams to deal with digital images. The resulting algorithm is simple and is shown to produce good results for the wide variety of images that we have tested

A Tone reproduction study of a digital image processing system

Photographic tone reproduction analysis was applied to a digital image processing system (DIPS) . The problem was to calculate computer mapping functions for the DIPS that would cause input scenes to be reproduced having Clark\u27s tone reproduction characteristics. Using the graphical method of a Jones Diagram, unique computer mapping functions were constructed for four images processed by the DIPS. After processing the imagery in the computer, the pixels were reconstructed into photographic transparencies for projection in a specially designed projection area. The results of this work concluded that tone reproduction analysis is useful in studying the macro effect of luminance transfer through a DIPS , and that tone reproduction characteristics may be modified digitally using pre-determined computer mapping functions

Land classification of south-central Iowa from computer enhanced images

The author has identified the following significant results. Enhanced LANDSAT imagery was most useful for land classification purposes, because these images could be photographically printed at large scales such as 1:63,360. The ability to see individual picture elements was no hindrance as long as general image patterns could be discerned. Low cost photographic processing systems for color printings have proved to be effective in the utilization of computer enhanced LANDSAT products for land classification purposes. The initial investment for this type of system was very low, ranging from $100 to$200 beyond a black and white photo lab. The technical expertise can be acquired from reading a color printing and processing manual

ArchiVISTA: A New Horizon in Providing Access to Visual Records of the National Archives of Canada

published or submitted for publicatio

Between digital and physical: some thoughts on digital printmaking

Paper discussing how digital printmaking relates to traditional physical printmaking. The relationship between online image and the physical product and how they fundamentally differ. Paul Coldwell uses examples of his own work to explore these ideas

Digital Image

This paper considers the ontological significance of invisibility in relation to the question ‘what is a digital image?’ Its argument in a nutshell is that the emphasis on visibility comes at the expense of latency and is symptomatic of the style of thinking that dominated Western philosophy since Plato. This privileging of visible content necessarily binds images to linguistic (semiotic and structuralist) paradigms of interpretation which promote representation, subjectivity, identity and negation over multiplicity, indeterminacy and affect. Photography is the case in point because until recently critical approaches to photography had one thing in common: they all shared in the implicit and incontrovertible understanding that photographs are a medium that must be approached visually; they took it as a given that photographs are there to be looked at and they all agreed that it is only through the practices of spectatorship that the secrets of the image can be unlocked. Whatever subsequent interpretations followed, the priori- ty of vision in relation to the image remained unperturbed. This undisputed belief in the visibility of the image has such a strong grasp on theory that it imperceptibly bonded together otherwise dissimilar and sometimes contradictory methodol- ogies, preventing them from noticing that which is the most unexplained about images: the precedence of looking itself. This self-evident truth of visibility casts a long shadow on im- age theory because it blocks the possibility of inquiring after everything that is invisible, latent and hidden

Processing of ERTS imagery for dissemination purposes

The author has identified the following significant results. This work reveals that the normal color composite rendition of land areas is not suitable for the depiction of clear shallow seas where optimum depiction of the sea bottom is critical. Either in the digital or analog, domain response must be altered from that now employed for land areas