A Neural Algorithm of Artistic Style

In fine art, especially painting, humans have mastered the skill to create unique visual experiences through composing a complex interplay between the content and style of an image. Thus far the algorithmic basis of this process is unknown and there exists no artificial system with similar capabilities. However, in other key areas of visual perception such as object and face recognition near-human performance was recently demonstrated by a class of biologically inspired vision models called Deep Neural Networks. Here we introduce an artificial system based on a Deep Neural Network that creates artistic images of high perceptual quality. The system uses neural representations to separate and recombine content and style of arbitrary images, providing a neural algorithm for the creation of artistic images. Moreover, in light of the striking similarities between performance-optimised artificial neural networks and biological vision, our work offers a path forward to an algorithmic understanding of how humans create and perceive artistic imagery

James and Whitehead: Assemblage and Systematization of a Deeply Empiricist Mosaic Philosophy

This paper contributes to a growing body of philosophical and psychological work that draws parallels between the writings of William James and Alfred North Whitehead. In Part One I introduce Whitehead’s distinction between assemblage and systematization (section 1) and suggest that Whitehead’s philosophy was in part a systematization of James’ psychological and philosophical assemblage (section 2). The systematization is based on a rethinking of the entity/function contrast (section 3) by way of Whitehead’s concept of the actual entity/occasion (section 4). This permits a process-oriented ontological extension and James’ notion of pure experience (sections 5 & 6), which yields a deepened version of radical empiricism (section 7). The four sections of Part Two build a more specific argument that James’ often implicit distinctions between energetic, perceptual, conceptual and discursive modes of experience can be systematized by way of Whitehead’s concepts of causal efficacy, presentational immediacy and symbolic reference. Following the suggestion of Magritte’s famous Ceci n’est pas une Pipe artwork, this yields an analysis of the sum of human experience into four progressively integrated factors: power, image, proposition and enunciation

Cultural-based visual expression: Emotional analysis of human face via Peking Opera Painted Faces (POPF)

© 2015 The Author(s) Peking Opera as a branch of Chinese traditional cultures and arts has a very distinct colourful facial make-up for all actors in the stage performance. Such make-up is stylised in nonverbal symbolic semantics which all combined together to form the painted faces to describe and symbolise the background, the characteristic and the emotional status of specific roles. A study of Peking Opera Painted Faces (POPF) was taken as an example to see how information and meanings can be effectively expressed through the change of facial expressions based on the facial motion within natural and emotional aspects. The study found that POPF provides exaggerated features of facial motion through images, and the symbolic semantics of POPF provides a high-level expression of human facial information. The study has presented and proved a creative structure of information analysis and expression based on POPF to improve the understanding of human facial motion and emotion

The art of tropical travel, 1768-1830

Book synopsis: Georgian Geographies provides an innovative interdisciplinary examination of the geographical nature of culture and society in eighteenth-century Britain and the British world. The book's introduction identifies the key areas of study as the geographical constitution of empire, the Enlightenment and the public sphere. These themes are explored by examining the connections between space, place and landscape in the eighteenth century in relation to the emergent empire in the Caribbean and north-west America, and in Britain itself. The topics considered include landscape painting, London's art world, geography's book, mapping, the geography of erotic fiction, provincial science, and the production of domestic space in the early English novel. It will be an essential contribution to eighteenth-century studies for research and teaching staff, postgraduates and advanced undergraduate students in geography, history, literary studies, the history of art, postcolonial studies and the history of science

Reading the Emotions of Salome: Sympathy for the Devil or Fear and Loathing

In October 1876 Gustave Flaubert was engaged in writing what would become perhaps his most well-known and successful piece of short fiction, A Simple Heart. This narrative dissects the life of an innocent servant woman, ironically named Felicity, who rransfers her love and spiritual devotion from object to object until she finally settles, afrer life\u27s many disappointments, on a stuffed and tattered parrot as the incarnation of her god of love. The horror of Flaubert\u27s story can be located in his dark and cynical portrayal of love and spiritual devotion as a form of fetishism, a mad scramble for apparently random substitute objects to compensate for the original wound in the psyche, the primordial fall we all supposedly make from a sense of original wholeness and self-sufficiency within the individual ego into psychic fragmentation. Felicity\u27s pathetic stuffed parrot functions as a fetish, while fetishism-or the displacement of the sexual object by a metonymic substitute-stands in Flaubert as the originating source of both love and religious worship

Multimedia information technology and the annotation of video

The state of the art in multimedia information technology has not progressed to the point where a single solution is available to meet all reasonable needs of documentalists and users of video archives. In general, we do not have an optimistic view of the usability of new technology in this domain, but digitization and digital power can be expected to cause a small revolution in the area of video archiving. The volume of data leads to two views of the future: on the pessimistic side, overload of data will cause lack of annotation capacity, and on the optimistic side, there will be enough data from which to learn selected concepts that can be deployed to support automatic annotation. At the threshold of this interesting era, we make an attempt to describe the state of the art in technology. We sample the progress in text, sound, and image processing, as well as in machine learning