Competition and cooperation: Libraries and publishers in the transition to electronic scholarly journals

The conversion of scholarly journals to digital format is proceeding rapidly, especially for those from large commercial and learned society publishers. This conversion offers the best hope for survival for such publishers. The infamous "journal crisis" is more of a library cost crisis than a publisher pricing problem, with internal library costs much higher than the amount spent on purchasing books and journals. Therefore publishers may be able to retain or even increase their revenues and profits, while at the same time providing a superior service. To do this, they will have to take over many of the function of libraries, and they can do that only in the digital domain. This paper examines publishers' strategies, how they are likely to evolve, and how they will affect libraries

Open Access Publishing: A Literature Review

Within the context of the Centre for Copyright and New Business Models in the Creative Economy (CREATe) research scope, this literature review investigates the current trends, advantages, disadvantages, problems and solutions, opportunities and barriers in Open Access Publishing (OAP), and in particular Open Access (OA) academic publishing. This study is intended to scope and evaluate current theory and practice concerning models for OAP and engage with intellectual, legal and economic perspectives on OAP. It is also aimed at mapping the field of academic publishing in the UK and abroad, drawing specifically upon the experiences of CREATe industry partners as well as other initiatives such as SSRN, open source software, and Creative Commons. As a final critical goal, this scoping study will identify any meaningful gaps in the relevant literature with a view to developing further research questions. The results of this scoping exercise will then be presented to relevant industry and academic partners at a workshop intended to assist in further developing the critical research questions pertinent to OAP

Universities and article copyright

In all the debates about copyright and intellectual property in recent years, the battle lines have tended to be drawn between librarians and publishers. This neglected what in some ways is the most important player of all, the employer. There seems little doubt that the university owns the copyright in articles, and universities are beginning seriously to turn their attention to this. Whether the article is in printed and/or electronic form probably makes no difference in law to ownership, but custom and practice are important here. A study has just been completed by the Centre for Educational Systems at Strathclyde University at the request of the Funding Councils to review current practice and benchmark the present position against future action. Higher education has turned itself into big business and as a result is beginning to contemplate more fully how to manage its assets. The total turnover in the sector now exceeds £10 billion pounds per annum. An 'average' university will have a turnover in the region of £120-150 million, less than half of which comes directly from the state. More than half of funds now come from a combination of overseas student fees, competitively tendered research grants, endowment income and intellectual property rights. This last can increasingly represent several millions of pounds and the figure is growing. Quite apart from some of the ownership questions raised below, staff structures are increasingly organized to allow some staff additional research time for the benefit of all. Universities have no other purpose than the creation, dissemination, understanding and development of knowledge, and it is inevitable that intellectual property asset management is an area of growing concern

Confronting the challenge : Innovation in the regulation of broadcasting in Malta

This discussion paper attempts to provide an overview of certain aspects of the broadcasting sector in Malta. In particular, it focuses on clauses 118 and 119 of the Constitution of Malta as well as the Broadcasting Act, exploring possibilities for innovation in the sector while also taking into account the implications of rapid changes brought about by new technologies.N/

Property and the Construction of the Information Economy: A Neo-Polanyian Ontology

This chapter considers the changing roles and forms of information property within the political economy of informational capitalism. I begin with an overview of the principal methods used in law and in media and communications studies, respectively, to study information property, considering both what each disciplinary cluster traditionally has emphasized and newer, hybrid directions. Next, I develop a three-part framework for analyzing information property as a set of emergent institutional formations that both work to produce and are themselves produced by other evolving political-economic arrangements. The framework considers patterns of change in existing legal institutions for intellectual property, the ongoing dematerialization and datafication of both traditional and new inputs to economic production, and the emerging logics of economic organization within which information resources (and property rights) are mobilized. Finally, I consider the implications of that framing for two very different contemporary information property projects, one relating to data flows within platform-based business models and the other to information commons

Library Resources: Procurement, Innovation and Exploitation in a Digital World

The possibilities of the digital future require new models for procurement, innovation and exploitation. Emma Crowley and Chris Spencer describe the skills staff need to deliver resources in hybrid and digital environments. The chapter demonstrates the innovative ways that librarians use to procure and exploit the wealth of resources available in a digital world. They also describe the technological developments that can be adopted to improve workflow processes and they highlight the challenges faced on this fascinating journey

Digital Technology and Cultural Policy

This paper reviews how digital technology, and the devices and broadband networks associated with it (the Internet, for short), can be expected to a ect the ways in which books, music, the visual arts, libraries and archived cultural heritage (cultural goods, for short) are produced, distributed and consumed. The paper has four parts. First, I place the growth of the Internet in historical and comparative perspective. I argue that the United States is presently engaged in a regulatory e ort similar in intent to those imposed on earlier communications revolutions. In this context, I outline the ways that the Internet can be expected to change how people produce and consume cultural goods. I distinguish between practices the technology makes possible and practices likely to become established as typical for the majority of people. Second, I discuss some of the new arenas for cultural policy thrown up by the Internet. I argue that, just as it has bound many kinds of cultural content into a single medium, the Internet has tied together a variety of regulatory issues and brought cultural policy into contact with areas of policy-making not normally associated with culture. Third, I focus on the relationship between creativity, consumption and copyright law. Fourth, I describe a number of key conflicts over the Internet's architecture and content. How these are resolved through policy choices will have important consequences for how we consume and experience cultural goods of all kinds in the future.

Intellectual Property Rights of Electronic Information in the Age of Digital Convergence

The laws of intellectual property aim to protect owners of the literary, dramatic, musical, and artistic works; designs, innovations and inventions from unauthorized use or exploitation by some one else. Though every country has enacted laws to protect intellectual property of its citizens, many infringements take place and a majority of them end up in courts of law. The developments in information and communication technologies made the situation grimmer. This paper briefly explains the copyright and protection of electronic information, its security in network environment, and copyright provisions for databases, multimedia works, and computer software. The relevant provisions of the European Union, the American and the Indian legislative developments as well as the international efforts were touched. The various facets of the information Technology Act and the recently tabled Communications Convergence Bill have been discussed. Despite all the legislative efforts, a level playing field is needed for the rights owners, publishers, library professionals and user

DON\u27T PANIC!: an unhurried critique of copyright and the potential for alternatives.

This study contributes to the field of critical copyright studies through an engagement with the legal and cultural history of copyright doctrine. This thesis considers the prominent philosophies employed to justify copyright and investigates the logic of the incentive argument, which holds that creativity will not occur unless regulatory systems of enforcement are in place. It explores the effects of trade liberalisation and the US Free Trade agenda on contemporary global, American and Australian copyright regimes. This inquiry maps the intersections of copyright law, politics, commerce and digital cultural activities, examining both the conflicts and sites of possible amity in regards to the rights of owners and users of copyright protected materials. This thesis employs three case studies to provide a critique of alternative and complimentary systems of copyright management, examining the potential for copyright licensing schemes to contribute to the expansion of knowledge, innovative behaviours and open content production in the digital environment